Papa Josh
Minister of Propaganda
Anytime a band's latest makes me go back and listen to all of their others that I possess, that is a good thing! Now, I just need to get those first two....
JayKeeley said:Yeah, I suppose. So anyway, I want to hear the new Novembers Doom! I listened to "To Welcome the Fade" a little while ago, and I forgot how awesome it is.
Then I listened to their cover of "Revelations (Mother Earth)" and it sucked. So tonight, I have concluded that 98.76% of the time, cover songs, in general, suck cracker ass -- especially when death vocals replace clean.
Novembers Paul said:Jay, you are correct on Revelation (Mother Earth), it does suck. We were asked to do it, because a band dropped off the disc. They asked us to do it on a Thursday, and we needed to hand in the mixed song on Monday. Not one of us knew the song, or was even an Ozzy as a solo artist fan, so we needed to learn it, book the studio, record it, and mix it in 3 days. Considering the odds stacked against us, I don't think it came out horrible, but nothing what we wanted to do with it, or could have done with it with more time. I doub't we'll ever do anything like that, so quickly again. We'll need to redeem ourselves someday, and do a killer cover of something.
One Inch Man said:Listening to this new one, my first taste of ND. Wow. Excellent stuff, very full-bodied like a nice rich french roast or single malt scotch. The mood is scary, and these vocals are killer. I had no idea this is what these dudes sounded like, I was expecting straightforward slow doom, but this is doomy FAWKIN' METHULL.
NvmbrsDoom5 said:And Jay you're absolutely correct in your philosophy about covers, I think....we've stated many times that if we ever did another cover it would most certainly be something that was a bit more "obscure" perhaps, and also something that would be more suited to us so that we can in fact "adopt" it as our own, like you said. We'd rather focus on writing more original material than putting out a bunch of frivolous half-assed covers like some bands tend to do haha
...Also though, Metallica were good at making those covers they did their own, because they also based much of their sound out of ideas and sounds they borrowed from those bands they covered. Listen to Metal Blade's NWOBHM compilation and you can hear so much of what Metallica was influenced by and in many cases straight up "borrowed" from! I'm not criticising them for this, it was actually a rather brilliant move on their part to do that back then, and look at the music that resulted from it....ah the good ol' days! lol
JayKeeley said:Hey Paul - nice that you can take criticism well. Considering the story you explained here, that certainly helps clear a few things up, but allow me to elaborate. The cover song isn't played poorly -- on the contrary, you guys did a good job all round -- and it's produced well, but it's the fact that you've taken an enormously popular song that didn't need reinterpretation. (Of course, since it wasn't your decision to choose the song, then obviously you can't be held accountable.)
My take on it is this: First of all, it's Randy fucking Rhoads. He's untouchable. The only time a musician should want to play Rhoads material is if his name's Jake E Lee or Zakk Wylde, (or Joe Holmes), and playing with Ozzy on stage. Secondly, death vocals replacing clean vocals where the melody is so well known just doesn't work. Case in point: A death metal version of "Crazy Train" or "Aces High" or "The Trooper" where the only difference is that the singer is growling will fail every single time. Ignore anyone who thinks otherwise.
If Metallica did one thing right back in the day was to do cover versions of songs that weren't well known. That way, most people were hearing them for the first time and didn't have a constant comparison point. Songs like "Breadfan", "Blitzkrieg", and "Helpless" now belong to Metallica.
Perhaps when you choose a song to cover, you'll pick one that you can adopt as your own. Bob Dylan once said that the first time he heard Hendrix play "All along the Watchtower", the song was no longer his. From that day on, it belonged to Jimi.
I fully agree. Couldn't stop listening to "Silent Tomorrow" when I first heard it. Unfortunately the only other album I've listened to so far is "Amid Its Hallowed Mirth"; didn't like it that much though.J. said:"The Knowing"... That one is a great example of newer American death/doom.
Novembers Paul said:Hey, by the way... Whens the Pale haunt review coming? I can't wait to read a SMART review from people we respect.
Demilich said:Hey, now that we know Nevermore's covering "Revelation (Mother Earth)" also, how do we think that's gonna turn out? Could be good, Warrel and Ozzy both have pretty distinct voices!
Novembers Paul said:Hey, by the way... Whens the Pale haunt review coming? I can't wait to read a SMART review from people we respect.