Bruce speaks ...

Can't read it cos there's an advert for a casino that takes up half the page that I can't get rid of :mad:
 
because Blabberbitch sucks

IRON MAIDEN Frontman Explains Why He Is No Rush To Do A Headlining Tour Of America - July 30, 2005
Metal Edge magazine recently conducted an interview with IRON MAIDEN frontman Bruce Dickinson. An excerpt from the chat follows:

Metal Edge: In past discussions, you've expressed a strong distaste for "greatest hits" tours. Yet now you're doing another one on Ozzfest. Why do you have such an issue with them?

Bruce Dickinson: "'Greatest-hits' tours are very seductive things, but what annoys me is, when we do the 'hits' tour in Europe, it's got a different perception. When you do the 'hits' tour here [in the U.S.], the audience is smug, and there's a sense of self-satisfaction, like, 'We got what we wanted…' In Europe, there's a sense of celebration, an ecstasy that goes with it. If I'm looking at an audience that is self-satisfied and happy and fat, and getting what it wants and isn't prepared to get off its ass, what am I? A cabaret? Am I dancing bear that just performs in little circles and they clap? I cannot exist for longer than about five minutes like that. Every now and again I don't have any objections to it, but if it becomes a regular thing, that's not why I got involved. I got involved to become a creative artist. I know human nature, and I accept that people like to hear songs that they know, but not withstanding all that, seeing people who are spiritually dead, applauding not because you did a great version of a song, but only because they're familiar with it, is soul destroying. For all of us in MAIDEN, we put so much into the performance… We're actually better, and more effective, now, physically, than we were when we were 25. When we were 25, we were young, dumb and stupid, drunk all the time and hung over. We appreciate what we can and can't do now, and we feel like we owe it to ourselves to give people 100 percent of our heart and soul. When it's the audiences that are apparently just there for the ride, for a while it's disappointment, then it just turns to anger. Why are we doing this to ourselves when the people apparently don't care? They want to see some pastiche shit, and they don't seem to understand that this is our life!"

Metal Edge: That's America, though. This country doesn't want a challenge, they want to be spoon-fed.

Bruce Dickinson: "I understand that's America, but we don't have to tolerate it. It's not a question of being childish and trying to punish them, but if people don't understand what we really do, why do we beat ourselves up by coming here to do it, only to torture ourselves? Because you need the money? We are permanently astonished, in the band, by the different reactions throughout the country, and we can't make any sense of the whole pervasive influence of corporate U.S.A. When you can talk to kids, one on one, it's a completely different than when you get 6,000 of them together. I don't know how we're going to approach America in the future…"

Metal Edge: Does it bother you that people are so driven by the hits that they don't give new material a fair shot?

Bruce Dickinson: "We're very philosophical about it, because we're very aware… Going back to the earliest days of IRON MAIDEN, our first label said we'd never happen in the States, because we were too aggressive, and too out of left field. This was even before I was in the band. Then when we had 'Number of the Beast', people thought we'd convert to TWISTED SISTER and be a flavor of the month. In reality, though, we have more in common with the GRATEFUL DEAD — that's more of who we are. A GRATEFUL DEAD now would be impossible in the United States. The closest you'll get is PEARL JAM, or maybe NEIL YOUNG. We're going to do what we do, which is what we have done. Europe, South America, they've embraced MAIDEN, and to a certain extent, it's unbelievable how the fifteen-, sixteen-year-old kids continue to embrace us there. Where in America we headline a 6,000-seat [venue], in Europe we'll headline a 50,000-seat stadium. For example, French Canada is such an amazing market for us, we deliberately go back there and return the favor. But if people think they just want to see a rock version of 'David Letterman', why should we go there? The money is irrelevant. We can make more money with a two-month hits tour in America than we can touring Japan and Europe. Yes, it's about making a living, but it's about making a living with dignity. Do we really need to go down on bended knee to people that don't care that much about the band? I hate Walmart, and I hate the corporatization of everything in America. I despise it. People need to have their minds made up for them, at this moment, and they need to liberate themselves from that. It drives me nuts… And it's not just America."

Bruce Dickinson's entire interview with Metal Edge is available in the magazine's September 2005 issue, out on the stands now.
 
Ifurin said:
why the christ must blabbermouth capitalise every artist name mentioned

it's pretty annoying


probably the same reason you have a huge font/bold/underlined signature :loco:
 
Ok, read it now, cheers. Christ, check out the bitching underneath:

Truthfully, he's just pissed that we won't lap up any trite, banal piece of shit just because it has Eddie on the cover. Make some decent tunes and the USA will embrace Maiden all over again.

