File formats etc...

Noumenon

Obsidian Productions
Jul 24, 2005
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Uppsala, Sweden
www.obsidianproductions.se
Not really sure where to put this, so admins please move it if necessary.

Anyway; I'm planning on releasing my album for free on the net. Thinking of several versions (192kps, 320kps, vbr, lossless etcetcetc) and a pdf-booklet. The questions are, what formats/bitrates should I make them and should I make them directly from the sequencer (logic) or should I rip them from the cd-image (I'm making one in case I ever get the money to actually print cds)?
 
Rip them from the CD image. Since the CD will be the final product and the download are just copies of that. I would go with 320kbps MP3 and FLAC as the two formats. Mp3 is still the standard even though M4a may sound better - but at 320kbps, the quality will be decent. FLAC of course is there for those who want the pure version.
 
I don't care who anybody is, you cannot tell the difference in quality from a 16/44.1 wav and 256kbps mp3.

~006
 
in all honesty, i don't find that much of a difference between a 16/44.1 wav and a 192kb mp3

128 is total trash, of course, but beyond 192 the difference is pretty f'ing hard to hear
 
I think a lot of the 'difference' between WAV and good MP3s are how the MP3's are ripped. Some programs default to joint stereo which is not mono but not really stereo either. Also, some have HP / LP filters by default to strip out 'excess' frequencies and enhance compression. I can only imagine that FLAC rippers are the same. I have over 500GB of MP3's and around 192 and up sound very good for the most part. Maybe the advantage of owning shitty speakers is that I can't hear what's missing but ignorance is bliss after all.
 
I don't care who anybody is, you cannot tell the difference in quality from a 16/44.1 wav and 256kbps mp3.

~006

On a good pair of speakers it's pretty easy. In a car or on a pair of low cost monitors (Rokits, Yamaha HS, M-Audio BX, etc)...no you probably won't hear a difference. Like JBroll said there is a difference in the highs.
 
Another reason to rip them from a "CD" version is so that the ID3 tags properly match the album. Especially if you offer the album for download, you don't want people to have to go and tag their own files before throwing them on the ipod. And in the even the CD has slightly different run times - you'd want the mp3 to match the exact track length of the CD version.
 
Yes I know there is a difference in the highs...but as you said, in a car you probably won't notice it. Which is exactly my point. I'm pretty sure most metal fans don't have a $1,000+ monitor setup to listen to music on. Most people listen to music in their cars and on $40 headphones. The high end the mp3 conversion takes away is what? Extreme high end.... Might as well stop low-passing guitars because OMG we're losing high end that way!!! There is a point where the human ear stops picking up frequencies on both ends of the spectrum... last I checked the BULK of the freqs that mp3 conversion disposes of consists of those frequencies we can't hear anyway.

Despite that...do any of you honestly think the average listener can tell the difference? I highly doubt it. Nor would they give a shit if you told them.

~006
 
That's what I'm sayin... all my stuff is 192kbps or 256....mostly 192. Doesn't bother me one single bit.

~006
 
Who's who thread homie - I figured we'd helped each other out with enough stuff (and agreed on enough stuff!) that a first-name basis wouldn't be too presumptuous, hope it's ok!