GUITAR TONE COMPETITION IV FINAL ROUND!

My vote goes to....

  • 11

    Votes: 4 5.6%

  • 23

    Votes: 24 33.8%

  • 31

    Votes: 17 23.9%

  • 43

    Votes: 2 2.8%

  • 54

    Votes: 7 9.9%

  • 62

    Votes: 2 2.8%

  • 71

    Votes: 5 7.0%

  • 84

    Votes: 10 14.1%
  • Total voters
    71
  • Poll closed .
Brett - K A L I S I A said:
Funny I would have said the exact opposite, 31 even made the drums sound good to me :) The interaction of the bass with the kick is by far the best of all. Guitar tone is not the best indeed (as ahjteam said it kind of lacks the "wow" factor at first) but overall it's the one where all the elements fit the best to me. Most others are also a bit too metal sounding and grainy considering the style of music I believe although all of them have great qualities.
Click to expand...

i_see_what_you_did_there_RE_Anyone_else_see_it-s450x545-95526-580.jpg
 
11 ~BURNY~ (used real amps, advanced to the finals) http://dl.dropbox.com/u/1338211/GTC4mp3/11.mp3

Rythm guitars:

M-Audio 2626
Radial ProRMP
Boss GE-7
Peavey 6505
(normal gain, Red Channel,gain 5,Bass 4, Mid 2, High 5, Res 2.5, Pres 8.5, post 3)
Marshall 1960BX (Celestion G12m)
Modified Apex 205 ribbon mic
(aimed at the center of the cone with a 45∞ angle, 3,5cm from the grillcloth)
M-Audio stock mic preamp
No post processing

Same for lead 1 but with another speaker from the same cabinet
+Low pass and slight mid boost
+Audio Damage Vapor as a "stereoizer"

Lead 2 same as Lead 1 without Vapor, paned 25% right

Bass Straight DI into W1 limiter/no eq
+fx send to PSP mixtreble and Steinberg Warp Marshall model, low pass filter+ 3db cut at 200Hz, 3db boost at 500HZ

All tracks gated with Kjaerhus golden audio gate

http://dl.dropbox.com/u/1338211/GTC4mp3/GTC4/10/11 ~BURNY~/~BURNY~_cabinetmic.jpg






12 Eternally Gutted (used ampsims) http://dl.dropbox.com/u/1338211/GTC4mp3/12.mp3

ETERNALLY_GUTTED GUITAR CHAIN
-------------------------------

1. TSE808
2. POULIN LECTO V1 (ORANGE, VINTAGE)
3. POULIN LECAB2 -> CATHARSIS S-PRESHIGH IMPULSE
4. C4 - REDUCE LOWS
5. Q8 - HI AND LO PASS, AND SOME CUTS IN THE MIDS AND 3-4 KHZ AREA.
6. PSP VINTAGEWARMER 2 FOR SOME SATURATION

LEAD GUITARS ARE THE SAME, WITHOUT THE VINTAGE WARMER AND WITH SOME REVERB FROM REDLINE AND DELAY FROM TAL-DUB-2. SOME COMPRESSION FOR LEADS TOO.

http://dl.dropbox.com/u/1338211/GTC4mp3/GTC4/10/12 eternally_gutted/eternally_gutted_picture000.jpg
http://dl.dropbox.com/u/1338211/GTC4mp3/GTC4/10/12 eternally_gutted/eternally_gutted_picture001.jpg
http://dl.dropbox.com/u/1338211/GTC4mp3/GTC4/10/12 eternally_gutted/eternally_gutted_picture002.jpg
http://dl.dropbox.com/u/1338211/GTC4mp3/GTC4/10/12 eternally_gutted/eternally_gutted_picture003.jpg
http://dl.dropbox.com/u/1338211/GTC4mp3/GTC4/10/12 eternally_gutted/eternally_gutted_picture004.jpg
http://dl.dropbox.com/u/1338211/GTC4mp3/GTC4/10/12 eternally_gutted/eternally_gutted_picture005.jpg









13 lumpong_bayag (used real amps) http://dl.dropbox.com/u/1338211/GTC4mp3/13.mp3

Guitar> Sex Overdrive (DIY)> Laney lx120Twin > Samson C01/Cad Km212>line 6 ux2
Bass>peavey TKO 115> Samson C01/Cad Km212 > Samson C01/Cad Km212>line 6 ux2

http://dl.dropbox.com/u/1338211/GTC4mp3/GTC4/10/13 lumpong_bayag/lumpong_bayag_picture000.jpg
http://dl.dropbox.com/u/1338211/GTC4mp3/GTC4/10/13 lumpong_bayag/lumpong_bayag_picture001.jpg
http://dl.dropbox.com/u/1338211/GTC4mp3/GTC4/10/13 lumpong_bayag/lumpong_bayag_picture002.jpg
http://dl.dropbox.com/u/1338211/GTC4mp3/GTC4/10/13 lumpong_bayag/lumpong_bayag_picture003.jpg
http://dl.dropbox.com/u/1338211/GTC4mp3/GTC4/10/13 lumpong_bayag/lumpong_bayag_picture004.jpg









14 RaNk (used real amps) http://dl.dropbox.com/u/1338211/GTC4mp3/14.mp3

signal chain:

[Reaper Daw]

-drums [none]
-bass [nebula3, nebula3, DensitymkII, ReaEQ]
-rhythm guitar [nebula 3, nebula 3, ReaEQ]
-lead guitar [nebula 3, nebula 3, ReaEQ, GlaceVerb]

-master [none]

* see picture000 for signal chain, picture001 for routing

recording gear:

Mackie MDR 24/96 recorder
Mackie Analog 32-8 mixer
Little Labs Redeye3D reamp box
Maxon OD808 tubescreamer
ENGL E570 guitar preamp
Behringer Ultracurve Pro equalizer
TC Electronics G-Major 2 guitar fx processor
ENGL E840 guitar poweramp
ENGL 4x12 XXL guitar cabinet
Warwick Hellborg bass preamp
Warwick Hellborg 500 Watt Mono bass poweramp
Aguilar GS 112 bass cabinet
Shure SM 57 microphone
Sennheiser E906 microphone
Audio Technica AT-4035 microphone

http://dl.dropbox.com/u/1338211/GTC4mp3/GTC4/10/14 RaNk/RaNk_picture000.jpg
http://dl.dropbox.com/u/1338211/GTC4mp3/GTC4/10/14 RaNk/RaNk_picture001.jpg






15 unicorn (used real amps) http://dl.dropbox.com/u/1338211/GTC4mp3/15.mp3

RHYTHM GUITARS:

