bass tone flow chart

CatharsisStudios

trcksngsrpbngs
Jun 25, 2008
2,198
10
38
for teh br00tz just ask your self these simple questions

tone.jpg
 
If you want it to sound like a fender jazz it is. Seriously though, more than anything they're a known quantity and will consistently give solid tracks. There are plenty of other fantastic sounding basses.
 
The Fender basses are made largely of maple, aren't they?

I've come to realize the brighter tone-woods are the go with bass, so it would make sense they'd be a staple.

fender basses always have the neck made of maple, the fretboard of either maple or rosewood.
the body is mainly alder but a lot of 70's models used ash.

clank is mostly a matter of setup and playing style.
any bass can clank in my opinion.

for modern metal I'd prefer the jazz to the P but the stingray/sterling would get my first vote. on the same level: spectors
for a different flavour: warwick thumb

fretless clank is awesome, think steve digiorgio!
 
custom fender jazz copy (full maple) with a humbucker...

seriously, in my (limited!) experience, if you want a solid basstone to work with a jazz is a sure bet, all the other basses are just serving distinct tonal preferences (like the ibanez / bartolini combo for ultrahifi modern sound, the stingray for the lowmid-wind and nice highmids, warwick for a bit more wood) but the jazz is just THE bass that can always deliver a tone which will at least fit in the mix
 
Not really a fan of the old school playability of Fender basses, as good as they can sound.
The flatter fretboard radius of Ibanez BTB basses is SO much nicer to play
 
I've recorded a fair share of good basses and I can say that:

1) Jazz basses ALWAYS work for everything. You can find better things for a particular style, but they work OK for everything. The Marcus Miller sig J-Bass is AWESOME, btw.
2) Precisions don't work too well for modern stuff, due to a higher voiced sub bass.
3) That Sting signature P-Bass only works for light stuff.
4) Had a couple of Warwick basses on the studio I work on, and they're OK, but their tone is kinda mellow, lacks a little bit of clanckyness for rock.
5) The only Musicman Stingray I've ever recorded sounded like crap, maybe it was a bad one.