How many of you guys went to school for Audio Engineering?

Could have fooled me! On that project, I actually had to reject his first master (and felt like a dick for doing it, considering his credits!) and said, "the frequency balance is good, but it's just too damn loud! Can you turn it down a few notches, please?" The drums had been annihilated. The band was very happy with version 2, though.

-0z-

Almost every album is too loud nowadays :S. 90% of the bands I saw him master(demobands mostly) we're "making sure" Mika would put the master friggin' loud... "so this is as loud as the new in flames album right?" "yeahyeah...". It's quite sad really. some of the mixes sounded way better with less squashing, but the bands always want to sacrifice sound for volume... fucking sucks. Actually, it would sound more "loud" when you still have some transients going on there and actually raise the fucking volume knob...

the most obscenely squashed album is propably rotten sound's still psycho... Mika also did this. WTF?! http://rottensound.wotanworks.net/RsStrongMan.mp3 -here's a song from it... I hope the music industry would fucking give the mastering engineer a break ... it's quite hard to make a squashed track sound good.

sorry for the off topicness
 
I'm only going to be in dept 5k when all is said and done. Some of that 5k has gone towards gear as well.

The school I am going to is really cheap. $1800 a semester and I get a $1400 tap award for being a broke ass bastard. I have looked and other schools and just can't justify the cost of the education only to wind up with no job doing what I like.
 
Ex'Pression College for Digital Arts, current student...A lot of people there are complete idiots, come to class high or drunk, and they get left in the dust after about 3 or 4 terms.

For what they offer me, I have learned a great deal and would not consider leaving at this point, or even an other school, I love it, as Keith said, great place to network.

Nope, going to school for math and physics and laughing at the people who will get that degree and still be utterly clueless.

Jeff

Exactly how far in front of the batter head on the kick drum would you place a microphone for maximum 100Hz pick-up and what is the quarter wave-length of that distance to ensure a solid punch-you-in-the-chest-and-kick-you-in-the-balls-at-the-same-time-kick sound at a reasonably isolated distance relative to the distance it would be on a full wave-length placement.

Here's a hint Jeff, use lambda as the variable for wavelength, and assume you are at sea level and humidity and temperature make your speed of sound 1130 feet per second.
 
Exactly how far in front of the batter head on the kick drum would you place a microphone for maximum 100Hz pick-up and what is the quarter wave-length of that distance to ensure a solid punch-you-in-the-chest-and-kick-you-in-the-balls-at-the-same-time-kick sound at a reasonably isolated distance relative to the distance it would be on a full wave-length placement.

Here's a hint Jeff, use lambda as the variable for wavelength, and assume you are at sea level and humidity and temperature make your speed of sound 1130 feet per second.

I see you getting served by Jeff in the not so distant future.
 
Typically I only work in metric units for convenience, but if you'd rather go with punch-you-in-the-chest than drop-a-kilogram-weight-from-a-height-of-ten-meters-on-a-carefully-calibrated-sensor then I suppose I could work out the conversions on my end. Oh, and pro tip - if you were going to a real school you wouldn't need to tell people what variables to use and you'd know that a wave-length not only doesn't need to be hyphenated but is also just as useful as a 'quarter wave-length' to anyone capable of division by four.

First, I would start by grasping the jawbone firmly and removing the head from the ass. This can often be made easier with generous amounts of lube (although with those used to taking it from behind in the form of overpriced tuition, the region may already be properly treated), but typically making the head smaller by reducing the ego of one whose degree will mean precisely two balls and three-quarters of a cock is also helpful. Then, I would pare down the sentence structure and remove words that the speaker is probably not very well able to define anyway and be left with the simpler problem of finding something that responds well to proximity effect and poking around the drum until the right sound comes out - no need for pretending to know big words with 'quarter wave-length of that distance', or even thinking about 'reasonably isolated' in the same sentence as a drum of any kind. Finally, I would point out context, where clearly it was stated that while there are objective standards for real degrees, recording schools (as with the rest of the arts) are not objectively based, so adding to that lack of real meaning the saturation of the market and the fact that very few 'big-name' producers actually have, need, or recommend these degrees, it is trivial to point out that whatever attempt at sarcasm may have been present was entirely futile.

