According to last.fm we've got some tracklengths:
01. Overture - 4:14
02. Nevermore - 5:30
03. Underworld - 5:48
04. Without You - 5:51
05. Kiss Of Fire - 5:09
06. Charon - 6:06
07. Hell And Back - 9:23
08. In My Darkest Hour - 4:22
09. Run With The Devil - 5:38
10. Swansong - 7:29
11. Legend - 6:29
Which brings us to a total of: 65:59 which I'm sure is off by 1 second and the actual running time is, of course, 66 minutes.
The word "prog" was never included in the review. It screams "All who enter here abandon hope".
http://www.screammagazine.com/scream2014/anmeldelser/plateanmeldelser/item/404-symphony-x-underworld
Still I think its the bands most varied album to date.
and if you are fans than you should know that Romeo hates when people are saying that SyX is prog/symphonic/power, he never said that SyX is prog or trying to be prog. he always says "we just play metal music"..he never labeled his own music other than metal
i dont get all discussion about are they (still) prog...gues what, WHO CARES?! its just music, its great music, try to look it that way.....and if you are fans than you should know that Romeo hates when people are saying that SyX is prog/symphonic/power, he never said that SyX is prog or trying to be prog. he always says "we just play metal music"..he never labeled his own music other than metal
You should understand, after liking and living songs like "The Edge of Forever", "Through the Looking Glass", "Communion and the Oracle" or "Awakenings" (and i´m only mentioning my favorites), what would you expect?
I liked "Without you". But I miss complexity and "prog" so much in their music. Gentleman of the Snow say it earlier, it´s time to move on. I have to admit, I`ll still have a (Drunken) Listening Party with my friends when I get the album.
The middle acoustic section with the DWOT vibes was pretty neat.
“It's hard not to look at old Scorpions”, laughs Michael, asked about 'Charon', the album's most “Middle eastern-sounding” composition. “We knew we wanted to have a song that got into those tonalities. Again, it’s different than the other ones, but it doesn’t sound like it doesn’t belong. Another favourite of mine is 'Hell And Back', which is melodic and a little reminiscent of some of our stuff from years back; it’s proggy, with a lot of different things going on in the arrangement of it. We didn't have a 20-minute song, so at nine minutes, it seemed like we needed a song that has some length, goes here, dips down here, a little heavier here, and that song was that. And then it’s back to our overarching view of the record, where 'In My Darkest Hour' is hammering the theme of combining a really cool riff with a solid chorus, but with a twist to the arrangement, with the bass kind of taking over for the verse.”