ProRMP Re-amp Box
Bad Monkey (Level 6, Low 8, High 5.5, Gain 5)
Peavey Windsor (Preamp Volume 9, Bass 6.5, Middle 5, Treble 5.8, Master Volume 1.5, Resonance 7, Presence 6.5)
4x12 Cab
G12T-75 with sm57 + Vintage 30 with Audix i5

LEAD GUITARS:
Ampsim Extremist

Bass GUITAR:
Ampsim Nigel

http://dl.dropbox.com/u/1338211/GTC4mp3/GTC4/10/15 unicorn/unicorn_picture001.PNG
http://dl.dropbox.com/u/1338211/GTC4mp3/GTC4/10/15 unicorn/unicorn_picture002.PNG
http://dl.dropbox.com/u/1338211/GTC4mp3/GTC4/10/15 unicorn/unicorn_picture003.PNG
http://dl.dropbox.com/u/1338211/GTC4mp3/GTC4/10/15 unicorn/unicorn_picture004.PNG
http://dl.dropbox.com/u/1338211/GTC4mp3/GTC4/10/15 unicorn/unicorn_picture005.PNG







21 audiosprite (used ampsims) http://dl.dropbox.com/u/1338211/GTC4mp3/21.mp3

Bass guitar (audiosprite_picture004)
- Amp was simply TSE Bod (Onqel) with the bass knob cranked. I experimented with Pod Farm 2's 1989 Eighties amp but chose BOD for its presence.
- Next was the ModernExciter (Antress) with the Low knob at 9:00 to breathe life into the amp sim.
- Electri-Q (AIXcoustic Creations) for a HPF at 38Hz, and a high shelving filter at 2.2kHz taking off 4.4dB to reduce finger noise.
- Lightweight Compressor (Christian W. Budde) with a moderate ratio to soften the attack.

Rhythm guitar (audiosprite_picture003)
- Electri-Q with a 2dB high shelf at 1.4kHz in place of a booster sim. TSS give the rhythm guitars a twangy attack.
- AcmeBarGig's Gimme Head amp sim with the knobs barely varying from 12:00. After experimenting with many other amp sims including heavier ones like TSE X50 and LeCto) I went with Gimme Head to accentuate the pop-punk feel of the tune. I felt that an 'imperfect,' raw, grainy tone would make the song the most fun to listen to.
- LeCab (LePou) with six blended IRs: lolzgreg's ASEM Recto V30 L2, catharsis-awesometime-fredman's s-preshigh, GuitarHacks' EDGE -1 I Inch ala Sneap and JJ BBAE-1, RedWire's Marshall1960A-G12Ms-SM57-Cap-2in, God's Cab's NT5_left_dead_room_pres_4.
- FerricTDS with the dynamic and saturation knobs maxed, because it sounded good.
- ModernExciter with the Low knob set at 12:30, to try to emulate cab speaker movement.
- C4 Multiband Compressor (Waves) set at Erik Monsonis' settings in the God's Cab thread.
- Electri-Q with a HPF at 86Hz, a LPF at 9.6kHz, cut at 3kHz to avoid masking the leads, and attenuation from 4-7kHz to dull some of the amp hiss (it's a bright amp).


Lead guitar (audiosprite_picture002)
- TS's Secret (BTE) as a booster, Sneap settings.
- Gimme Head amp sim again so the tone would resonante best with the rhythm guitars.
- keFIR loaded with lolzgreg's ASEM Recto V30 L2 impulse response
- Electri-Q with a HPF starting just above 100Hz, boost around 3kHz, and a sharp LPF at 13kHz.
- Twin Delay (Rhythm Lab) to give the tune a slight post-rock feel.

http://dl.dropbox.com/u/1338211/GTC4mp3/GTC4/20/21 audiosprite/audiosprite_picture001.png
http://dl.dropbox.com/u/1338211/GTC4mp3/GTC4/20/21 audiosprite/audiosprite_picture002.png
http://dl.dropbox.com/u/1338211/GTC4mp3/GTC4/20/21 audiosprite/audiosprite_picture003.png
http://dl.dropbox.com/u/1338211/GTC4mp3/GTC4/20/21 audiosprite/audiosprite_picture004.png









22 FF666 (used real amps) http://dl.dropbox.com/u/1338211/GTC4mp3/22.mp3

Guitars reamped through a peavey rockmaster using ultra channel with settings as showed in the picture 5
Then I used Mercuriall Cab V 2.1.1 for cab simulation and added a bit of curveeq with a mesa v30 capture as showed in the picture 3
For bass I used GK Amplification 2 Pro for amp simulation and a bit of psp vintagewarmer and req2 for hi pass as showed in the picture 2
And gtr stomp 6 stereo for lead effects as showed in the picture 4

http://dl.dropbox.com/u/1338211/GTC4mp3/GTC4/20/22 FF666/FF666_picture001.JPG
http://dl.dropbox.com/u/1338211/GTC4mp3/GTC4/20/22 FF666/FF666_picture002.JPG
http://dl.dropbox.com/u/1338211/GTC4mp3/GTC4/20/22 FF666/FF666_picture003.JPG
http://dl.dropbox.com/u/1338211/GTC4mp3/GTC4/20/22 FF666/FF666_picture004.JPG
http://dl.dropbox.com/u/1338211/GTC4mp3/GTC4/20/22 FF666/FF666_picture005.JPG









23 Mago (used ampsims, advanced to the finals, won the competition) http://dl.dropbox.com/u/1338211/GTC4mp3/23.mp3

All guitars and bass with Amplitube3
AT3 intern Cab sim for Bass
LeCab2 with 3 impulses (guitarhack & lolzgreg) on rhythm guitars
2 impulses on lead (guitarhack only)

Rhythm guitars British Lead 1 sim with TS
Lead guitars British Lead 2 sim with TS

Short Chamber like reverb (SIRII) on guitars
Automated stereo delay on lead


A bit of tube saturation on bass and rhythm guitars

http://dl.dropbox.com/u/1338211/GTC4mp3/GTC4/20/23 Mago/Mago_picture001.jpg






24 Shadow_Walker aka shadowlurker (used real amps) http://dl.dropbox.com/u/1338211/GTC4mp3/24.mp3

Guitar chain:
DI -> custom reamp box -> Garland tube head -> custom load box -> E-mu 1616m audio interface -> Cubase 6 -> LeCab2 -> 3 x StudioEQ