Or, you know... I could jack off to how smart I think I sound when defending a decision of at best questionable value and pretend that a response to some nutjob on a forum, whether intelligent-sounding or not, is an appropriate way to deal with the fact that I'm going to have a hell of a time convincing anyone that the 'degree' I worked so hard on means half a pint of horse piss.

One thing you'll find is that I know my shit pretty well, and I'm fairly certain that plenty of people here can get (or have gotten) more out of this forum than you can out of your entire degree. Now, count the people you've gotten advice from here and subtract the number of people who have gotten a degree in it, and you'll find what I like to call the 'That's Right, I Fucking Win' Index. You'll find that it is a large positive integer, possibly more than a number of your soon-to-be-graduating peers can count to without wearing sandals - and the same is known by most studios, and the company you keep will render your 'education' entirely worthless in their eyes.

Jeff
 
Not sure if Andy did, but I know that George Massenburg didn't.


Anyway, if you're spending your own cash, I still wouldn't recommend it. Nothing like blowing tens of thousands on Recording School only to wind up at Taco Bell with nothing to show for it but debt. Buy gear instead! Learn on your own! But if you live in one of those socialist paradises that pay for post-secondary, go for it! ...and enjoy paying those insane taxes! ...I should know, I'm from Canada. The place where insane tax laws were invented! (school still costs you here, though. nice trick.)

I'll second this and anyone who agrees. Though i am an amature and have no degree in AE, i've made better sounding recordings in my living room than some of the stuff i've heard coming from the big guys in my area. (at least for rock and metal). most of my knowledge come from internet, (mostly here) and "Mastering Audio" by Bob Katz. but mostly exeperiance, i've spent years working my way up from a 4 track to 8track cassette to ADAT and now DAW. I was proud on the day i met a real mastering engineer from Nashville TN. and conversed about techniques, tricks and acoustics for 2hrs and i didnt get lost at all. It boosted my confidence that i'm on the right path.

The 'net is so full of resourses too, Andy Sneap and James Murphy have shared so much info here (i worship the guitar Eq settings Colin Richardson posted). The Recording Studio Design forum is another wealth of knowedge about acoustics and construction. The economy here in america sucks. Full Sail is $40,000 and i've read stories on the Gearslutz forum about grads from there that don't know jack shit.

I do have an associates degree in electrical technologly. and few years ago, I ran into the top grad from my class, 4.0 gpa, perfect attence, CET certifcate all these awards he got at graduation, and he was managing a convienence store trying to pay back the $30,000 in tuition.

one more story, i know a guy with a degree in AE, he'll tell you how to calc. standing waves, and all sorts of acoustical knowledge. the same guy was tweaking the gain knob (in record) while tracking vocals and when he got yelled at says "don't worry, we can fix it with compresson" :lol:
 
First, I would start by grasping the jawbone firmly and removing the head from the ass. This can often be made easier with generous amounts of lube (although with those used to taking it from behind in the form of overpriced tuition, the region may already be properly treated), but typically making the head smaller by reducing the ego of one whose degree will mean precisely two balls and three-quarters of a cock is also helpful. Then, I would pare down the sentence structure and remove words that the speaker is probably not very well able to define anyway and be left with the simpler problem of finding something that responds well to proximity effect and poking around the drum until the right sound comes out - no need for pretending to know big words with 'quarter wave-length of that distance', or even thinking about 'reasonably isolated' in the same sentence as a drum of any kind. Finally, I would point out context, where clearly it was stated that while there are objective standards for real degrees, recording schools (as with the rest of the arts) are not objectively based, so adding to that lack of real meaning the saturation of the market and the fact that very few 'big-name' producers actually have, need, or recommend these degrees, it is trivial to point out that whatever attempt at sarcasm may have been present was entirely futile.

Or, you know... I could jack off to how smart I think I sound when defending a decision of at best questionable value and pretend that a response to some nutjob on a forum, whether intelligent-sounding or not, is an appropriate way to deal with the fact that I'm going to have a hell of a time convincing anyone that the 'degree' I worked so hard on means half a pint of horse piss.

One thing you'll find is that I know my shit pretty well, and I'm fairly certain that plenty of people here can get (or have gotten) more out of this forum than you can out of your entire degree. Now, count the people you've gotten advice from here and subtract the number of people who have gotten a degree in it, and you'll find what I like to call the 'That's Right, I Fucking Win' Index. You'll find that it is a large positive integer, possibly more than a number of your soon-to-be-graduating peers can count to without wearing sandals - and the same is know by most studios, and the company you keep will render your 'education' entirely worthless in their eyes.

