Icky Peanuts and Everything Under the Fanzine Umbrella...Or Not

horggard

grr--hiss--snarl
Jun 17, 2001
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Howdy Jim! I just received Issue #35 of LotFP and would like to respond to this quote: “…I’ve had a grammar lesson sent to me before, but why doesn’t anyone pick my shit apart like this and point out the icky peanuts?”

(Just to preface this for all of you who don’t know what I do for a living: I’m a Secondary English teacher (high school, that is) who possesses a B.A. in English with a writing concentration; I’m 18 credits into my Reading Specialist Master’s Degree and, with any amount of luck at all, I will soon be working towards my Master’s Degree in English as well. I’ve acted as an editor on one book “The Vinyl Chapter” by Fred Perri and continue to work with him on all of his writing undertakings. At heart, I’m a poet and lover of the written and spoken word. Mainly, I listen to metal with all of its various flora and fauna and, with no small effort, am trying to break into music journalism. I hope that does it! With the following response, I’m attempting to be as succinct as I can while still communicating a fully thought-out rationale; this is, by no means, the be-all and end-all of my opinion, though.)

Well, I do have some answers for you, but some of them just aren’t pretty. Let’s back up first, though, before I make my not-so-revelatory revelations. Way back when, when I’d sent off that sample of my editorial skills (in request of an editor’s position for which I’ll be requesting again by this letter’s end), it wasn’t just your grammar I was addressing. If you remember, included with the actual sample was a brief introduction where I had specifically stated that I was only going to examine your written form, not your written content.

I will forever make a distinction between the two because the confluence of these parts form what we know as writing, but are, by themselves, quite different. Form is an author’s grammar, usage, spelling, punctuation, capitalization, etc. Content is what the author, regardless of how it’s presented, is trying to say. Both halves need each other or else we’d have either perfectly presented gobbledygook or beauty and wisdom set in a chaos of words.

Having asserted the differences in accurate, albeit simple, terms, it was relatively quick and easy for me to edit your copy, that is, your form; however, editing your content would have taken me much longer and would have been much more subjective, thus possibly antagonizing you (perhaps even more than my sample did!). I made a point of saying this in my introduction because I didn’t want you to think that I didn’t comprehend the necessity of critiquing and/or correcting the substance, the body of one’s work. Style is very difficult for most people—not me, of course—to deal with because what one person finds particularly confusing, another might find just as straightforward. What one person considers distasteful or verbose, another might consider just as imaginative or direct.

Please note that I take great pride in my literary abilities and so I reserve the right to flaunt a little. These are not empty boasts, though, as you’ve already experienced. Anyway, onto the answers to your question of why more subscribers of LotFP don’t submit more input regarding your weekly, stylized creations.

Most people, I assume, just don’t have the time to invest into such an endeavor; or people don’t have the know-how to correct or edit nuanced writing; or people just enjoy your weekly ranting/raving and are more than willing to overlook the flubs, grammatically speaking and content-wise. The truth of the matter is you just don’t have the time to closely re-read your work, as you’ve previously told me, and I completely understand your situation.

In order to change things, if you’re really interested, you’d need to push the deadline up a week, so as to have more time to pick and choose submitted articles and columns—14 days is still current, especially when you compare your publishing schedule with that of Unrestrained! and Metal Maniacs. Your publication would still be weekly, just deferred enough to ensure a quality product. If I’m going to propose changes, I might as well go all the way and make good on my promise to proffer my services as editor once more, too. What the heck, right?

As Eek the Cat would so eloquently put it, “It never hurts to help!” But if I’m just completely off base or you’d like to chew me out, tell me I’m ludicrous, whathaveyou, just e-mail!

Your listener of Opeth boombox mp3’s,
garth
 
'allo...

Maybe I do need an editor, because really what I was meaning by the 'why doesn't anyone pick through my shit for my peanuts' was 'why doesn't someone point out holes in my logic and expose conflicting views.' With highly opinionated content for 35 issues now, even I find it hard to believe conceptually that everything has been consistent and airtight.

Any inconsistency might be a mistake, or it might be something I've never even thought of, and I can't fix my thinking if someone doesn't come to me with a "What are you thinking???"

As far as the actually editing concern... with the columnist additions, I'm hoping that in itself will help some of that. Less for me to write, which means less in a hurry (you'd be not so surprised to learn there's a good amount of content written after 3am to be rushed off for printing at 8am), and more time to actually look at more of what I'm writing. I'm still really uncomfortable just sending off material and depending on someone to get it back to me... and the extra week delay I'm honestly not too hot on at all. If you ever move to Atlanta, into the ol' 710 Peachtree St complex, then we'll talk...

As far as form versus content, don't forget style, which likely destroys as much proper usage and obscures the meaning of the writing as much as the ohmigodtypetypetypeIgottagetthisdone factor of the newsletter. People often give me blank stares when I talk to them face to face, no doubt my cute wording produces the same effect on a printed page...