Awesome Kick & Snare Samples w/SoundCloud Sample
- Thread starter LBTM
- Start date
Mago
Austrian Blech Machine
The-Zeronaut
Mixing..Y U SO DIFFICULT?
- Sep 24, 2007
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Habsburgs
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- May 13, 2006
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~BURNY~
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- Apr 20, 2005
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~BURNY~
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- Apr 20, 2005
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Why don't you post the raw version then so we can judge how EQ matching is a miraculous tool? And a multi-samples version?
And while you're at it post a sample of the music of that "band your starting to produce"?
And a picture of your "expensive Avalon preamps" and "high end Avantone mics"?
I'm really starting to think you're full of shit LBTM.
And while you're at it post a sample of the music of that "band your starting to produce"?
And a picture of your "expensive Avalon preamps" and "high end Avantone mics"?
I'm really starting to think you're full of shit LBTM.
~BURNY~
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- Apr 20, 2005
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You know,
I couldn't care less if you cut these from pre-existing records. Everybody does that every now and then.
But I think it's dishonest of you to try to pass these as your own engineering work.
You can EQ the shit of a kick it will never sound that close to another kick because you can't change the original formants nor you can create a new frequency content with an EQ.
Matching EQ works great with distorted guitars because they are distorted (thus creating an very harmonically rich tone) but you can't create something that isn't there in the first place with a digital EQ unless it does some kind of other processing under the hood, and even that will create audible artifacts.
I couldn't care less if you cut these from pre-existing records. Everybody does that every now and then.
But I think it's dishonest of you to try to pass these as your own engineering work.
You can EQ the shit of a kick it will never sound that close to another kick because you can't change the original formants nor you can create a new frequency content with an EQ.
Matching EQ works great with distorted guitars because they are distorted (thus creating an very harmonically rich tone) but you can't create something that isn't there in the first place with a digital EQ unless it does some kind of other processing under the hood, and even that will create audible artifacts.
- Feb 19, 2012
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Again, this is my work and I take it as a compliment you're telling me I've cut them from pre-existing records...
Let's not argue more about this. It won't lead anywhere...
- Feb 19, 2012
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Habsburgs
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You want to believe I'm full of shit? Believe it, I don't give a shit.
EQ matching is a powerful tool if you use it right and you can get some great results.
Again, this is my work and I take it as a compliment you're telling me I've cut them from pre-existing records...
Let's not argue more about this. It won't lead anywhere...
come on.. why would you lie like that?
you take it as a compliment? wtf both samples are from StevenSlate mixed by Joey Sturgis taken from an Of mice and men record.
https://dl.dropboxusercontent.com/u/1159812/LBTM these are not your samples.mp3
- Feb 19, 2012
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you've got the record I was trying to mimic the sound of.
specifically the snare of the song "Second & Sebring" and the kick of the song "Westbound & Down". but does it matter anyway? I recorded and mixed the samples 100%, based on the hits on these songs and I tried to make them as close as possible comparing them side by side.
Habsburgs
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you've got the record I was trying to mimic the sound of.
really??....
like..... you cant match eq a transient and compression. A simple flip phase test shows they are the same sample
Habsburgs
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- May 13, 2006
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that face