Jeff
:kickass:
 
Nobody outsarcasms the Broll... nobody...

*blows smoke off fingers*

...

*wonders why fingers were smoking in the first place*

...

*tries really hard not to show his confusion because it kills the whole Wild West gunslinger thing*

Jeff
 
While this forum is full of a ton of knowledge and wisdom, there are still things that I have learned in school that I have not learned by reading the forum.
 
I hope you don't mind me opening this thread up once more because I'd like to voice my opinion to JBroll's second comment:

My math degree or someone else's CS degree will mean that I've accomplished something much different than an audio engineering degree. Mine will mean that I can solve these equations, explain these phenomena, prove these assertions, and justify these predictions - which is what a mathematician has to do. A piece of paper from Full Sail will not guarantee that its holder can make a good-sounding record. Hell, I've met a couple of Full Sail grads that can't even be guaranteed to know pressing the record button from pulling the fire alarm. That's where the comparison fails - a CS guy will know how to program, a civil engineer will know how to build a bridge, guaranteed, but that has been shown very clearly to not be the case with recording schools.

Jeff

I do agree with you that with AE graduates, although being certified for completing the course, there is no guarantee that they will be successful in the audio world.

First off, though, I'd like to say that I attented Alchemea College in London and completed a 2 month Studio Assistant course. It was very expensive since I had to move from my country for 2 months however I have to defend AE colleges (the good ones at least, and this is a subjective issue), because personally, without these 2 months, I would have been lost on these forums pretty much from the start. Over there, not only did I learn more basics and intermediate level stuff (more on the audio related side since I studied physics up to A level so I could grasp the scientific basics unlike most of my classmates unfortunately), but I learnt so much about the business, the way things work. Living in Malta, I could never have experienced what I did over there, working with high-end gear, being shown why Gear A should be used in this application over Gear B and actually seeing definitive proof of this is one example. All I have at the moment is cheap gear and yes, you as many suggested, the money spent on the college should have gone to equipment instead, but personally I feel that actually seeing the process in person, learning from others' mistakes and your own, rigging up a system and working with foreign people, having to adapt to their taste was something which in my eyes preceded in importance actually buying gear without knowing why I'm picking A instead of B.

No doubt, in those 2 months, despite learning heaps of stuff and gaining confidence, I was still oblivious to many things which this forum has thought me, added to the fact that I had to learn a lot of things by myself, researching beyond lecture hours to understand the true concepts. I learnt things on this forum which I was dissappointed not having been told about over there. I will say without shame that this forum has thought me so much valuable information during this short period of time I've been reading, it's incredible. So yes, these colleges do try to fit too much in one basketand in turn leave out the more important aspects which need delving into and may seem to some as a scam, however I can aver with confidence that having met such great people, learning from them and experimenting with equipment that I would never have touched in my life in my current position, being instructed by audio professionals who have made a living out of this was an invaluable, great experience. The certificate I was awarded might help me slightly getting into the audio business (although it is only a 2 month studio assistant course, in Malta, no one in the audio industry has any qualifications, and I am not trying to belittle them in any way but unfortunately employers do look for that piece of paper), that certificate is a reminder of what I learnt and experienced so I have to say I am proud to have attended such a college and would love to go back and finish the course.

Getting back on JBroll's point, I think the difference between the Civil Engineers and CS graduates you mentioned and Audio Engineering graduates from a college is that in the latter, there is a blend of art and creativity with science and not everyone possesses this. Fine, a mathematics/physics graduate will explain all the phenomena in great detail but I don't think any learned physics/mathematics graduate can be a successful audio engineer.

In those 2 months, which are specks of dust compared to the experience of most of you I saw many intellegent people who unfortunately didn't have the creative prowess to bring out the best of what they were hearing. I can't say that I can, but I think its more about knowing what you want, and some people can't find that out.

One person might not be skilled but will have a mental image of what he wants to do with the sounds he has captured, while another, being very skilled theoretically might lack the practical skills required when trying to blend artistry with technology.

