Livewire Mustaines... any info?

J the TyranT

Thats just how it is...
Dec 14, 2001
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Anybody used these yet? Looking for replacement pups, and thought these might be something worth checking out...

J
 
Aren't they meant to be like active versions of certain normal Duncans? I can't remember which though (though I'd guess one is a JB). In which case if you like then passives, I'd imagine you'd be okay with the Mustaine active versions.

Steve
 
kaomao said:
Youthanasia was great sound wise (anyway that's one of my fav deth records), anyway you're right Shane, Dave never had the greatest sound of all time on all other records.

Youthanasia was about as close as they got to radio-friendly without pissing me off. Max Norman understood Megadeth and their sound, the familiarity was there on Youthanasia. The guitar tone was very organic and Marshally, which was fine for the more mid-tempo paced material they did. I absolutely love the drums on that record, and some of Marty's best solos (Addicted to Chaos, etc.) are on that CD.

After that it was like they were doing what they were told. Telling Dave Mustaine what to do is kind of like telling a rabid dog not to bite. It's no wonder that things imploded after RISK. I'm kind of over the whole Megadeth experience at this point (Marty Friedman's shoes have proven impossible to fill), although I am somewhat interested to hear the upcoming disc.

Back to the pickups - Dave hates EMGs, which is especially ironic now that he's using actives. A man of many ironies, for sure.
 
I just want to try something different, and I've had success with Duncans already.

They're supposedly active JB's and Jazz's I think.. although it may be JB's and 59's...

Either way.
 
He does hate EMGs but he said a lot about active pickups if the tone is right from the start...

I'd personally say that they imploded AT Risk, but TSHF is far from their worst (I'd put it above Youthanasia, personally, but definitely not above RIP) and their new guitarist (from Eidolon and King Diamond) rips, so I definitely want to hear that. RIP is my idea of the ideal Marshall tone (then again I'm not a Marshall guy, but if I got one and it meant a tone like that, I certainly wouldn't mind) and TSHF seems more 'modern', but not quite as 'holy fuck, this is incredible' as RIP. I really want to hear what the new one (supposedly United Abominations, last I heard) is like, as TSHF was more thrashy than their other recent stuff but not quite as fast or intense, but then again I worship Megadeth, so...

Jeff
 
kaomao said:
I hope they won't use a Line6 amp on the new record, because everything line6 makes is not worth really that much.
The only thing they made, that is usable is podxt, anyway not something you would put on a record.

goto tell that to meshuggah :heh:
 
http://www.musicianshotline.com/issue/features/200604_company_line6.asp said:

Dave Mustaine – Megadeth: We’re currently developing an amp with Megadeth guitarist and frontman Dave Mustaine. He was looking for a way to make a single amp that could do what his old previous amp-and-effects rig could do. This single amp has four of his favorite sounds, from clean to our insane high-gain sound, plus effects including delays that can spill over from patch to patch. This will all be built into a racked amp head that he can take on tour
.

Wait to hear the new stuff before you slam Line 6. Meshuggah's tone is just fucking massive and easily the best tone you could find for stuff like their newest material, it's a hell of a lot easier to handle that kind of stuff with a POD than with a full amp combo, and it kicks the shit out of what 98% of people using full analog rigs are getting with the best of gear. There's no telling what Mustaine will pull off with his new rig, and I doubt that, unless things are a complete flop of epic proportions, people who don't keep up actively with gear changes will be able to tell the difference. Just cut the fucking bias and wait to hear it.

Jeff
 
JBroll said:
Wait to hear the new stuff before you slam Line 6. Meshuggah's tone is just fucking massive and easily the best tone you could find for stuff like their newest material, it's a hell of a lot easier to handle that kind of stuff with a POD than with a full amp combo, and it kicks the shit out of what 98% of people using full analog rigs are getting with the best of gear. There's no telling what Mustaine will pull off with his new rig, and I doubt that, unless things are a complete flop of epic proportions, people who don't keep up actively with gear changes will be able to tell the difference. Just cut the fucking bias and wait to hear it.

Jeff

The Line 6 stuff is great, but I still feel Meshuggah's Mesa Boogie tone on "Destroy, Erase, Improve" is better than the Pod/Vetta stuff they did later. I'm looking forward to whatever Line 6 does next, I think they're closer than any other company to getting the tube sound.
 
Kazrog said:
I'm kind of over the whole Megadeth experience at this point (Marty Friedman's shoes have proven impossible to fill), although I am somewhat interested to hear the upcoming disc.


I saw Megadeth in Atlantic City this weekend and thought the new song they played was pretty good overall. The only criticisms I had were that the solos were disposable and uninspired (highlighted by the next song in the set being Tornado of Souls, with its fucktastically memorable lead work), and there was a widdly bit at the end of the chorus that sounded much too much like the intro to Iron Maiden's song Wasted Years minus the open string notes.
 
Kazrog said:
The Line 6 stuff is great, but I still feel Meshuggah's Mesa Boogie tone on "Destroy, Erase, Improve" is better than the Pod/Vetta stuff they did later. I'm looking forward to whatever Line 6 does next, I think they're closer than any other company to getting the tube sound.


What about the vox valvetronix? I have one and I think it performs well