what mics would you use

Strachan of D

resident dyslexic
May 8, 2010
325
0
16
Paisley,Scotland
hi if you were given theese mics to record a drum kit what would you use

Se electronics Gemini II 2

Se electronics SE4400a 2

AKG C414B-ULS 4

Akg C451B 2

AKG D112 2

AKG Drumset Big-ish 1

AKG C1000S 2

Audio Technica AE3000 2

Audio Technica AT849

Audio Technica ATM35

Blue Ball 2

Blue dragonfly 2

Blue kiwi 2

RODE NT2000 2

RODE NT5 2

Sennheiser Drum pack 2

Sennheiser MD421 4

Shure beta52 2
Shure beta 58a 5

Shure beta 57a 6

Shure SM57lc 12

Shure SM58lc 9
 
for me pretty much same as above:

kick inside - beta 52
kick outside - akg d112
snare top - beta 57
snare bottom - 57
toms - 421s
overheads - 451's
stereo room - 414's (or pretty much any ldc mics in a pair)

edit: rhode nt5's would work well for hi hat and ride, but they will most likely not be very necessary.
 
If I were you, I would use extra 3-6 hours just experiment what sounds best and use that. But depending what is in the sennheiser drumpack, here is my suggestions:

- Sennheiser e602, e902, e901 or Shure beta 52 inside the kick by the beater (but I personally hate the snap sound on beta 52)
- Shure beta 52 or AKG D112 at the hole of the kick for the Tad Donley BOOOOM
- Sennheiser e604 or e904 or md421's or shure sm57's for toms depending on the tuning
- Snare top: I would test out different mics before setting the kit up and use the one that sounds best, but SM57 is always a sure choise
- Snare bottom: depends on the tuning of the snare, I've used a big variety of mics and with SM57 a cheap kickmic was actually one of the mics I liked the most with it, but also Röde NT5, e604 and another SM57 is a nice choise.
- Overheads: AKG C414 (AB) or C451 (ORTF), but it requires a high room and that you lift them up very high
- China: AKG C1000
- Hihat: try what sounds best (also try both below and above the hihat), I would start with a pencil condenser
- Ride: same here, but I suggest that you try and start micing it below near the bell
- Room: AKG C414
 
If I were you, I would use extra 3-6 hours just experiment what sounds best and use that. But depending what is in the sennheiser drumpack, here is my suggestions:

- Sennheiser e602, e902, e901 or Shure beta 52 inside the kick by the beater (but I personally hate the snap sound on beta 52)
- Shure beta 52 or AKG D112 at the hole of the kick for the Tad Donley BOOOOM
- Sennheiser e604 or e904 or md421's or shure sm57's for toms depending on the tuning
- Snare top: I would test out different mics before setting the kit up and use the one that sounds best, but SM57 is always a sure choise
- Snare bottom: depends on the tuning of the snare, I've used a big variety of mics and with SM57 a cheap kickmic was actually one of the mics I liked the most with it, but also Röde NT5, e604 and another SM57 is a nice choise.
- Overheads: AKG C414 (AB) or C451 (ORTF), but it requires a high room and that you lift them up very high
- China: AKG C1000
- Hihat: try what sounds best (also try both below and above the hihat), I would start with a pencil condenser
- Ride: same here, but I suggest that you try and start micing it below near the bell
- Room: AKG C414


KLKLK

just im use to using

kick in - d112 or the b52
kick out - the e 602 from the drum pack
snare top side- sm57
snare bottom - e604
tom 1 - e604
tom 2 - md421
hh - nt5
ohs - se44000

or

kick -b52
snare - sm57
tom 1 - akg c158
tom 2 - md421
hh -
oh - 414s if i can get the ones that done have the dodgy hanging half of grilles


oh btw im at college at james watt in scotland we dont have a limited amount a time we can book the studio at night
 
I didn't know what was in the Sennheiser drum pack and I didn't feel like looking, so I would change mine to 901 kick in and 902 kick out
 
KLKLK

just im use to using

kick in - d112 or the b52
kick out - the e 602 from the drum pack
snare top side- sm57
snare bottom - e604
tom 1 - e604
tom 2 - md421
hh - nt5
ohs - se44000

or

kick -b52
snare - sm57
tom 1 - akg c158
tom 2 - md421
hh -
oh - 414s if i can get the ones that done have the dodgy hanging half of grilles


oh btw im at college at james watt in scotland we dont have a limited amount a time we can book the studio at night

don't put the d112 in, it just sounds like shit for snap.