In my eyes at least, people like Andy Sneap, Scott Burns, Andy Wallace, Rick Rubin etc etc are artists more than anything. The word Engineer is often associated with mathematics and physics, however I think its the right blend of both theoretical knowledge and practical knowledge fused with a flair for audio and its manipulation that truely embodies the definition of a Good Audio Engineer.

However, JBroll, I do agree that these schools cannot grant you anything, but in my opinion its only due to the fact that there is more to it than theory but also some kind of talent that is required that cannot be achieved by learning pure mathematics at the most advanced of levels or becoming a physicist.

I feel that even though I've been dabbling with audio for roughly 3 years and learning all I can from books and any source I can, those 2 months really threw me much deeper into the field and my understanding increased tenfold. Definitely, no degree in audio is going to work miracles or define you as a good engineer, but I think its because like painting, filmmaking, writing, composing, etc etc, there's more to it than theory. And yes, these AE graduates might bave passed but it could have been the theoretical apsect which gave them the leverage for a pass rather than a true passion and innate will along with a desire to improve one's ear, meaning that even a degree in AE is worthless, unlike one in a more objective, scientific field.
 
Ex'Pression College for Digital Arts, current student...A lot of people there are complete idiots, come to class high or drunk, and they get left in the dust after about 3 or 4 terms.

For what they offer me, I have learned a great deal and would not consider leaving at this point, or even an other school, I love it, as Keith said, great place to network.



Exactly how far in front of the batter head on the kick drum would you place a microphone for maximum 100Hz pick-up and what is the quarter wave-length of that distance to ensure a solid punch-you-in-the-chest-and-kick-you-in-the-balls-at-the-same-time-kick sound at a reasonably isolated distance relative to the distance it would be on a full wave-length placement.

Here's a hint Jeff, use lambda as the variable for wavelength, and assume you are at sea level and humidity and temperature make your speed of sound 1130 feet per second.

big words that mean nothing. i put the mic where it sounds best. while students are mixing blues and beatles folk records, im practicing recording tight as fuck metal recordings with gear you can`t afford because you went to school to develop up a life time of bad habits from an instructor who feels he is the best engineer in the world. end rant.
 
I hope you don't mind me opening this thread up once more because I'd like to voice my opinion to JBroll's second comment:



I do agree with you that with AE graduates, although being certified for completing the course, there is no guarantee that they will be successful in the audio world.

First off, though, I'd like to say that I attented Alchemea College in London and completed a 2 month Studio Assistant course. It was very expensive since I had to move from my country for 2 months however I have to defend AE colleges (the good ones at least, and this is a subjective issue), because personally, without these 2 months, I would have been lost on these forums pretty much from the start. Over there, not only did I learn more basics and intermediate level stuff (more on the audio related side since I studied physics up to A level so I could grasp the scientific basics unlike most of my classmates unfortunately), but I learnt so much about the business, the way things work. Living in Malta, I could never have experienced what I did over there, working with high-end gear, being shown why Gear A should be used in this application over Gear B and actually seeing definitive proof of this is one example. All I have at the moment is cheap gear and yes, you as many suggested, the money spent on the college should have gone to equipment instead, but personally I feel that actually seeing the process in person, learning from others' mistakes and your own, rigging up a system and working with foreign people, having to adapt to their taste was something which in my eyes preceded in importance actually buying gear without knowing why I'm picking A instead of B.

No doubt, in those 2 months, despite learning heaps of stuff and gaining confidence, I was still oblivious to many things which this forum has thought me, added to the fact that I had to learn a lot of things by myself, researching beyond lecture hours to understand the true concepts. I learnt things on this forum which I was dissappointed not having been told about over there. I will say without shame that this forum has thought me so much valuable information during this short period of time I've been reading, it's incredible. So yes, these colleges do try to fit too much in one basketand in turn leave out the more important aspects which need delving into and may seem to some as a scam, however I can aver with confidence that having met such great people, learning from them and experimenting with equipment that I would never have touched in my life in my current position, being instructed by audio professionals who have made a living out of this was an invaluable, great experience. The certificate I was awarded might help me slightly getting into the audio business (although it is only a 2 month studio assistant course, in Malta, no one in the audio industry has any qualifications, and I am not trying to belittle them in any way but unfortunately employers do look for that piece of paper), that certificate is a reminder of what I learnt and experienced so I have to say I am proud to have attended such a college and would love to go back and finish the course.

