EricT
Don't you ever get...
Heh, they've already played, so most likely they are getting trashed and listening to Virgin Steele SLAY.
[...] or Nuclear Blast.
Claudio was nervous as shit. He told me that he was afraid because they were the only band with screaming vocals as well as clean. He was afraid he'd get booed offstage. I almost slapped him.
Nah, he's probably getting laid right now. All the chicks go fuckin' ga-ga over him because he's so sweet and innocent-looking.
There's always Naplam Records too. All you need is either some goth chick wailing on one of your songs or a folk interlude, and you should be golden.
i would choose sex over that showDude, if he's getting laid right now instead of enjoying an incredible friday night line up (Communic, Virgin Steele, Redemption, PAGAN'S FUCKING MIND, and Sonata Arctica), then shame on him.
this isn't on the topic but if you've recorded your album why are you sending the whole album to labels? i was under the impression that most labels don't want your entire album and won't even listen to it if its that long and that they prefer just a list of what shows you've played, what you've done and a 4 or so song demo so they can listen to it and decide. at least whats what i've heard from the stuff i've read and seminars and stuff i've attended at music camps/info from musicians/people that run labels.
ah ok, i was just under the impression that labels would prefer a few songs to decide if they like your band's sound and if you've played enough to be ready and they don't want to listen to a full album because they get so much other stuff, but your idea makes a bit more sense.
As a fan, I don't really like the release politics or the roster of NB, but AFAIK they treat the artists quite well. Whereas Roadrunner (especially Roadrunner US) treats some bands like slave whores... Spitfire ain't that good either.
It's actually quite the opposite. If you've done an album really well and the production is quite good, they'd prefer that because that means they don't have to spend tons of money on studio time, instruments and equipment, layout artists, etc. Maybe bigger labels like Nuclear Blast, Century Media, Roadrunner, etc. would prefer a demo so they can change the aesthetic of your album to meet what's popular, but a lot of underground labels prefer a completed album. It's just math.