Very much my bad...
Umm... you mean Pellaz = Paul = is a guy? ... or is it Paulette in this case?
Alright, alright, re-thread jacking and getting back to the original subject...
It appears everyone here agrees: There is too way too much music out there. What seems to be continuously overlooked on this subject is the "why" and "how". Once we narrow it down to the technology race and the issue of DIY, we all seem to jump onto the piracy subject out the gates again, but truthfully, this isn't "why" there is too much music - Yes, it's a problem, we can all agree on that as well, but it's not the actual "why" there is so much music out there.
This is MY theory once again on the why - the free market concept. What if, for their services to unsigned artists, places like Amazon and iTunes charged and "up-front" fee for distribution or "return fee" if their stuff doesn't sell in a certain time frame like physical distributors do, instead of collecting on the back end after it's already sold? Or, if MySpace and Reverbnation charged a fee for their services, being they are offering a dumbed down service like A&R/band managers/booking agents? Do you think it would narrow the gap, or possibly reduce the amount of artist/music flooding the market? Would it raise the quality of artist? Just a thought and of course, just speculating here....
The initial complaint: Too many indie bands/artist, too many minor or indie labels, and everyone competing on a now level playing field in the digital age, vying for each others fans and their money. So what's going to allow NEW artist to stand out in this massive mess? My thoughts are ...the artist(s) that has the disposable income or working capitol, or even who has sponsors or private investors to make it happen. For example, If all labels big and small were to disappear, this is where it would probably to go. Of course, that most likely won't happen, but food for thought.
I tried to dig up some evidence of this, but came up empty - if anyone can find the articles to prove it would be helpful - but I know for a fact he has mentioned this: Steve Jobs has, on several occasion, mentioned he believes in a "free market" for music, by this, he means that all artist big and small could have a place to sell their music without dealing directly through labels, and that this was one of his goals. On the surface, this is a profound and revolutionary idea for unsigned/indie artist to get their chance and get out there and compete on a whole new level that was never available to them previously, but at the same time, is this REALLY a good idea in the end?
All the semi-pro's that have chimed in on this topic have also said "Touring isn't the answer to making your money back", and that it in itself, is an extreme expense, with other very valid points as to why. So what is a good solution? Seriously, anyone have a good idea... a good guess? LOL!
In fact, I saw this the other day. Not a fan of his bands, but I thought it was interesting to read what Jim Root had to say about the state of affairs from his point of view. In a round about way, He pretty much nails it down that the money is in touring right now, and yet, that's only a temporary fix and works for larger artists. Due to the technology race and there being too many bands out there competing on a level playing field - The last paragraph is the money shot.
http://www.roadrunnerrecords.com/blabbermouth.net/news.aspx?mode=Article&newsitemID=151996
The 50/50 contract is sort of what most minor labels (at least in our genre) have been doing for years. The other option is the controversial 360 deal, which the majors are leaning more towards everyday.
What is everyone's thoughts on these two options? Will either of these new deals between artist and labels cure the industries shortcomings? Or is it all a just a fart in the wind in the long run?