Getting back on JBroll's point, I think the difference between the Civil Engineers and CS graduates you mentioned and Audio Engineering graduates from a college is that in the latter, there is a blend of art and creativity with science and not everyone possesses this. Fine, a mathematics/physics graduate will explain all the phenomena in great detail but I don't think any learned physics/mathematics graduate can be a successful audio engineer.

In those 2 months, which are specks of dust compared to the experience of most of you I saw many intellegent people who unfortunately didn't have the creative prowess to bring out the best of what they were hearing. I can't say that I can, but I think its more about knowing what you want, and some people can't find that out.

One person might not be skilled but will have a mental image of what he wants to do with the sounds he has captured, while another, being very skilled theoretically might lack the practical skills required when trying to blend artistry with technology.

In my eyes at least, people like Andy Sneap, Scott Burns, Andy Wallace, Rick Rubin etc etc are artists more than anything. The word Engineer is often associated with mathematics and physics, however I think its the right blend of both theoretical knowledge and practical knowledge fused with a flair for audio and its manipulation that truely embodies the definition of a Good Audio Engineer.

However, JBroll, I do agree that these schools cannot grant you anything, but in my opinion its only due to the fact that there is more to it than theory but also some kind of talent that is required that cannot be achieved by learning pure mathematics at the most advanced of levels or becoming a physicist.

I feel that even though I've been dabbling with audio for roughly 3 years and learning all I can from books and any source I can, those 2 months really threw me much deeper into the field and my understanding increased tenfold. Definitely, no degree in audio is going to work miracles or define you as a good engineer, but I think its because like painting, filmmaking, writing, composing, etc etc, there's more to it than theory. And yes, these AE graduates might bave passed but it could have been the theoretical apsect which gave them the leverage for a pass rather than a true passion and innate will along with a desire to improve one's ear, meaning that even a degree in AE is worthless, unlike one in a more objective, scientific field.

Few things to bring up...

First... your school was in England. They actually have education over there. Here... education is something that we pretend is right between paying the bills and getting the paper, but rarely actually give.

Second... as for the learned physics/math graduates, if I were going into AE I'd be a fun counterexample. A math degree holder is the proverbial 800-pound gorilla in the hotel lobby.

Finally... any time you try to hand out a degree on the basis of artistic or creative merit, you've opened up a giant can of shit with a can opener made of fucked. THAT is what I object to. THAT is a problem. Someone who doesn't know the knobs but knows what sounds good will do much better than someone who knows how to do things but not what needs to be done, so I'd be very skeptical of any degree claiming more than 'he can twiddle knobs' and being evaluated for anything more than 'he can twiddle knobs'.

Jff
 
I totally agree with you man. If they just handed a paper with a class photo, to me it would be even more rewarding. But unfortunately, employers want to see these papers. You are right, people getting Degrees and Diplomas for something which is debatable might sound silly, but JBroll, I don't want to be harsh on these colleges because they do teach you a lot of important theory and to be honest, the assignments handed out (ex. Mixing, sampling, recording, etc etc) are based on how good you followed technique and handled the equipment and produced clear results, not on your artistic skills to make it sound amazing because who is to say what sounds better? If a guy mixed a metal song and another mixed an RnB song, the examiner might be biased because we're talking music too, which, if the examiner isn't 100% professional in his methods is going to be biased.

About having a maths degree and entering an AE school, yes I think you would have an edge (and a distinct one too) over everyone else, but if you weren't into audio (which I know isn't the case with you), your maths degree would only get you so far in my opinion.

This isn't only with audio though, a degree in Art to me is a legitimate one too, because although you're graded on your artistic skill, the majority is based on your different techniques and how you employ them in different sectors, and also, there's a lot of theory (history is one of the main chunks). Now I am no painter so I might be speaking out of my ass here, but to be honest, I think there's nothing wrong with a degree in Audio Technology.

It's true, Audio courses just skim through the important stuff which constitute it like the physical phenomena, the electronic aspects, acoustic aspects....etc,etc. which a learned physics graduate would have a greater idea of. But (at least, where I come from), people in my country enter courses in university like Electrical Engineering for a prime example. Fine, he might come out of there with a degree, understanding all the gear used and it's internal construction to the last minute detail, but he will have no idea about how to relate it to audio.

