shredtastical
SUX!
- Jul 23, 2007
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hey dipshit, if you call it a tritone CHORD (i even bolded it in the quote for you, in case you were too downy to understand ), then you're basically trying to say diminished chord. a tritone is an interval (three whole steps, hence the name; A4/D5, aka the devil's interval), it's not a chord, but a diminished triad/chord does contain the tritone interval in it. and dude, wtf, a diminished triad consists of 3 notes, each with a minor third between them (1 b3 b5). if you want to start getting into sevenths and adding the fourth note, a half diminished adds the minor seven and the fully diminished adds the diminished seven. the half diminished fits diatonically into the major scale and the melodic minor scale, whereas the fully diminished appears in the harmonic minor scale, as well as the diminished scale. and there are more than two things that can be diminished . What would you call the interval of A - Eb? a diminished fifth . and do you even know wtf a sub chord is?
tl;dr: noob has no idea what he's talking about
Exactly. You're a moody bitch most of the time, but at least you know what you're talking about. I just can't stand when people pretend they know their shit and go like "diminished chord consists of four notes" not even realizing that there's a fucking difference between half and fully dim when the 7th comes into the game.
Whatever, metal guitar players...:Smug:
Fetzer said:ITT: New members finally expressing their rages against the regulars.
I know that was meant to be slightly insulting, but i fucking lol'd
@Children of COB: I take theory classes at the Uni, i read theory books, and i study privately with a jazz/classical guy. My suggestion to you would be to go down to your local music store, and pick up a beginning theory workbook. something like one of these, it doesn't have to be fancy:
http://www.amazon.com/Basic-Materia...bs_sr_1?ie=UTF8&s=books&qid=1222047947&sr=8-1
i like this one too
http://www.amazon.com/Scales-Interv...bs_sr_1?ie=UTF8&s=books&qid=1222048007&sr=1-1
just be wary about what you buy, those corporate textbook companies like McGraw-Hill make complete shit. Don't get ripped off by something like this:
http://www.amazon.com/Practical-Beg...bs_sr_1?ie=UTF8&s=books&qid=1222048242&sr=8-1
and for more advanced theory, try something like this
http://www.amazon.com/Tonal-Harmony...bs_sr_1?ie=UTF8&s=books&qid=1222048082&sr=1-1
man, I really miss studying music theory That stuff was really fun.
man, I really miss studying music theory That stuff was really fun.
hey shredtastical, what's your major in uni?
at Shredtastical : Hm no I know exactly what I'm talking about I know almost everything there is to know about musical theory.
What I mean by tritone chord is
And yeah I know the difference between a diminished chord with 4 notes and one with 3 notes I mean...come on lol....
At Shredtastical : Well in fact there's 2 things that can be diminished : a scale and a chord. The diminished chord is when you have 4 notes with a minor 3rd between each of them.
C-Eb-Gb-Bbb (if you wanna keep the good note names)
A diminished chord is a symetric chord.
And I really don't know why I'm writing all this like if I had something to prove but actually I'm at the University in music in Sherbrooke and get a lot of theory, arrangemet and ear training classes so I just fucking know what I'm talking about. it's just that I'm french and that maybe my words don't mean exactly what I'm trying to say so obviously it brings confusion sometimes. Well anyway
(I fucking know what is a tritone and it's interval ffs)
and then you make a chord out of it.
F.E you take that fundamental chord of Cm and it's tritone chord would be F#.
it really is once you get into it.:zombie:
a TRITONE is an INTERVAL. do you fucking know what an INTERVAL is? it is the SPACE BETWEEN TWO NOTES. keyword being TWO. although, credit where credit is due, you have successfully identified an augmented fourth from C. but since you are obviously too illiterate to logically comprehend conventional prose, i emphasized the important bits for you... so just LOOK FOR THE BIG LETTERS AND YOU SHOULD GET THE GENERAL IDEA.
go for music! it's obviously one of your passions, and since you already know theory, I'm sure being admitted into the music program wouldn't be so hard for you. honestly, study something you love, it'll be worth it.
^Why the hell do we have to bring the same stupid thing over and over everytime someone talks about Bodom music??
Face it people: NEOCLASSICAL INFLUENCES IN ALEXI ARE DEAD! They're not coming back! That being said, tell me what from what can be found in HCD, AYDY or BD can be found in other bands. Tell me other bands that do that kind of music please.
I'm ok with people not liking them, but I hate when everybody goes ''oh noes Bodom are not Bodom anymore, they were better before'' when that's not true. Ok, neoclassical was cool and there were loads of cool harmonies and stuff, but it's not like they now stick to LOGish or Slayerish kind of riffs 24/7 lacking harmonies, melodies and cool solos. I challenge you to play Tie My Rope dual melody before the solos or Roope's melody in Smile Pretty For The Devil or Thrashed Lost And Strungout melodies or Chockehold or YBOD while singing it like Alexi used to.
Don't take it as a personal attack to anyone because it's not, but I'm fed up of people complaining about something as a band not wanting to repeat themselves and changing their style. Don't like them? Don't listen to them, but don't bitch about them not releasing a Hatebreeder II.
Now you'll all tell me that you have your rights to complain and that I'm dumb if I can't see that Hatebreeder pwns Blooddrunk, well I'm sorry but I disagree. They're quite different, but any of it is better than the others and besides, I've already said it, but I wouldn't like a band to copy themselves and keep releasing copies of their top album. And for the AYDY haters, I challenge you to look for a band that can compose an album like that in 2 months and when their main songwriter had had a serious injury before the songwriting/recording process.
We've discussed the change of style a thousand times and I think it's pretty clear that there'll always be the neoclassical lover side that will always remember the old days and the people that likes all the stuff, and noone will convice the others, so I find useless flooding all threads with it. The guy came here to write a letter to Bodom. Useless or not we don't know, but I'm sure as hell that the point of this thread was not to reopen the same old discussion which BTW won't have an ending.
Cob Had a very big success with the first 2(or 3) album...but i think it is impossible to think that they could make 6 album at the same level of something wild or hatebreeder...
i'd really really like to, but i just dont think i'm cut out to make it as a performer.
To me HCD, AYDY and BD are exactly at the same level as SW, HB and FTR.