Dude gets it.
I didn’t say I wasn’t into misanthropy. Misanthropy is definitely an intrinsic part of Botanist. But to answer your question, a lot of my inspiration is black metal. There’s lots of different schools of black metal. There’s the goat semen worshipping devil sacrifice–a-virgin sort of thing. That’s a very important aspect of it, but it’s not what really resonates with me. For me, it’s more about being alone in nature and getting a true sense of yourself in relation to the entire world, as represented by the primordial forces of nature.
I think that really strongly comes from Norwegian culture. Because a lot of what black metal has become today is from this explosion of black metal from 20 to 25 years ago in Scandinavia. Even if they’re not into black metal, the people there have this innate desire to be as far away from their neighbors as possible, and have as much natural surroundings as possible around them.
So that resonates a lot with me. The removing oneself from the constant buzz and false importance of our everyday society. And being able to retreat to nature, which can give us lessons in what is more important.
That’s really the black metal aspect of influence which goes into Botanist.
So is it about misanthropy? Absolutely. I think that the black metal way is to tell the story about, you know, we’re really fucking things up. Not every single person in the world is, but I think at a world cultural level, the consciousness of humanity is not in a really good place.