I think that your objection to a degree based on "he can twiddle knobs" is fair enough, but seriously, there is a lot more to it I think. You aren't only evaluated on that. Actually, it should probably be one of the least things you're graded on.

You're mainly graded on 1) theory - everything from Nature of Sound to Electronics in microphones, understanding impedance and being able to explain the different types, the acoustics of a room and how they affect audio, bringing out the best of your environment, learning why dynamic mics are different to condensers from the internal point of view.etc etc.

My only objection is that we weren't thought well enough. We had 3 hours of lectures a day for 2 months and still, everything was brushed over. I had to go through extensive research to understand fully all the concepts mentioned above. And I'm glad I did because the exam paper baffled most since there wasn't much elaboration during lectures.

So the point is, I agree if someone says "you're just brushing over these concepts which are most important in understanding audio" , but then it comes down to the individual to make an effort to go beyond and understand the true meaning of these phenomena that we work with.
Agreed: no matter how hard I try reading books and searching the net, I won't be 1/10th as versed as a Physics major, but like the physics major must specialise in something, so did I by choosing audio. Being a field which balances art and science, as you said, it is debatable and you disagree that degrees are handed out, but personally I think that just like an Art graduate (although there is a lot of specialisation too in this field which I don't know about), I think someone who got a degree in audio should know about the theoretical aspects of audio. I'm going to say, most of my classmates didn't give half a shit about theory and focused on maxing out on the practical assignments. In my opinion, I don't agree. I think in this field, having at least a basic knowledge of the physical and technological concepts of what you're working with is vital, and no one should pass just because they made an excellent mix but doesn't understand the basics of sound.

Because then, you will be right to say that no degree should be handed out like that. And that is what pisses me off too. But in my eyes, if the Degree encapsulated all the vital aspects pertaining to sound AS WELL AS everything else, giving it prime importance just as much as how good you can twiddle the knobs of an SSL mixing console, I think then yes, an AE degree stand ups in legitimacy just as much as any other degree. Unfortunately, that isn't the case. Most of the people who enter these courses just want to play around with all the cool gear, leaving with a degree in Audio without knowing what causes one to hear a sound. There, JBroll, I agree with you and with your frustration towards how these people get a piece of paper saying they're skilled in the world of audio. A 1 minute interview with most of these people would reveal that they're full of shit.

But I think there are truly good courses out there which do include all there is to know, with a proper educational system covering ALL concepts, from the nature of sound to the electronic aspect, to digital audio, to acoustics and yes, then finally, the fun parts: mixing, recording, microphone techniques etc etc.

For example, I was looking at this university in particular and it caught my attention as it doesn't look like the: "learn how to use this mixing desk and get a Degree" college. http://www.dmu.ac.uk/Subjects/Db/coursePage2.php?courseID=4571#quickLink0

Personally, I think it all comes down to the reputation of the college. What is to be taught? How are we going to teach it? Are we going to make sure that all the graduates can fully understand the basic principles of audio before enticing them in a world of cool gadgets and gismos?

So to cap things off, I do agree with you Jeff, but I think, despite the fact that employers do want to see a piece of paper as proof (at least in this country), having a degree in audio (if studied at the right place), should mean that you know Audio like an Electronics engineer knows his electronics.
The only problem is that Audio includes many other fields like digital technology, electronics, physical principles, acoustics, etcetc, and each one of these is a whole different ball game if delved into, but what can the Audio student do? Learn the specialised route as much as possible and use the concepts from different fields that pertain to audio and learn them and why they affect his field so much. I think that's the best he can do. It's impossible expecting someone in Audio to be as knowledgable as an electronics engineer, but just as the electronics engineer might know his stuff very well, I doubt he'll be as skilled in all the fields that pertain his own as those who specialise in them. I hope that made some sense, although it's only my opinion.
 
Damn I'm glad this thing got revived, I totally forgot about that pwnage post Jeff. Your way with words never ceases to amaze me sir. We need to go hookah sometime man! Did you get a new number?

:headbang:

~006
 
Brutalism, if they're going into theory and science, I think that's great - and if schools around here taught that right I'd have much more respect for them. But what exactly do you mean when you say I'm 'not into audio'...?

Mike, I have the same number but for some reason the thing misses calls a lot. I'm in class until 7 tonight, give me a call a little after that.