Bass chain:
DI -> Voxengo Elephant -> MultibandCompressor -> 3 x StudioEQ -> Voxengo Elephant

http://dl.dropbox.com/u/1338211/GTC4mp3/GTC4/20/24 Shadow_Walker/Shadow_Walker_picture001.jpg
http://dl.dropbox.com/u/1338211/GTC4mp3/GTC4/20/24 Shadow_Walker/Shadow_Walker_picture002.jpg
http://dl.dropbox.com/u/1338211/GTC4mp3/GTC4/20/24 Shadow_Walker/Shadow_Walker_picture003.jpg
http://dl.dropbox.com/u/1338211/GTC4mp3/GTC4/20/24 Shadow_Walker/Shadow_Walker_picture004.jpg




25 wolfeman (used real amps) http://dl.dropbox.com/u/1338211/GTC4mp3/25.mp3

All guitars were reamped through a Wolfe Amplification Stinger Head and a Wolfe Amplification 2x12. Two mics were used, an Audix i5 on a V30 and a MD421 on a T75. Mics were blended to taste in the DAW. Tried to use minimal plugins for the guitars. Rhythm tracks had Antress ModernConsoleEQ, and LOSER stereoEnhancer. Leads were Antress ModernCompressor and ReaDelay.

Bass was straight up TSE B.O.D

Nothing fancy. For the life of me I couldn't get rid of some shrill sound that would pop up in the DI's. Maybe I'm the only one that hears it, but after trying multiple amps, cabs, EQ's. etc I couldn't isolate it without destroying the guitar tone even worse. I'm interested to see if other submissions have the same noise.

http://dl.dropbox.com/u/1338211/GTC4mp3/GTC4/20/25 wolfeman/wolfeman_picture001.JPG







31 Brett - K A L I S I A (used real amps, advanced to the finals) http://dl.dropbox.com/u/1338211/GTC4mp3/31.mp3

SIGNAL CHAIN for BASS and GUITARS
Maxon OD820 > Peavey 6505 > Torpedo VB-101 with Decimator ProRackG noise gate

PS: Just a quick note, the send on the Drums track (called BASS SC) is a sidechain for the bass sound, the Drums sound is not altered or processed whatsoever.

http://dl.dropbox.com/u/1338211/GTC4mp3/GTC4/30/31 brettkalisia/brettkalisia_picture001.png
http://dl.dropbox.com/u/1338211/GTC4mp3/GTC4/30/31 brettkalisia/brettkalisia_picture002.png






32 id3alism (used real amps) http://dl.dropbox.com/u/1338211/GTC4mp3/32.mp3

All files excluding the drums track have been pre-processed with Nebula Renderer and
analoginthebox's tube console bundle.

Bass: just onQel's B.O.D blended with the original DI-track and a little bit of EQ + Satson Channel

Guitars:
Rhythm guitars were reamped through an Orange Tiny Terror (unboosted), the cab was a Mesa
Boogie Thiele box with a Vintage 30 speaker. One Sm57 between cap and edge position about 1“
from the grill, into Summit Audio 2ba-221.
In Cubase I added Satson Buss, some EQ boosts + Pultec EQ for the Hi- and Lo-Pass

On the lead guitars I used the UAD 1176 just to smooth the Di-track a little bit and an amp-sim
called Kuassa Amplification Creme with it's cab-sim enabled.
Pultec Eq once again for the Hi- and Lo-Pass and a touch of a small Hall from Lexicon's Pantheon
plug-in.

http://dl.dropbox.com/u/1338211/GTC4mp3/GTC4/30/32 id3alism/id3alism_info.pdf







33 mefourtwelve (used ampsims) http://dl.dropbox.com/u/1338211/GTC4mp3/33.mp3

was missing the info text file, but judging from the photos:

Bass: WarpVST x2
Leads: Gate, TSE 808, TSE X50, Waves C4, Voxengo Boogex, Delay
Rhythm: Gate, Ignite TS999, compressor, TSE TS808, Poulin Lecto, Voxengo Boogex

http://dl.dropbox.com/u/1338211/GTC4mp3/GTC4/30/33 mefourtwelve/mefourtwelve_master bus.png
http://dl.dropbox.com/u/1338211/GTC4mp3/GTC4/30/33 mefourtwelve/mefourtwelve_picture001_bass.png
http://dl.dropbox.com/u/1338211/GTC4mp3/GTC4/30/33 mefourtwelve/mefourtwelve_picture002_leads.png
http://dl.dropbox.com/u/1338211/GTC4mp3/GTC4/30/33 mefourtwelve/mefourtwelve_picture003_rhythm.png







34 Skyweaver (disqualified because the clip was too fast, used real amps) http://dl.dropbox.com/u/1338211/GTC4mp3/34.mp3

Chain:
Out
Fireface 800 > Reamp V2 > Maxon 820 > 5150 > Marshall Cab (V30s)
Fireface 800 > Reamp V2 > Maxon 820 > Blackstar HT5 > Marshall Cab (V30s)

In
Fireface 800 < Buzz Audio Ma2.2 < SM57

Bass
Amplitude

http://dl.dropbox.com/u/1338211/GTC4mp3/GTC4/30/34 Skyweaver - DISQUALIFIED/Skyweaver_picture001.JPG
http://dl.dropbox.com/u/1338211/GTC4mp3/GTC4/30/34 Skyweaver - DISQUALIFIED/Skyweaver_picture002.JPG
http://dl.dropbox.com/u/1338211/GTC4mp3/GTC4/30/34 Skyweaver - DISQUALIFIED/Skyweaver_picture003.JPG
http://dl.dropbox.com/u/1338211/GTC4mp3/GTC4/30/34 Skyweaver - DISQUALIFIED/Skyweaver_picture004.JPG
http://dl.dropbox.com/u/1338211/GTC4mp3/GTC4/30/34 Skyweaver - DISQUALIFIED/Skyweaver_picture005.JPG



35 :XeS: (used real amps) http://dl.dropbox.com/u/1338211/GTC4mp3/35.mp3

LittleLabs RedEye -> Modded TS7 -> ISP Decimator -> 6505+ -> Handmade 2x12 -> ADK S-7

Settings:
Pre: 5
Bass: 7
Mids: 4
High: 6
Reso: 8
Pres: 7

Ts
Gain: 1
Tone: 3
Level: max

http://dl.dropbox.com/u/1338211/GTC4mp3/GTC4/30/35 XeS/XeS_Picture001.jpg
http://dl.dropbox.com/u/1338211/GTC4mp3/GTC4/30/35 XeS/XeS_Picture002.jpg
http://dl.dropbox.com/u/1338211/GTC4mp3/GTC4/30/35 XeS/XeS_Picture003.jpg
http://dl.dropbox.com/u/1338211/GTC4mp3/GTC4/30/35 XeS/XeS_Picture004.jpg




