~BURNY~
Member
- Apr 20, 2005
- 5,091
- 67
- 48
Sorry Burny! Didn't mean to skip over your post. No, passive pickups for this test. With actives the cable wouldn't matter AS MUCH, but nonetheless, it matters.
Haha! No problem Greg.
Sorry Burny! Didn't mean to skip over your post. No, passive pickups for this test. With actives the cable wouldn't matter AS MUCH, but nonetheless, it matters.
Changed the cable between guitar and DIbox? Really don't know..
Active pickups?
I love how my previous comment got ignored btw. Not that I'm all butt hurt but I thought it was a valid aspect of this issue.
The comment about me being ignored wasn't aimed at you plus I was half joking... Sorry if I wasn't clear.you mean:"Well then plug a no-name 8 inch cable between your guitar and your DI and shit a brick."
After Greg's last comment I think he recorded the riff with cable A, then switched the cable and recorded the riff again (through cable B).update: ok well, clearly Im doing something wrong.
they nulled again?
maybe I didn't put enough thought into designing a proper signal chain for the test...
first, I recorded one chord with my strat straight into my babyface for which I used guitar cable A.
then I played back that signal in reaper and re-recorded through my babyface (headphone out -> radial JDI line input -> XLR out of JDI into interface again)
for the first pass I used cable A between headphone out and JDI line in and recorded that signal. then I switched cable A for B and repeated.
both signals nulled.
now, I think I might not have used the proper signal chain for the test but that's all I could come up with at that moment.
"jipchen", I hope that also answers your question but take my result with a grain of salt.
Some devil's advocate questions:
The lava was new?
What about the monster?
Why not do one with the monster+good XLR's?
I agree with the others that I'd like to hear other guitar cables as well.
I don't distrust the results but the difference between a new guitar cable and one that's been stepped on and rolled over with a chair 1000 times is substancial.
Also, I think a lot of guys here are not understanding that the differences created by guitar cables of different capacitances are more substancial than differences in mic and balanced line level situations and very different from power and speaker cable.
After Greg's last comment I think he recorded the riff with cable A, then switched the cable and recorded the riff again (through cable B).
At least that's how I understood what he said
So you don't have to "re-record" the signal through the different cable but record the take through different cables in the beginning. Obviously the playing will be a bit different but that's where you can edit and try to play as close as possible.
Sorry, short german part incoming:
Bloß weil solche kleinen Unterschiede auf Englisch manchmal missverständlich sind: So wie ich das sehe hat er schlicht den Part zweimal gespielt und aufgenommen. Beim ersten Mal eben mit Kabel A und dann mit Kabel B (und C). Das wieder-aufnehmen wie du es gemacht hast ist zwar auch interessant (hätte da dann auch Unterschiede erwartet) aber - glaube ich - nicht wie Greg den Test gemacht hat.
Did I win something for guessing it right?
I noticed a massive difference in my rig when I changed out all my planet waves leads for $500 worth of George Ls cables and speaker leads. Even my gf could hear a difference while I blind a/b'd her. Mind you I have alot of patching and whatnot so I'm sure the cumulative effect stacked up. I choose to disregard what most tech heads say on this matter as I believe I can hear a qualitative difference. I can only imagine the difference it would make increasing the quality of the signal path in some guys studios when you're in a treated environment with ideal monitoring. I was just in a lounge room with a boogie 4x12.
Interesting test Greg.
I find it hard to believe that one cable would make such a difference. Not trying to say I'm doubting your test, it's that I have cables from several brands (George L, Zaolla, Monster 500, Monster 1000) and to be honest never heard a difference anywhere near you have there.
Time to test cables again and investigate those Lava cables.
Also on the subject, IMO the brightest sounds don't always sound the best when amplified, brightness can be the opposite of warm and a step closer to harsh, fizzy...
I did an interesting test some years ago with several HiFI speaker cables and the most expensive cables Nordost Vahalla (5000Eur a pair of cables) were the ones that sounded worst to me. The ones that sounded best on that system for me were the Monster cable because they were darker. The system components were kind of on the bright side. The Nordost cables and other brands that used silver conduit made the system even worst.
This is all in small amounts, nothing like night and day differences.
Not like differences that most HiFi enthusiasts ear when they talk about different power cables