In the new terrorizer mag:
Blasts from the past
Terrorizers guide to classic albums.
CHILDREN OF BODOM: SOMETHING WILD
WHY IS IT A CLASSIC?
'Something Wild' drew from different sources and ages of metal to create something that could ultimately appeal to all factions of extreme music. The vitality that springs from these riffs and snappy keyboard lines is the result of a perfect marriage of speed, aggression and melody, this at a time when 'melodic metal' wasn't really a term you threw around very often.
"Personally I think the timing of the release was really good" says mainman Alexi Laiho. "There were so many black metal bands trying to sound like Dimmu Borgir, and I think people were looking for something new, which they found with this album." Also, contrary to similar albums that have popped up since (even their own albums), 'Something Wild' feels spontaneous and care free, which can be traced back to the very recording. "When we were working on the album we were in a different situation from the one we have now. No one knew who the fuck we were and we had a shitty record label, which meant we had to pay for everything ourselves. We recorded the whole thing in seven days and it was great fun," says the frontman.
WHAT WERE ITS INSPIRATIONS?
As mentioned before, the heterogenity of its inspirations was the key for it greatness. "We were into alot of death and black metal bands at the time, like dismember, hypocrisy and all the traditional Norwegian black metal." Alexi reveals. "But at the same time i was listening to alot of guitar players and '80's stuff, even Motley crue. It wasn't cool to listen to that sort of 'ladies metal', but i didn't care, I liked it. Thats probulary what made 'Something Wild' different, because it was not all extreme metal, there other things behind it"
HOW WAS IT RECIEVED AT THE TIME?
When you come up with something that has any element of originality, backlash is bound to happen, and 'Something Wild' wasn't recieved with unanimous praise. "It generated controversy," recalls Alexi. "For people who were more into the old school heavy metal, it was to extreme, while for the black metal crowd it wasn't extreme enough." However, overall opinion in the media was vastly positive and the fans begun to pick up on this band with the strange name, to the point of surpassing expectations.
"Overall , it was so much better than we ever expected. We agreed beforehand that if it did good, it could sell 1,000 copies, but then it sold close to 4,000 and we were left wondering what had happened."
HOW IMPORTENT WAS THE ARTWORK?
Although it can't be said that the COB reaper had become an icon of Eddie proportions, for the band themselves it has been essential in establishing an image that fans can easily identify with. As with most things, it wasn't really planned. "The whole reaper thing happened accidently, we were flipping through image books and the minute we saw that picture everyone was like, 'Thats it!' When we were recording the second album, wondering what the cover would be like, someone just said that maybe we could keep using the reaper, and that just stuck around, and that it now a part of the bands image."
HOW INFLUENTIAL DID IT PROVE TO BE?
"Its still the most important album for the band, it put us on the map," claims Alexi, summing up the huge kick-start that it afforded his band. But that map was not saved only Bodom, for along with Nightwish and Sonata Arctica, 1997 became something of a turning point for Finnish metal in general, turning all eyes to this criminally underrated stamping ground for burgeoning metal talent. And of course without Bodom, you can argue bands such as Norther, Kalmah and even Darkest Hour would not have the international recognition they have now. Good that Alexi is a sport about it. "Yeah I hear 'Something Wild' in other bands sometimes. But I think thats a cool thing, It means they like us"
FINISHED!
Apologies for any typo's >.<