41 burst (used real amps) http://dl.dropbox.com/u/1338211/GTC4mp3/41.mp3

Guitars:
Echo Audiofire Out - Reamp v2 - split in TS9 and RAT - Splawn Nitro - Marshall 1960 v30 - SM57 - FMR Audio RNP - DAW

Bass is ITB.

http://dl.dropbox.com/u/1338211/GTC4mp3/GTC4/40/41 burst/burst_picture001.JPG
http://dl.dropbox.com/u/1338211/GTC4mp3/GTC4/40/41 burst/burst_picture002.JPG
http://dl.dropbox.com/u/1338211/GTC4mp3/GTC4/40/41 burst/burst_picture003.JPG
http://dl.dropbox.com/u/1338211/GTC4mp3/GTC4/40/41 burst/burst_DAW_Screenshot.png




42 internity (used ampsims) http://dl.dropbox.com/u/1338211/GTC4mp3/42.mp3

bass -
I took 3 track of the bass :
first one was the TSE BOD 1.0 which is awesome plugin for tone shaping ... then I compressed this track with stage comprassion
the second track was AmpegSVX for more tone shaping of the bass
last one was Podfarm 2 for color and then EQ

all of this sended to a buss -
it has impulse loader with bass impulse , eq and limiters and then ozone 4 for some staturation

Rhytms guitars -
one of the rhytms was podfarm2 with the cab to a impulse loader of catharsis impulse.
the second one was poulin lecto to same impulse

then they sended to a buss that has EQs , staturations , and tiny bit of verb

lead guitars -
one was podfarm2 and the second one was 8505 to same impulse of the rhytms guitar.
sended to a buss with EQs , staturation , verb and delay


note : the guitars were boosted with Tubescreamer or with an ampsim in clean channel.
second note : in beginning the rhytms guitars are panned center

http://dl.dropbox.com/u/1338211/GTC4mp3/GTC4/40/42 Internity/Internity_picture000.JPG







43 menthal (used real amps, advanced to the finals) http://dl.dropbox.com/u/1338211/GTC4mp3/43.mp3

Recording process:

The guitars were record with the use of a Traynor YBA-1 amp boosted with a DIY TS808(with Volume on 75%, Drive at 0% and Tone on 60%). The amp has been rebuilt by me so it's fairly unique. :)

The speaker cabinet was a Harely Benton Vintage, loaded with V30's.

Mic used was a single SM57 going into a Studio Projects - VTB1 end then straight into the soundcard.

Re-amping box used was a Palmer Daccapo.

Mixing process:

The rhythm guitars were only gated, the lead guitars were also gated and I removed some high end treble around 5.5kHz and up. The lead guitars also got a tad reverb on them. When the second lead guitar comes in the both lead tracks are panned R45 and L45.

The bass is going through PodFarm2, one track is semi clean and the other track got more overdrive and is also HP-filtered at 250Hz. I used the Bass Overdrive in PodFarm2 on the overdrive track.
These bass tracks goes to a group channel and are HP-filtered at 40Hz.
Also, I've added som bass with eq at 150Hz.

http://dl.dropbox.com/u/1338211/GTC4mp3/GTC4/40/43 menthal/menthal_picture001.JPG
http://dl.dropbox.com/u/1338211/GTC4mp3/GTC4/40/43 menthal/menthal_picture002.JPG
http://dl.dropbox.com/u/1338211/GTC4mp3/GTC4/40/43 menthal/menthal_picture003.JPG






44 Soultrash (used ampsims) http://dl.dropbox.com/u/1338211/GTC4mp3/44.mp3

was being a smartass on the info text.

Monitoring:

RME HDSP 9632 > Coleman Audio M3PH MKII > ADAM P11A

DAW: Cubase 5

Plugins: Cubase stock, Softube, TSE

http://dl.dropbox.com/u/1338211/GTC4mp3/GTC4/40/44 Soultrash/Soultrash_picture001.jpg
http://dl.dropbox.com/u/1338211/GTC4mp3/GTC4/40/44 Soultrash/Soultrash_picture002.jpg
http://dl.dropbox.com/u/1338211/GTC4mp3/GTC4/40/44 Soultrash/Soultrash_picture003.jpg
http://dl.dropbox.com/u/1338211/GTC4mp3/GTC4/40/44 Soultrash/Soultrash_picture004.jpg
http://dl.dropbox.com/u/1338211/GTC4mp3/GTC4/40/44 Soultrash/Soultrash_picture005.jpg
http://dl.dropbox.com/u/1338211/GTC4mp3/GTC4/40/44 Soultrash/Soultrash_picture006.jpg
http://dl.dropbox.com/u/1338211/GTC4mp3/GTC4/40/44 Soultrash/Soultrash_picture007.jpg
http://dl.dropbox.com/u/1338211/GTC4mp3/GTC4/40/44 Soultrash/Soultrash_picture008.jpg








45 zemes (used real amps) http://dl.dropbox.com/u/1338211/GTC4mp3/45.mp3

RHYTHM GUITARS: DI -> X-Amp -> OD808 -> Diezel Herbert Channel 2 -> Diezel 412FK -> SM57+SM58

LEAD GUITARS: DI -> X-Amp -> OD808 -> Diezel Herbert Channel 3 + MidCut -> Diezel 412FK -> SM57+SM58

BASS GUITAR: DI -> X-Amp -> BDDI
BASS GUITAR: DI -> X-Amp -> BDDI -> Ampeg SVX

http://dl.dropbox.com/u/1338211/GTC4mp3/GTC4/40/45 zemes/zemes_picture001.png
http://dl.dropbox.com/u/1338211/GTC4mp3/GTC4/40/45 zemes/zemes_picture002.png
http://dl.dropbox.com/u/1338211/GTC4mp3/GTC4/40/45 zemes/zemes_picture003.png
 
51 CAlexanderParra (used real amps) http://dl.dropbox.com/u/1338211/GTC4mp3/51.mp3

Guitars:
The rhythm and lead guitars were reamped through the preamp and poweramp of a Peavey JSX using the line out output into a
Countyman 85 then into the Focusrite Saffire Pro 24 pre. Ultra Channel on the left Crunch Channel on the right. S-preshigh
added onto that then some sneap c4 and wacky EQ. Intro automated with req2.

http://dl.dropbox.com/u/1980982/Rhythm Guitars.png

Chorus CH-2 (by ag-works) added to leads on wide guitars preset and more EQ.
Podfarm Digital Delay aswell

http://dl.dropbox.com/u/1980982/Lead Guitars.png

Bass:
Split to two separate tracks.

