Aaron, have you tried mastering this yourself to get similar results, and did you find it possible with your gear? Was having Jens master it in the end a much better decision than mastering it yourself?
No I haven't actually. As others have stated, I probably could have done an acceptable master myself (perhaps even just as good as Jens) but in my mind, that wasn't really the point. I basically knew that Jens had a good ear for the material (he did a test master too, which I know I sent to you to check out at the time), and I wanted to be able to pass it off to someone I trusted to really make the final call on everything. I wasn't worried about my mixes being poor or anything and that a mastering engineer would need to rescue them in some massive way, but I just felt that there were others who had more experience, a more ideal room, and of course better gear, and I just wanted to spare no expense since the project, our big debut, was particularly important to me.
On top of those practical choices that went into my decision, I really admire Jens and his work, so I mean...why would I not want to at least give him a chance with it? It was cool communicating with him on the project. And as a complete and total bonus, the press release can say that it was mastered by Jens Bogren, which looks good to people who actually pay attention to that stuff
Jens actually mastered it just a tad louder originally (.5 dB), but I felt like it was pushed just a bit too much, and there was a bit of audible clipping in a couple spots that was too obvious to me (of course, being the mixer, I was probably pickier than anyone else in the world would be), so we both agreed that the material would benefit from him backing off just a bit.