So I just picked up a POD X3 bean and I'm really digging it.
I've got a pretty solid chain right now that sounds really dirty if I'm playing anywhere from G-A# (Noise Gate -> Line 6 Big Bottom -> 96 Brit Celest V30 Off Axis Mic -> Boost + EQ -> Compression ::::: Low bass, High mid, Medium treble, High presence, etc. etc.).
My only complaint is that it doesn't hit sound "bright" enough in the higher registers. I'm really striving for something that will give the same grimey tone down low, but with really strong and in-your-face highs. I like to play in higher tunings as well (standard, drop D, drop C), and this djent-like chain I'm using right now isn't cutting it too much.
A good example of something similar is Sithu Aye's tones off of Isles. He plays in Drop D and his highs are just gorgeous.
Any steps in the right direction would be much appreciated!
Thanks.
I'm still totally a novice in terms of production and after-effects, but I'm learning.
Note: I also tried creating another chain that seemed alright, but I relied too much on Parametric EQ to generate a synthetic tone that almost hurt my ears due to the gain. Noise Gate -> 2002 Criminal -> 96 Brit Celest V30 Dynamic Mic -> Boost + EQ -> Compression with high Mids and Treble and Presence, and Parametric EQ boosted Low (slightly), High-mid (slightly), and High (excessively).
I've got a pretty solid chain right now that sounds really dirty if I'm playing anywhere from G-A# (Noise Gate -> Line 6 Big Bottom -> 96 Brit Celest V30 Off Axis Mic -> Boost + EQ -> Compression ::::: Low bass, High mid, Medium treble, High presence, etc. etc.).
My only complaint is that it doesn't hit sound "bright" enough in the higher registers. I'm really striving for something that will give the same grimey tone down low, but with really strong and in-your-face highs. I like to play in higher tunings as well (standard, drop D, drop C), and this djent-like chain I'm using right now isn't cutting it too much.
A good example of something similar is Sithu Aye's tones off of Isles. He plays in Drop D and his highs are just gorgeous.
Any steps in the right direction would be much appreciated!
Thanks.
I'm still totally a novice in terms of production and after-effects, but I'm learning.
Note: I also tried creating another chain that seemed alright, but I relied too much on Parametric EQ to generate a synthetic tone that almost hurt my ears due to the gain. Noise Gate -> 2002 Criminal -> 96 Brit Celest V30 Dynamic Mic -> Boost + EQ -> Compression with high Mids and Treble and Presence, and Parametric EQ boosted Low (slightly), High-mid (slightly), and High (excessively).
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