Due to the lack of clips on the interwebs from the PBC, I decided to upload some clips for us to have some reference if somebody is interested on this hardware compressor.
Not a very scientific A/B test, I just used JeffTD DI's (guess which ones) and downloaded the first mix I found to track some vox (sorry I don't remember whose mix is, so chime in if you recognise your work and thanks). I recorded only some seconds of the chorus myself with cleans and screams to have some variety of sounds to work with. I suck, there are some loud breaths, plosives and noises while holding the mic but you can get an idea. I simply didn't put much work while tracking but it's not too bad. The vox volume is a bit louder to hear the details better.
I tried to push both as hard as possible without getting too many artifacts (there are some, anyway). Volumes adjusted by ear as peaks/rms were impossible to match so there's a difference between them. Don't come saying the test is flawed, blah blah. I could make more clips with only the dry vox and different settings on both CLA and PBC if there would be some interest.
Gear used:
Sm7b (no hpf/no boost)-> RME Babyface
CLA 76 Bluey: Analog 60hz in, Ratio 20. Top release. Attack 5
PBC 6a: Thick mode on, top ratio, top release, att 4,5
Just HPF at 100hz and some delay and reverb in parallel.
Nothing on the 2nd buss.
This test would be non-sense in a real mix cause I'd adjust them softer and work in stages but, again, you can get an idea of the sound of the unit when driven hard. Blind test for you not to get biased so feel free to say which one you like better.
http://dl.dropbox.com/u/2752959/Rose%20of%20Sharyn%20Vox%20Tony%20Recio%20MIX%201.mp3
http://dl.dropbox.com/u/2752959/Rose%20of%20Sharyn%20Vox%20Tony%20Recio%20MIX%202.mp3
Not a very scientific A/B test, I just used JeffTD DI's (guess which ones) and downloaded the first mix I found to track some vox (sorry I don't remember whose mix is, so chime in if you recognise your work and thanks). I recorded only some seconds of the chorus myself with cleans and screams to have some variety of sounds to work with. I suck, there are some loud breaths, plosives and noises while holding the mic but you can get an idea. I simply didn't put much work while tracking but it's not too bad. The vox volume is a bit louder to hear the details better.
I tried to push both as hard as possible without getting too many artifacts (there are some, anyway). Volumes adjusted by ear as peaks/rms were impossible to match so there's a difference between them. Don't come saying the test is flawed, blah blah. I could make more clips with only the dry vox and different settings on both CLA and PBC if there would be some interest.
Gear used:
Sm7b (no hpf/no boost)-> RME Babyface
CLA 76 Bluey: Analog 60hz in, Ratio 20. Top release. Attack 5
PBC 6a: Thick mode on, top ratio, top release, att 4,5
Just HPF at 100hz and some delay and reverb in parallel.
Nothing on the 2nd buss.
This test would be non-sense in a real mix cause I'd adjust them softer and work in stages but, again, you can get an idea of the sound of the unit when driven hard. Blind test for you not to get biased so feel free to say which one you like better.
http://dl.dropbox.com/u/2752959/Rose%20of%20Sharyn%20Vox%20Tony%20Recio%20MIX%201.mp3
http://dl.dropbox.com/u/2752959/Rose%20of%20Sharyn%20Vox%20Tony%20Recio%20MIX%202.mp3