- Apr 7, 2016
- 73
- 15
- 8
- 34
I finally got to do this. Quite the interesting results. Hope this answers the question if you should get a DI box or not. enjoy.
dude, you should have seen my face when i first heard the DI from the Scarlett. so bash it all you want, it deserves it
i read the 2nd gen has better pre amps. the clipping problem seems to be fixed and the high end seems to be better. but i don´t know how it compares to a DI box. i´d love to test it out myself, but no money.
Wow ok... what the fuck!? I mean, the Scarlett isn't that shitty. It's a "decent" interface, from wha tI know at least.
I'm no expert in signal processing and what not, so I can't try and explaining why. But if anybody can explain to me how that is possible for the Scarlett to sound that different without DI box (in a negative way) and to suddenly sound good with one DI box...? I thought DI boxes were mostly useful for long runs of cable, solving perhaps noise issues, and obviously, to record a DI track as you record a mic'ed track. I never heard that it can completely change the tone?
The Scarlett isn't a bad interface. I've always heard good things about it. I own a NI Komplete Audio 6, which is not much more expensive, and I did make the same test (using the Radial Pro DI) and I was not hearing any difference, with or without DI box.
So, how did you get, with a similar price range interface, such a shitty tone and why did putting a DI box in front of the interface solved the problem... ?:S
i bought my interface new, not used, not b-stock, it´s fresh out of the factory. i think it´s because of mediocre pre amps and converters. one difference is, when you don´t use a DI box you plug into an instrument input. when you do use a DI box you plug into a mic input. it may look like you´re plugging into the same input, but actually the XLR and 1/4" inputs use different circuits. the DI box transforms an unbalanced hi-Z instrument level signal into a balanced low-Z mic level which lets the input on the interface work with it differently. or something like that. for more specific details someone else has to chime in.
well, the 2i2 wouldn´t cut it for me, because for recording tutorials i need more I/O´s and stuff. i definitely want spdif, so it´s gotta be the 6i6. and i really like the DI i´m getting with the Pod and i don´t know how the 2nd Gen Scarletts hold up against that. i already returned the DI box, though. i could perhaps sell my interface and save up a bit on top of that to get a 2nd Gen. but with the setup i have right now that would probably only improve my voice recordings. not sure if that´s worth the hassle.
i bought my interface new, not used, not b-stock, it´s fresh out of the factory. i think it´s because of mediocre pre amps and converters. one difference is, when you don´t use a DI box you plug into an instrument input. when you do use a DI box you plug into a mic input. it may look like you´re plugging into the same input, but actually the XLR and 1/4" inputs use different circuits. the DI box transforms an unbalanced hi-Z instrument level signal into a balanced low-Z mic level which lets the input on the interface work with it differently. or something like that. for more specific details someone else has to chime in.
yeah, you´re right. the signal itself doesn´t have an impedence. but the outputs of the DI box has a different impedence and level than the guitar. that´s what i meant.
Yeah I know you didn't necessarily mean that the signal had an impedance, and don't think that my intentions were to be a bitch about it. It's just that it reminded me that we hear that so often "high impedance signal", and just wanted to bring that up!