hey there was a thread a while back about mix buss compression techniques and how many people use a HPF sidechained to the comp so that the lows of a mix don't pump the compressor...
how would the routing for this work?
like if i have a comp plug in on the master fader where would the side chain come from? just wondering how this applies to modern DAW signal flow
how would the routing for this work?
like if i have a comp plug in on the master fader where would the side chain come from? just wondering how this applies to modern DAW signal flow