Lowend - Ampeg SVX lowpassed to 150hz Compressed with SSL twice (fast release/attack, slow release/attack)
Lowpassed again 150hz

http://dl.dropbox.com/u/1980982/lowend.png

Topend - TSE BOD - high pass 255hz low pass 16k

http://dl.dropbox.com/u/1980982/topend.png

http://dl.dropbox.com/u/1338211/GTC4mp3/GTC4/50/51 CAlexanderParra/CAlexanderParra_picture000.png









52 jipchen (used real amps) http://dl.dropbox.com/u/1338211/GTC4mp3/52.mp3

Reamping Chain:
Logic Pro 9 > RME Fireface UFX > Little Labs RedEye > Maxon OD-808 > Mesa Boogie Dual Rectifier (3ch) > Mesa 4x12

Recording Chain:
Shure SM57 / Sennheiser MD421 > API 3124+ > RME Fireface UFX > Logic Pro

Guitar Processing:
LowCut at 90 Hz (SM57) and 100 Hz (MD421)
HiCut at 12kHz (both)
-3db dip at 500 Hz (all guitars)

Slate Digital VCC on all guitar tracks (set on BritN)
Rhythm guitars were panned hard, lead guitar 1 centered and lead guitar 2 slightly on the right

Bass Processing:

Waves RCompressor and L1 for the clean track

http://dl.dropbox.com/u/1338211/GTC4mp3/GTC4/50/52 jipchen/jipchen_picture001.png









53 MetalMiller (used real amps) http://dl.dropbox.com/u/1338211/GTC4mp3/53.mp3

Guitars: Ibanez TS9 -> Crate TDP (Preamp) -> DAW

http://dl.dropbox.com/u/1338211/GTC4mp3/GTC4/50/53 MetalMiller/Mixer.JPG
http://dl.dropbox.com/u/1338211/GTC4mp3/GTC4/50/53 MetalMiller/Guitars Rythm.JPG
http://dl.dropbox.com/u/1338211/GTC4mp3/GTC4/50/53 MetalMiller/Guitars Lead.JPG
http://dl.dropbox.com/u/1338211/GTC4mp3/GTC4/50/53 MetalMiller/Bass.JPG
http://dl.dropbox.com/u/1338211/GTC4mp3/GTC4/50/53 MetalMiller/Bass Dirt.JPG
http://dl.dropbox.com/u/1338211/GTC4mp3/GTC4/50/53 MetalMiller/Bass Dirt 2.JPG










54 Teddyboy (used ampsims, advanced to the finals) http://dl.dropbox.com/u/1338211/GTC4mp3/54.mp3

I duplicated the bass. One track for the body and one for the distortion.

Bass Body Chain: Pod Farm with the British Invader Model (teddyboy_picture001.JPG).
Bass Distortion Chain: ReaEq (teddyboy_picture002.JPG) and Pod Farm with the Screamer (teddyboy_picture003.JPG) and Rock Classic Models (teddyboy_picture004.JPG).

Both Bass tracks sent to the Bass Bus.
Bass bus Chain: Cla-76 (teddyboy_picture005.JPG),Voxengo Curve Eq (teddyboy_picture006.JPG) and ReaEq (teddyboy_picture007.JPG).

Rhythm Guitar Chain: Pod Farm with the Modern HiGain Model (teddyboy_picture008.JPG) and Lecab with Recabinet 1960 cab with 6L6 121 and 421 cap1 impulses (teddyboy_picture009.JPG).

Lead Guitar Chain: Pod Farm with the Modern HiGain Model (teddyboy_picture010.JPG) and Lecab with Recabinet 1960 cab with 6L6 121 and 421 cap1 impulses (teddyboy_picture011.JPG) and Pod Farm Digital Delay (teddyboy_picture015.JPG).

All guitar tracks sent to guitar bus.

Guitar Bus Chain: Trident A-Range (teddyboy_picture012.JPG),URS Saturation (teddyboy_picture013.JPG) and Cla-3a (teddyboy_picture014.JPG).

http://dl.dropbox.com/u/1338211/GTC4mp3/GTC4/50/54 Teddyboy/teddyboy_picture001.JPG
http://dl.dropbox.com/u/1338211/GTC4mp3/GTC4/50/54 Teddyboy/teddyboy_picture002.JPG
http://dl.dropbox.com/u/1338211/GTC4mp3/GTC4/50/54 Teddyboy/teddyboy_picture003.JPG
http://dl.dropbox.com/u/1338211/GTC4mp3/GTC4/50/54 Teddyboy/teddyboy_picture004.JPG
http://dl.dropbox.com/u/1338211/GTC4mp3/GTC4/50/54 Teddyboy/teddyboy_picture005.JPG
http://dl.dropbox.com/u/1338211/GTC4mp3/GTC4/50/54 Teddyboy/teddyboy_picture006.JPG
http://dl.dropbox.com/u/1338211/GTC4mp3/GTC4/50/54 Teddyboy/teddyboy_picture007.JPG
http://dl.dropbox.com/u/1338211/GTC4mp3/GTC4/50/54 Teddyboy/teddyboy_picture008.JPG
http://dl.dropbox.com/u/1338211/GTC4mp3/GTC4/50/54 Teddyboy/teddyboy_picture009.JPG
http://dl.dropbox.com/u/1338211/GTC4mp3/GTC4/50/54 Teddyboy/teddyboy_picture010.JPG
http://dl.dropbox.com/u/1338211/GTC4mp3/GTC4/50/54 Teddyboy/teddyboy_picture011.JPG
http://dl.dropbox.com/u/1338211/GTC4mp3/GTC4/50/54 Teddyboy/teddyboy_picture012.JPG
http://dl.dropbox.com/u/1338211/GTC4mp3/GTC4/50/54 Teddyboy/teddyboy_picture013.JPG
http://dl.dropbox.com/u/1338211/GTC4mp3/GTC4/50/54 Teddyboy/teddyboy_picture014.JPG
http://dl.dropbox.com/u/1338211/GTC4mp3/GTC4/50/54 Teddyboy/teddyboy_picture015.JPG
http://dl.dropbox.com/u/1338211/GTC4mp3/GTC4/50/54 Teddyboy/teddyboy_picture016.JPG









55 zer0_c00l (used real amps) http://dl.dropbox.com/u/1338211/GTC4mp3/55.mp3

All guitars were re-amped thru an ENGL PowerBall, used an ENGL Angled 4x12" Cab with V30s, with an AKG Perception 200 on the center, a SM57 on the edge, and another SM57 on a edge45 position, then HP and LP.
In the lead guitars I also used a Boss BD-2 as a booster before the amp.

