hehe, yeah, I guess my powerball is your JSX
about the riff...
nah, it sucks, I wrote it one night when I was drunk and had to throw up like crazy....feel free to use it though, if you wanna do any shootouts with it I'd send you the DI
emg81 (metaltastic) 808 (9:00, 10:00, 12:00) JSX (6l6 powertubes!) mesa recto cab, sm57+beyer m160--api rme
settings:
pres: 4
reso:5
master: 9.2
treb: 4
mid: 3
bass: 5.3
vol:3.2
gain:5
fx-loop: both maxed
hehe, yeah, I guess my powerball is your JSX
about the riff...
nah, it sucks, I wrote it one night when I was drunk and had to throw up like crazy....feel free to use it though, if you wanna do any shootouts with it I'd send you the DI
Hmm, the mic is definitely too far from the dustcap (it's got that telltale cloudiness), and it's quite muffled, though that might be remedied by moving the mic closer to the center. Also, how come you chose the Blackout DI's? Cuz Lasse was using the ones with the EMG81
Yeah, I agree Lasse's was too bright, but not as much as I think yours was too muffled; I like warm tones too (hence why I worship at the altar of Jens Bogren), but they've gotsta have that cut in the presence to work in a mix, nah'mean jigga? Of course, you know of my STRONG bias against the JSX, so I would nominate that any problem you're having going closer to the dustcap is coming from it, but I'm always open to being proven wrong!
Only problem is, you can't really argue this tone's ability to cut through a mix if there is no mix
but I know it will be hard, maybe even impossible, to sway the opinion of a mind that is already made up...
Dude, turn up the gain! Those clips sound really undergained.