what we are saying is there is no magic setting that is going to give you that sound. If you are not expecting a magic setting then I would suggest being more clean in what you are asking.
As far as the plugins go, IMO Ozone 4 can give great results, and the SSL pack is awesome to me.
thank you all for clarifying. there was quite some misunderstanding though. i just feel like because im a new member, i get treated like i know nothing. which isnt the case necessarily . i know theres no magic buttons on anything. no magic anwers for any questions. no quick fix to anything. with the video, i just gave reference to something i thought was mastered translucently. its good.
in reference of good material, i was simply stating i personally dug it. nothing more. i wasnt saying give me answers to how they achieved what they did. i was trying to say, compared to grand stuff, my masters suck.
I love Ozone. If only for the Maximizer.
thank you ermz, maybe now i might try ozone, just for the maximizer
thank you nwright, maybe now i might use the api compressor just for compression.
these were things i was looking for. i just wanted some help with my personal chain. whether its order of my chain.
i wasnt trying to say i could acheive anything close to $100,000 worth of gears capable sound. i really didnt mean to piss people off, or to have you guys think i could just get answers for anything. im sorry.
my usual chain:
API Compressor... 30ms attack, 200 ish ms release for faster stuff. this is typical though. i find that if i already have a heavy mix, i might make the attack time faster/ play with the release. i go for 3 or 4 db of GR.
G clip. i haven't found any typical setting with this plug, for anything, im still experimenting. some advice to why oversample is good might help me. maybe i should eliminate this phase altogether. maybe just use it for really peaky mixes.
Ozone 4. I might apply a plateverb, maybe 2-3% wet. Then i will use the maximizer. I will play with the release setting too. I aim for anywhere between -5 to -12 RMS levels.
Im not happy because even though -12 rms is "low" compared to some other mixes, things just sound too flat. not squashed necessarily, its just theres no dynamics. So this might be something to automate, either in mixing, or mastering - or something to make happen in mixing is more extreme dynamics when the chorus pops in or a breakdown come in. Is automation a common thing in mastering if one should feel the need to do so? i feel like it would be easier in the mix, but possible in both stages. idk, ill post a clip of something soon.