Bass simply used 2 tracks, one with TSE BOD, other with BBE Sonic Maximizer plugin.

Sorry, but got no pics of the re-amping part.

http://dl.dropbox.com/u/1338211/GTC4mp3/GTC4/50/55 zer0_c00l/zer0_c00l_picture001.jpg









61 cobhc (used ampsims) http://dl.dropbox.com/u/1338211/GTC4mp3/61.mp3

Guitars:
All processed in the box with TSE X50 and Recabinet 2's Impulses through Poulin's Lecab left on the default settings.

Lead Guitars used the following:

X50 Settings:
Input - 5
Output - 5
Channel - Red
Pre Gain - 10
Low - 5
Mid - 10
High - 5
Post Gain - 3
Low End - 10
Presence - 10
Power tubes - EL34
Extras - Hifi enabled, as well as High Quality and Stereo.

Ghandi 4x12 EL34 57 edge 1 impulse was used.

EQ'd with a HP at 200hz and a LP at 12khz using ReaEQ.

Rhythm Guitars used the following:

X50 Settings:

Input - 5
Output - 5
Channel - Red
Pre Gain - 5
Low - 10
Mid - 3
High - 6
Post Gain - 3
Low End - 10
Presence - 10
Power tubes - EL34
Extras - Hifi enabled, as well as High Quality and Stereo.

Two tracks of Ghandi 4x12 EL34 57 edge 1 and two of Ghandi 4x12 EL34 421 edge 1.

EQ'd with a HP at 60hz and a LP at 12khz.

Bass:

Was processed through my Sansamp BDDI

One of which was processed to be quite clean with a lot of low end, and the other was processed with a lot of mids and a lot of grind.

Eq'd with a Band Cut of -4db at 100hz with a bandwidth of 2 octaves.

Extra Notes:

Interface used was a Focusrite Saffire Pro 14.
Freeverb Impulser was used for Reverb, impulse used was the Bricasti M7 Silver Plate Impulse.

Basic signal chain for all guitars was TSE X50 -> Recabinet Impulses.

http://dl.dropbox.com/u/1338211/GTC4mp3/GTC4/60/61 cobhc/cobhc_picture000.PNG








62 Jorge Escudero (used ampsims, advanced to the finals) http://dl.dropbox.com/u/1338211/GTC4mp3/62.mp3

BASS GUITAR

I´ve doubled the bass track so i can get the lows from the DI track and the distorted mids from the distorted copy of the DI track so it cuts throught the mix. Both tracks go to a folder track where they have their final processiong applied

Bass tracks have the following plugins in them:

DI track&#8232;&#8232;-Antares tube. -For a little bit of saturation
-UAD cambridge EQ. -To get the lows and take out some mids and highs.
-Rcomp. -Hard compresion to have the low end under control through the whole track.

Dist Track

-Revalver.
-UAD Cambridge EQ. -To roll off the lows and highs and get a mid distorted sound.
-Rcomp. -Slight compresion. Just to even some peaks.

Folder Track

-Rbass. -To get powerful lows that cut through all size speakers.
-UAD Cambridge EQ. -To shape the final bass sound.
-Rcomp. -Again slight for having volume changes even.
-Izotope trash. -For tape simulation.

RHYTHM GUITARS

Rhythm guitars are procesed with revalver having diferent settings in L and R chanels, then are send to folder track where the combined signals of L and R are procesed thorugh the following plugins:

UAD Cambridge EQ
UAD Fatso Sr. -Providing some slight compresion, saturation and analog warmth simulation.
Izotope Trash. -Set to simulate analog tape.
S1 Imager. -To widen the Rhy Guitar signal a little bit.


LEAD GUITARS
Lead guitars are procesed with guitar rig 4. Settings in Guitar Rig for the different lead tracks are basically the same. Then They´re send to folder track where Izotope Trash tape simulation is applied to the tracks.

The Audio signal in lead tracks go as follows:

Guitar Rig 4.
Anatares tube. -For a little extra saturation
UAD Cambridge EQ.
Rcomp.


EFFECTS

Both lead and rhythm guitars share a little of plate reverb specially set for guitar tracks. lead guitars have a little bit of stereo delay on them timed to the tempo of the track and automated to dissapear when necesary.

http://dl.dropbox.com/u/1338211/GTC4mp3/GTC4/60/62 Jorge Escudero/Jorge Escudero_picture1 (DAW).jpg
http://dl.dropbox.com/u/1338211/GTC4mp3/GTC4/60/62 Jorge Escudero/Jorge Escudero_picture2 (Bass).png
http://dl.dropbox.com/u/1338211/GTC...dero/Jorge Escudero_picture3 (Rhy Guitar).png
http://dl.dropbox.com/u/1338211/GTC...ero/Jorge Escudero_picture4 (Lead Guitar).png








63 micrich (used real amps) http://dl.dropbox.com/u/1338211/GTC4mp3/63.mp3

Guitars: Radial x-amp>TS808>Marshall DSL>Marshall 412>57>API A2D
Bass: Radial X-amp>MXR graphic>Warwick Tubepath 5>Warwick 410>421>API A2D

http://dl.dropbox.com/u/1338211/GTC4mp3/GTC4/60/63 mickrich/mickrich_picture001.png










64 Tokyurot (used ampsims) http://dl.dropbox.com/u/1338211/GTC4mp3/64.mp3

Guitar signal chain:

Rhythm BUS:

- TSE X50
- KeFIR
- PSP VintageWarmer 2
- BT Stereo Imager
- ReaEQ
- ReaXcomp

Lead BUS:

- TSE X50
- KeFIR
- ReaVerbate
- ReaEQ
- ReaXcomp

Settings are in screenshots.

http://dl.dropbox.com/u/1338211/GTC4mp3/GTC4/60/64 Tokyurot/Tokyurot_picture001.jpg
http://dl.dropbox.com/u/1338211/GTC4mp3/GTC4/60/64 Tokyurot/Tokyurot_picture002.jpg
http://dl.dropbox.com/u/1338211/GTC4mp3/GTC4/60/64 Tokyurot/Tokyurot_picture003.jpg






71 Djunn (used ampsims, advanced to the finals) http://dl.dropbox.com/u/1338211/GTC4mp3/71.mp3

I used Lecto and Recabinet impulses (6L6 57 edge grill - Damien 2x12) for guitars. There's a slight compression and EQ, screenshots are attached.

