- Apr 7, 2006
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Mixing/recording a song with a TON of vocal range.
I was thinking about tracking the lower verse vocals with a KSM32 condenser (all I've got). But when I try tracking soaring vocals the KSM for the chorus- it gets a little brittle and harsh. I've had better luck tracking big vox with a Shure SM7B.
I've recorded for a long while, but I am definitely still a beginner at tracking/mixing vox. Would you guys track vocals with two different mics? The SM7b just isn't sensative enough to capture a lot of subtleties of the verse vocals, but the condenser doesn't seem fit for the huge chorus vocals.
If so, how would you mix both to sound like they are from the same mic/recording? My typical effects include:
Pitch, compressor, EQ, verb, delay (time based stuff as sends).
First of all, is pitch -> compressor -> EQ the order of the chain that I'd want? Sometimes I feel like EQing last sounds worse than throwing the EQ up front, but I know that's not common practice.
Thanks guys! Looking forward to responses!
Ben
I was thinking about tracking the lower verse vocals with a KSM32 condenser (all I've got). But when I try tracking soaring vocals the KSM for the chorus- it gets a little brittle and harsh. I've had better luck tracking big vox with a Shure SM7B.
I've recorded for a long while, but I am definitely still a beginner at tracking/mixing vox. Would you guys track vocals with two different mics? The SM7b just isn't sensative enough to capture a lot of subtleties of the verse vocals, but the condenser doesn't seem fit for the huge chorus vocals.
If so, how would you mix both to sound like they are from the same mic/recording? My typical effects include:
Pitch, compressor, EQ, verb, delay (time based stuff as sends).
First of all, is pitch -> compressor -> EQ the order of the chain that I'd want? Sometimes I feel like EQing last sounds worse than throwing the EQ up front, but I know that's not common practice.
Thanks guys! Looking forward to responses!

Ben