Loki Laufeyiarson Member Mar 12, 2010 368 4 18 www.p-a-w.net Nov 4, 2014 #21 Most important thing I feel is (besides pro singer in a good room) is not so much as having a good mic and pre but more a case of the right mic and pre.
Most important thing I feel is (besides pro singer in a good room) is not so much as having a good mic and pre but more a case of the right mic and pre.
El_Gato I love this gain Oct 20, 2007 1,352 1 36 Spain www.myspace.com Nov 4, 2014 #22 Vocalist moving around too much either approaching the mic or facing somewhere else between takes or even in the same take. Room reflections. Pitch and tightness. Compressing too hard on the way in. Compressing too light in the mix. Too bright in the mix. Too dark in the mix. Not ridden enough. Still not ridden enough.
Vocalist moving around too much either approaching the mic or facing somewhere else between takes or even in the same take. Room reflections. Pitch and tightness. Compressing too hard on the way in. Compressing too light in the mix. Too bright in the mix. Too dark in the mix. Not ridden enough. Still not ridden enough.
waltz mastering Member Feb 19, 2010 280 1 18 3rd Stone From The Sun gmail.com Nov 5, 2014 #23 Winston Wolf said: Indeed.I don't think there are any THAT bad converters around these days to significantly affect anything. Click to expand... There's some cheaper stuff out there that show aliasing especially in the highs pretty bad. El_Gato said: Too bright in the mix. Click to expand... Against dark backgrounds or a dark track... Can you tuck the vocals back a bit and make sure the snare is still up?. No .. maybe
Winston Wolf said: Indeed.I don't think there are any THAT bad converters around these days to significantly affect anything. Click to expand... There's some cheaper stuff out there that show aliasing especially in the highs pretty bad. El_Gato said: Too bright in the mix. Click to expand... Against dark backgrounds or a dark track... Can you tuck the vocals back a bit and make sure the snare is still up?. No .. maybe