Posted at Doomsday Music!!
Edit: Shoulda put the actual review here... oops.
Edit: Shoulda put the actual review here... oops.
Around Seattle, there are far to few local bands that are worth a damn. I really think the main reason for this is because most bands are content being “local bands” and make little effort to put forth a product that could be considered a real album, not just a 4 song demo that they can sell at shows for beer money. This is possibly why Shadow Demon stands out as a breath of fresh air. And before any accusations fly, yes I am good friends with the Shadow Demon folks, but all that means is I pay closer attention to every detail, and am far more critical than I would be of any other record. So yes, this is going to get a bit more in depth than I normally would get, but tough titties. On with the review!
The first thing you notice about this album is the guitar tone. They spent a lot of time getting this tone to sound just right, and it works just perfectly. It’s heavy and crunchy, yet retains enough clarity to hear what exactly is being played. Also, the first track is the longest track on the album, an approach that I’ve seen on few other albums. The only album that really comes to mind that the longest track led off the disc is Ghosts of Loss by Swallow the Sun, and that’s a doom record. While personally this is one of my favorite songs on the disc and it doesn’t even feel nearly like a nine minute track, I can see people bitching. It’s what people do best. Drums of War is a bit more straightforward and to the point, and may have been a better choice for album opener because of this fact. Drums of War also shows what will more than likely eventually become the signature Shadow Demon sound with the less conventional, unexpected melody lines and harmonies in the chorus section. This theme re-appears in Brave Murder Day and Umbris Mortis, as well as many of the other tracks to a lesser extent.
There is plenty of diversity on the record. While Shadow Demon is basically a dark metal band (power metal applies in the sense that Nevermore is power metal), they have their moments such as in Brave Murder Day where they bring things down to an almost Mercyful Fate sounding clean section, which is also touched on again in Red. Sea of Oblivion has a black metal sounding intro (blastbeats and all) before going into a very ominous verse. The vocals are distant and have a very almost emotionless sound to them which makes it sound like Blaine is singing from beyond the grave, but then the chorus comes in with a very strong impact.
Older fans of Shadow Demon get a recognizable treat with a re-recorded version of …And the Meek. While it’s not particularly different from the demo, the performance is much more powerful and basically just kicks ass. Blaine’s vocals are much more aggressive than they were on the demo (and this goes for the entire album, not just this song) which is a vast improvement. In fact, this entire album is a big improvement from that demo, including the overall look. This time the Demons decided to have Mattias Noren, who has done cover artwork for bands such as Into Eternity and Evergrey, put together a fucking sweet package for them. Everything about this is incredibly high quality.
I only have a few complaints about this album. My biggest is that the drums don’t stand out as much as they should, and the bass drums especially feel a bit buried. It’s hard to be terribly critical about any part of the sound since everything sounds fantastic, especially since the band did most everything themselves as far as production goes. However, a powerful drum sound like Nevermore’s Dreaming Neon Black would have really helped this album. The only other thing that stands out as something that should be worked on is the solos. Ryan is a fantastic guitarist, but the solos sound like they could have been thought out a bit better. It’s not like they are Kerry King solos, but they don’t completely flow with the song like they should. However, I know he joined the band shortly before the recordings (they may have began recording before Ryan in fact), so he kind of jumped into a hectic situation, so again I am willing to be a bit more lenient. Finally, the one downfall of the album is the song Walking Among the Dead. It’s a good song, but it feels like filler more than any other song. While most of the tracks on this album have a certain feel to them, Walking Among the Dead is probably the song that is most passive for me. It is by no means bad, I just rarely pay much attention, though the solo sounds very Iced Earth inspired.
All in all, this is a fantastic record. Judged not as a “local band’s album” but as a legitimate release, this stands up as one of the best albums released this year. While it does take a bit of time to really sink in, the darkness and superb song craft make this one of the best melodic albums in a long time.