I don't know how many of you guys write music, or even play an instrument...I would assume, based on experience, that most of you do play an instrument and alot write: Opeth lovers love music.
To the point: Every time I put in Morningrise or Still Life, or hell any Opeth, I think to myself, "Damn, I wish I wrote that!" followed by "Damn I wish I could write like that," which eventually leads to thoughts that I will never match up to Opeth. I know equalling Opeth isn't the point of writing, but whenever I write music, I can't help but think to myself, upon playing it back, that Opeth is still better. Like I said, I understand that that isn't the point, but it is definitely discouraging. But at least there is something to aspire to, a role model, if you will. Hell, I won't deny it; my singing sounds more and more like Mikael Akerfeldt's every day. I never realized, before Opeth, how much having emotion in a voice matters. I will never sing emotionless again.
What I find an even harder art to master, though, is putting emotion into instrumental music. Mikael and Peter write it as if it's easy to come by, but then that's how mastery is truly shown: in the appearance of simplicity, "See, it's not so hard!" I guess I am guilty of the sin of envy. Thank you, Opeth, infinitely, for such beauty to envy!
Back to the point.
So do any of you feel embarrassed about the stuff you write when you listen to Opeth? Or at least very influenced by them in what you write? Feel free to respond to anything I said.
Kudos.
To the point: Every time I put in Morningrise or Still Life, or hell any Opeth, I think to myself, "Damn, I wish I wrote that!" followed by "Damn I wish I could write like that," which eventually leads to thoughts that I will never match up to Opeth. I know equalling Opeth isn't the point of writing, but whenever I write music, I can't help but think to myself, upon playing it back, that Opeth is still better. Like I said, I understand that that isn't the point, but it is definitely discouraging. But at least there is something to aspire to, a role model, if you will. Hell, I won't deny it; my singing sounds more and more like Mikael Akerfeldt's every day. I never realized, before Opeth, how much having emotion in a voice matters. I will never sing emotionless again.
What I find an even harder art to master, though, is putting emotion into instrumental music. Mikael and Peter write it as if it's easy to come by, but then that's how mastery is truly shown: in the appearance of simplicity, "See, it's not so hard!" I guess I am guilty of the sin of envy. Thank you, Opeth, infinitely, for such beauty to envy!
Back to the point.
So do any of you feel embarrassed about the stuff you write when you listen to Opeth? Or at least very influenced by them in what you write? Feel free to respond to anything I said.
Kudos.