Hey mates!
The same as with our previous video, I'm sharing this at the bar, just to give this topic a bit "wider" angle, then just production aspects.
While we keep working on our second album, which turns out really well, I decided that it would be nice to release something new. Something that won't empty our purses as a big ass video clip usually does A nice live video, with multitrack recorded from the board and then mixed. Just how I love it!
This time it was a real challenge! We had a digital desk, no splitter (the idea to shoot a video came to us pretty spontaneously) and only 8 free aux buses on the desk. We found the solution pretty quickly:
aux1: vocals, raw
aux2: gtrL, raw
aux3: gtrR, raw
aux4: OhL processed
aux5: OhR + Hat processed
aux6: Toms, processed, mixed to mono
aux7: S top + S bottom, processed
aux8: Kick Beta52 + Kick Sm91, processed
Luckily, we're performing with pre-recorded bass this year, and it was just enough for us. I just added the bass DI we're using on our playback machine, and cropped the hell out of toms to divide them into high tom, mid tom, floor tom and... ride cymbal bleed! Worked like a charm, wow. And I loved the way sm57's worked with those toms.
Another thing I can't stop being happy about is the Beta58. What a great stage mic! Isolates so well that I can compress the shit out of it and it still sounds aright (and does not feedback).
Alright, enough details! Please welcome our brand new song:
The same as with our previous video, I'm sharing this at the bar, just to give this topic a bit "wider" angle, then just production aspects.
While we keep working on our second album, which turns out really well, I decided that it would be nice to release something new. Something that won't empty our purses as a big ass video clip usually does A nice live video, with multitrack recorded from the board and then mixed. Just how I love it!
This time it was a real challenge! We had a digital desk, no splitter (the idea to shoot a video came to us pretty spontaneously) and only 8 free aux buses on the desk. We found the solution pretty quickly:
aux1: vocals, raw
aux2: gtrL, raw
aux3: gtrR, raw
aux4: OhL processed
aux5: OhR + Hat processed
aux6: Toms, processed, mixed to mono
aux7: S top + S bottom, processed
aux8: Kick Beta52 + Kick Sm91, processed
Luckily, we're performing with pre-recorded bass this year, and it was just enough for us. I just added the bass DI we're using on our playback machine, and cropped the hell out of toms to divide them into high tom, mid tom, floor tom and... ride cymbal bleed! Worked like a charm, wow. And I loved the way sm57's worked with those toms.
Another thing I can't stop being happy about is the Beta58. What a great stage mic! Isolates so well that I can compress the shit out of it and it still sounds aright (and does not feedback).
Alright, enough details! Please welcome our brand new song:
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