Bass is processed with Logic's bass amp plugin, slammed with Logic's compressor and a touch of EQ. Screenshots are attached as well.

http://dl.dropbox.com/u/1338211/GTC4mp3/GTC4/70/71 Djunn/Djunn_picture001.png
http://dl.dropbox.com/u/1338211/GTC4mp3/GTC4/70/71 Djunn/Djunn_picture002.png
http://dl.dropbox.com/u/1338211/GTC4mp3/GTC4/70/71 Djunn/Djunn_picture003.png









72 K.H.E. (used ampsims) http://dl.dropbox.com/u/1338211/GTC4mp3/72.mp3

Processing "RHY DI L/R.wav"
VST: Poulin LeCto (see screenshot "K.H.E._picture001.png")
VST: Poulin LeCab2 (see screenshot "K.H.E._picture001.png")
The same processing is applied on both tracks

Processing "SUB-RythmGuitars"
VST: ReaEq, Hi- and Lo-Pass (see screenshot "K.H.E._picture002.png")
VST: BootEQmkII (see screenshot "K.H.E._picture002.png") (FreeWare EQ/Saturation)
VST: ReaEq, some cuts (see screenshot "K.H.E._picture002.png")

Processing "LD 1/2 DI.wav"
VST: Poulin LeCto (see screenshot "K.H.E._picture003.png")
VST: Poulin LeCab2 (see screenshot "K.H.E._picture003.png")
VST: ModernLostAngel (see screenshot "K.H.E._picture003.png") (FreeWare LA-2-Style-Compressor)
The same processing is applied on both tracks

Processing "SUB-LeadGuitars"
VST: ReaEq, Hi- and Lo-Pass (see screenshot "K.H.E._picture004.png")
VST: BootEQmkII (see screenshot "K.H.E._picture004.png") (FreeWare EQ/Saturation)
VST: Revalver MKIII, delay, reverb, chours (see screenshot "K.H.E._picture004.png")

Processing "Bass DI.wav"
VST: ReaComp (see screenshot "K.H.E._picture005.png")
VST: MokaiFY BassRider (see screenshot "K.H.E._picture005.png")
VST: ReaEq, LowEndCuts (see screenshot "K.H.E._picture005.png")
VST: ReaEq, general tone-shaping (see screenshot "K.H.E._picture005.png")
VST: ModernLostAngel (see screenshot "K.H.E._picture005.png") (FreeWare LA-2-Style-Compressor)
JS: Utility/limiter (see screenshot "K.H.E._picture005.png") (FreeWare Reaper-Limiter)

http://dl.dropbox.com/u/1338211/GTC4mp3/GTC4/70/72 K.H.E./K.H.E._picture001.png
http://dl.dropbox.com/u/1338211/GTC4mp3/GTC4/70/72 K.H.E./K.H.E._picture002.png
http://dl.dropbox.com/u/1338211/GTC4mp3/GTC4/70/72 K.H.E./K.H.E._picture003.png
http://dl.dropbox.com/u/1338211/GTC4mp3/GTC4/70/72 K.H.E./K.H.E._picture004.png
http://dl.dropbox.com/u/1338211/GTC4mp3/GTC4/70/72 K.H.E./K.H.E._picture005.png
http://dl.dropbox.com/u/1338211/GTC4mp3/GTC4/70/72 K.H.E./K.H.E._picture006.png










73 NeZvers (used real amps) http://dl.dropbox.com/u/1338211/GTC4mp3/73.mp3

Guitar:
Rhythm: zoom g2 - Marshal mg100 (line out = fx send) => rhythm bus - fruity convolver for impulses - EQ - multicompresor / => send bus - fruity convolver for different impulses - EQ
Lead 1 (phaser): Marshal mg100 - zoom g2 - compresor - delay => lead guitar bus
Lead 2 (gained): Zoom g2 - Marshal mg100 => lead guitar bus
lead guitar bus: fruity convolver for impulses - EQ - delay (automated to turn off when phased lead play)

Bass: DI splited into 3 channels (by my technique - )
channel 1: EQ - Compresor => bass bus channel 2: compresor - TSE B.O.D. - EQ => bass bus
channel 3: EQ - compresor- TSE B.O.D. - EQ => bass bus
bass bus: EQ (with low shelf sidechain from drum track low end) - Limiter

P.S. Into guitar mix sidechain is working.

http://dl.dropbox.com/u/1338211/GTC4mp3/GTC4/70/73 NeZvers/NeZvers_picture00.JPG
http://dl.dropbox.com/u/1338211/GTC4mp3/GTC4/70/73 NeZvers/NeZvers_picture01.JPG
http://dl.dropbox.com/u/1338211/GTC4mp3/GTC4/70/73 NeZvers/NeZvers_picture02.JPG
http://dl.dropbox.com/u/1338211/GTC4mp3/GTC4/70/73 NeZvers/NeZvers_picture03.JPG
http://dl.dropbox.com/u/1338211/GTC4mp3/GTC4/70/73 NeZvers/NeZvers_picture04.JPG
http://dl.dropbox.com/u/1338211/GTC4mp3/GTC4/70/73 NeZvers/NeZvers_picture05.JPG
http://dl.dropbox.com/u/1338211/GTC4mp3/GTC4/70/73 NeZvers/NeZvers_picture06.JPG
http://dl.dropbox.com/u/1338211/GTC4mp3/GTC4/70/73 NeZvers/NeZvers_picture07.JPG
http://dl.dropbox.com/u/1338211/GTC4mp3/GTC4/70/73 NeZvers/NeZvers_picture08.JPG
http://dl.dropbox.com/u/1338211/GTC4mp3/GTC4/70/73 NeZvers/NeZvers_picture09.JPG
http://dl.dropbox.com/u/1338211/GTC4mp3/GTC4/70/73 NeZvers/NeZvers_picture10.JPG
http://dl.dropbox.com/u/1338211/GTC4mp3/GTC4/70/73 NeZvers/NeZvers_picture11.JPG
http://dl.dropbox.com/u/1338211/GTC4mp3/GTC4/70/73 NeZvers/NeZvers_picture12.JPG
http://dl.dropbox.com/u/1338211/GTC4mp3/GTC4/70/73 NeZvers/NeZvers_picture13.JPG
http://dl.dropbox.com/u/1338211/GTC4mp3/GTC4/70/73 NeZvers/NeZvers_picture14.JPG
http://dl.dropbox.com/u/1338211/GTC4mp3/GTC4/70/73 NeZvers/NeZvers_picture15.JPG










74 Trevoire520 (used real amps) http://dl.dropbox.com/u/1338211/GTC4mp3/74.mp3

For exact settings check the pictures.

Guitars
Peavey Valveking into a Mesa Rectifier cab. Mic'd with a I5 and a transformerless SM57. Lead 1 was just the I5 and lead 2 was mic'd with a SM7B. The dual mic's on the rhythm tracks were aligned using Soundradix Auto Align.
All guitars went through Digirack eq and CLA 2A compressor. Leads were sent to a moogerfooger delay.

