- Sep 7, 2006
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this is the one big question i've have about taking DI signals purely with the intention of reamping it later, and have never really seen it discussed before
anyways...i'm going to be laying down some DI guitar tracks pretty soon, which are going to be reamped later with some great mics, and through some great pres(1073, API 3124, UA 2-610). what i want to know is what those who have good fortune with reamping do to get the DI tracks - do you typically look for a more transparent signal so that what hits the amp later is what came off of the guitar, or do you try to color the signal on the way in, before it gets colored more in the end?
anyways...i'm going to be laying down some DI guitar tracks pretty soon, which are going to be reamped later with some great mics, and through some great pres(1073, API 3124, UA 2-610). what i want to know is what those who have good fortune with reamping do to get the DI tracks - do you typically look for a more transparent signal so that what hits the amp later is what came off of the guitar, or do you try to color the signal on the way in, before it gets colored more in the end?