Nidstang
The Melancholy Spirit
Game of Life has to be one of the catchiest songs they've ever written, in the best way possible.
I kind've feel the same way... now that I moved my expectations off of the table I can truly appreciate it. This CD is really growing on me... I will say that I think the vocals need to be more out in front. Michael's voice is very dry on this recording for the most part and gets drowned out by the music at times which is a shame cause he has such a beautiful voice.
Well, upon first listen I'm thinking what the hell happened? I hoping this grows on me, but I hope I don't run out of patience before it does. This by no means is even close to the greatness of The First Chapter...
~Brian~
That was my initial impression ... why the hell are they burying Michael's vocals in the mix? I think with a talent like that his vox should be a bit more out front.
I'm not sure what to think of the disc overall. It seems like quality material, but I haven't come across those tracks that scream for me to play them over and over again.
Britt
Finally ordered my copy yesterday. I may be in the minority on this, but I'm actually hoping for a more Magnificent-ish commercial sound coupled with the ridiculous talent they have. That album for me just rules and Michael just KILLS IT vocally.
I will say that I think the vocals need to be more out in front. Michael's voice is very dry on this recording for the most part and gets drowned out by the music at times which is a shame cause he has such a beautiful voice.
I read this comment, and initially agreed, but then decided that I thought it wasn't really 'crunch' that was missing - but something was different.
Upon repeated listens, I think what is different for me can best be summed up as 'tension'. Let me see if I can try to explain:
The first two albums had a real knack for building tension with one or more passages in a minor key alternating with passages in a 'less minor' or 'barely major' key.
This CD has plenty of minor key passages - but the major key passages are 'very major' - very positive and happy-sounding, which instantly takes the edge off the minor key passages, and this edge is then rarely recovered in time to rebuild that tension.
That is why, to me, it is the 2 longer tracks (excepting the final track) that work best for me - there is enough time to turn happy, but to rebuild the tension I am used to from CM. The shorter tracks are good, but not very memorable for this very reason (possibly excepting "Used"), because of the above-described 'tension discrepancy'.
I hope that makes some sense - it works for me, but may just be confusing to others.
I have now listened to it 4 times through, and I think it is great:Spin:. Isolate was a strong album, but this is better. There are plenty of changes in tempo and dynamics, which I prefer. The emphasis on the progressive intrumentation is back, but still with plenty of room for the fantastic vocals. Will be near the top of my 2012 list.
Why? Because everyone has to agree with you that his vox sound as good as they did on their first album?Maybe you guys need better sound systems or possibly ears?
Why? Because everyone has to agree with you that his vox sound as good as they did on their first album?
It demonstrates an evolution in their style and the dynamics are there to make an epic album without being conceptual..