Bass
Bass went through Sansamp PSA-1 and SSL Channel. This was then sent to a DBX 163X compressor and recorded to a new track. This was then processed with further eq and limiting to control the peaks.

All guitar/bass tracks and the delay were sent through Slate VCC on the trident console with the drive all the way up.

http://dl.dropbox.com/u/1338211/GTC4mp3/GTC4/70/74 Trevoire520/Trevoire520_picture001.png
http://dl.dropbox.com/u/1338211/GTC4mp3/GTC4/70/74 Trevoire520/Trevoire520_picture002.png
http://dl.dropbox.com/u/1338211/GTC4mp3/GTC4/70/74 Trevoire520/Trevoire520_picture003.png
http://dl.dropbox.com/u/1338211/GTC4mp3/GTC4/70/74 Trevoire520/Trevoire520_picture004.png
http://dl.dropbox.com/u/1338211/GTC4mp3/GTC4/70/74 Trevoire520/Trevoire520_picture005.png









81 Endlosung (used ampsims) http://dl.dropbox.com/u/1338211/GTC4mp3/81.mp3

Rhytm Guitar signal chain:
TSE808 > TSE X50beta3 > Poulin LeCab2 plugin whith Redwirez impulses loaded (MesaRectifierV30s, shure sm57&sennheiser MD421 mics) > 5ORCERY multiband compressor > Nick Crow TubeDriver plugin > ReaEQ
Settings as in the pictures Endlosung_picture001.png & Endlosung_picture002.png
All Plugins in stereo mode loaded in guitar bus

Lead Guitar signal chain:
On each lead guitar track:
TSE808 > TSE X50beta3 > Poulin LeCab2 plugin whith Redwirez impulses loaded (MesaRectifierV30s, shure sm57&sennheiser MD421 mics) > 5ORCERY multiband compressor > Voxengi Analogflux chorus VST
Settings as in the pictures Endlosung_picture003.png & Endlosung_picture004.png

on lead guitar bus:
Nick Crow TubeDriver plugin > ReaEQ > Voxengi Analogflux delay
Settings as in the pictures Endlosung_picture005.png

Bass Guitar signal chain:
TSE B.O.D > Virtual bass amp pro > 5ORCERY multiband compressor > Nick Crow TubeDriver plugin
Settings as in the pictures Endlosung_picture006.png

http://dl.dropbox.com/u/1338211/GTC4mp3/GTC4/80/81 Endlosung/Endlosung_picture001.png
http://dl.dropbox.com/u/1338211/GTC4mp3/GTC4/80/81 Endlosung/Endlosung_picture002.png
http://dl.dropbox.com/u/1338211/GTC4mp3/GTC4/80/81 Endlosung/Endlosung_picture003.png
http://dl.dropbox.com/u/1338211/GTC4mp3/GTC4/80/81 Endlosung/Endlosung_picture004.png
http://dl.dropbox.com/u/1338211/GTC4mp3/GTC4/80/81 Endlosung/Endlosung_picture005.png
http://dl.dropbox.com/u/1338211/GTC4mp3/GTC4/80/81 Endlosung/Endlosung_picture006.png
http://dl.dropbox.com/u/1338211/GTC4mp3/GTC4/80/81 Endlosung/Endlosung_picture007.png










82 LePou (used real amps) http://dl.dropbox.com/u/1338211/GTC4mp3/82.mp3

For all guitars:

Edirol UA-101 -> Radial Pro RMP -> Mesa Mark V (Channel 2 Crunch mode) -> Mesa Recto 2x12 -> M-Audio Solaris (I know, I know but I don't have any other mic at the moment)

Rhythm was hard pan with a bit of EQ (Logic channel EQ and SonEQ) and compression (Stillwell Rocket)

Same processing for the lead guitars but with different panning.

For the bass:

I have used Decapitator to distorted it and then I have EQ'd and compressed it.

I finally compressed a bit the bass and guitars mix with The Glue.

http://dl.dropbox.com/u/1338211/GTC4mp3/GTC4/80/82 LePou/LePou.png









83 RA (used ampsims) http://dl.dropbox.com/u/1338211/GTC4mp3/83.mp3

Guitars - Amplitude - custom impulses

Bass - logic processing

http://dl.dropbox.com/u/1338211/GTC4mp3/GTC4/80/83 RA/RA_picture001.png









84 ttrentt (used real amps, advanced to the finals) http://dl.dropbox.com/u/1338211/GTC4mp3/84.mp3

Bass was treated with BOD. Nothing else.


Guitars:

1010LT -> DIY Reamp Box -> Maxon 808 -> Framus Cobra -> Mesa OS V30
-> "Friedman" dual SM57 mic setup -> 1010LT Preamps.

http://dl.dropbox.com/u/1338211/GTC4mp3/GTC4/80/84 ttrentt/ttrentt_picture000.jpg
http://dl.dropbox.com/u/1338211/GTC4mp3/GTC4/80/84 ttrentt/ttrentt_picture001.jpg
 
Last edited by a moderator:
Haha, thanks everyone!
Thanks to Anssi for hosting and Eric and Lasse for sponsoring!

Like we say over here: "I'm grinning like a freshly painted horse" :D

Didn't really think I could win this when I submitted this on the last day...was a bit pissed because I couldnt get it to be reamped through my rig, so I anyway tried it with sims. Glad so many digged it!
Congrats to all the other ones who made it to the finals! At the last comp I didn't even make it to those

Really looking forward to the Stinger, gonna make sure to make clips with it ;)
 
Congrats Mago.
~BURNY~ said:
Well at least I made it to the second round this time.:lol:
Congrats Mago.
Click to expand...

I didn't get to second round because of him, or because I wasn't lucky enough to be in a group with 4. Anyway no biggie :) Congrats to all who participated.
 
Soundlurker said:
Congrats Mago.


I didn't get to second round because of him, or because I wasn't lucky enough to be in a group with 4. Anyway no biggie :) Congrats to all who participated.
Click to expand...

Well, Marco got like 65% of the votes in the #2 category, so he pretty much dominated there.

But just like Brett in the finals, there was a lot of self puffing in the first round too :)

I saw what you did there Mr. 24
Same with you, Mr. 84
And let's not forget Mr. 14
Mr. 52 was a bit sneakier tho
Mr. 73 was being sarcastic and serious at the same time

Also 22/37 submissions used real amps on their submissions, so that makes it what... Just a hair under 60%? A new record I think?
 
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