7thSaviour
Power Metal Maniac
Btw, "The Magician" & "Omega" are two of my faves from AOB!!!

Btw, "The Magician" & "Omega" are two of my faves from AOB!!!
Cool Beans! Ya know brother clay, I started re-listening to AOB about a couple of years ago, cause one of the old WREKage djs, bid told me to go back & listen
to it again, and after MANY TIMES of listening to it a lot now, since then I have to change my opinion and say that AOB, is just as good, or hell even better than "The Chemical Wedding" !!!! The songs are better! the music is better! It's got more catchy hooks & melodies too! Just a very underated Bruce album!!!
Bruce RULES on AOB!!!![]()
HAve you heard Accident of Birth? I think you will like it better... Not as "tuned down and muddy"... And the songs are a bit more catchy.
Brian, Chemical Wedding shits all over the Maiden catalog from several thousand feet above.For those of you that think this is better than BNW, DOD and AMOLAD, I still think you're nuts!![]()
Brian, Chemical Wedding shits all over the Maiden catalog from several thousand feet above.![]()
Seriously though, Brian, go get Accident of Birth. It's a lot more accessible than Chemical Wedding. Once it clicks, you can explore the darker CW. It may take a while to fully grasp it, but believe me, it's the best thing Bruce Dickinson has done in the last 20 years for me.
Cheers!
That said, I also consider AOB and CW to be superior to all post-1990 Maiden stuff, with the exception of Brave New World.
While mixing all my catalogue into Dolby Atmos I had a nagging desire to revisit and reinvent the record. So putting more balls into ‘Balls…’ was a labour of love. Of course, we beefed up the guitars – courtesy of our ‘Swedish shredder’ Philip Naslund and we added some really beautiful work by Adassi Addasi on ‘Tears…’ as well. Fellow Brazilian composer Antonio Teoli added some stunning orchestral arrangements, and in a unique contribution, added indigenous instruments from the Amazon (recorded by himself when he lived there!) at the beginning of ‘Gods Of War’. ‘Shoot All The Clowns’ gets the benefit of a horn section fronted by the Berklee College of Music, and all of the record gets the benefit of the mix by Brendan Duffey, (who worked on The Mandrake Project), with notes along the way from Shay Baby, the original father of the album.