Wow, Americans really are dumb :loco:
 
Been a Maiden fan for 20 years, but I think old Bruce is a little confused. Let’s look at the last 15 years and see who’s focused on the old days:

ALBUM—No Prayer for the Dying (1990)

ALBUM—Fear of the Dark (1992)

LIVE ALBUM—A Real Live One (1993)

LIVE ALBUM—A Real Dead One (1993)

LIVE ALBUM—Live at Donington (1993)

HOME VIDEO—Donington ’92 (1993)

HOME VIDEO—Raising Hell (1994)

ALBUM—The X Factor (1994)

BOXED SET—The Story So Far Pt 1 (1995)

BOXED SET—The Story So Far Pt 2 (1995)

GREATEST HITS—Best of the Beast (1996)

ALBUM—Virtual XI (1998)

BOXED SET—Eddie Head (1998)

GREATEST HITS and fucking video game—Ed Hunter (1999)

ALBUM—Brave New World (2000)

LIVE ALBUM—Rock in Rio (2002)

HOME VIDEO—Rock in Rio (2002)

GREATEST HITS—Edward the Great (2002)

BOXED SET—Eddie’s Archive (2002)

HOME VIDEO—Visions of the Beast (2003)

ALBUM—Dance of Death (2003)

HOME VIDEO—The Early Days (2004)

GREATEST HITS—The Essential Iron Maiden (2005)

HOME VIDEO/LIVE ALBUM—Death on the Road (2005)

Twenty-fucking-four releases, and only four are actual studio albums. Plus, they also released remasters. If Bruce is confused why fans are focused on the band’s old days, maybe it has something to do with the fact that they’re shoving historical shit down our throats every nine months. And how in the hell does he know American audiences are smug about Maiden’s greatest hits tour? Just how does a crowd communicate this smugness? While I’m asking questions, how is it that he says that even though Maiden can make more money on a 2 week tour in the US than they can touring Europe and Asia, those shows attract 50,000 fans while they only get 6,000 in the US? Are they earning ten times more per show or something?

This band is much more like Kiss than the Grateful Dead. Maiden IS a corporation, just like Kiss, their merchandising is out of control and sad as hell. Didn’t I just read that they were releasing like three fucking versions of a single for The Trooper? What the fuck is that about—“Here’s our new single, it’s 20 years old”. The Grateful Dead and Pearl Jam play(ed) a different set every night—Maiden trots out the same fucking tired warhorses each show, played in exactly the same way. Have you been Playing Run to the Hills every night on my behalf, Bruce? Don’t bother. Break out something other than the “hits”—other old shit, more new shit, whatever. I’d be curious to know whether during their last couple years of touring they’ve played all the songs from Dance of Death and Brave New World. I seriously doubt it.

I’m not defending America, I’m defending myself--An American fan, who has spent countless hours and a ton of cash supporting Maiden. Tell you what Bruce, how about you guys spend less time traveling the world selling warmed over material and you get your asses back in the studio and write some new fucking songs.
 
yes, defientelly true about them ...
was just thinking the other day watching the "new" Trooper video .... some live performance .... how they never throw in a jam, a medley, something to make some of the old songs a little more .... I don't know ... whatever.
I saw them last a few years ago and I think it was the last time.
 
Well, they used to break out some cool guitar and drum solos in the old shows, I suppose :blush:

matt99_crew said:
Maiden IS a corporation, just like Kiss, their merchandising is out of control and sad as hell.

Sadly, agreed :(
 
I agree with alot of what Bruce said but Matt99 has some great points.

Grateful Dead, c'mon. the dead did indeed do a different set every night, you never knew what you might hear. and to say the dead phenomenon couldn't happen again ~ wrong. the jam band scene is thriving; it has just become more diverse, with many different bands making a living at it while back in the late 80s, the Dead were virtually by themselves.
 
No question that Maiden have put out more nonessential compilations than anyone could ever need, and the Grateful Dead comparison is inaccurate and more than a bit self-serving, but it's still natural to be disappointed with audiences that want the same identical show every tour And in their defense, they did play half of both BNW and DOD on those tours, and the new songs often got lukewarm responses.
BTW, did Bruce forget that he put out a solo album this year? If only he was touring behind it instead of doing Ozzfest to smug ungrateful corporate tools. :)
 
matt99_crew said it perfectly. I'll simply add, that Bruce comes across as an even bigger hypocrite given that he's currently on tour with Ozzfest.

Put your money where your mouth is. You don't like the American audience? Than fuck off and don't play here.

Zod