I feel called out, bro. I can't help it, though, I love dem growlz.
Bro it's fine, his low growls are solid

I feel called out, bro. I can't help it, though, I love dem growlz.
Nice, man. In the Dark is growing on me as well.I now enjoy a lot more the whole new album
Addicted to In the Dark in particular.
There’s just verses on Bleeding out (make me think of Muse) and Cynosure, plus chorus on End the Transmission that I find to be a bit boring (because I’m really not used to this kind of music since I mostly listen to black,death,thrash metal).
I can now safely say it’s better than ITM because no songs on Foregone are as weak as House or We Will Remember (strangely enough I really like In this Life and All the Pain) and unfortunately I’ve never managed to get into Burn and Deep Inside (too happy choruses on these ones) in spite of their relative heaviness.
Since it can’t be guitar driven anymore, I want my In Flames to be at least melancholic+catchy and I think it’s rather the case here.
PS: Foregone really looks like a masterpiece compared to Battles. The global atmosphere is much better this time despite the Benson apects of the album.
Ranking :
In the Dark
State of Slow Decay
Foregone pt1
A Dialogue in B Flat Minor
Meet your Maker
The Great Deceiver
Foregone pt 2
Pure Light of Mind
Bleeding Out
Cynosure
End the Transmission
To sum up : cool growls + catchy choruses + good atmosphere + great production + beautiful artwork = pleasant album
PS: Foregone really looks like a masterpiece compared to Battles.
Speaking of the Clayman re-recordings, I think they prove my longstanding belief that the Studio Fredman production saved that album and is largely responsible for its positive reputation. Disregard the changes they made to the songs (synths, Anders' singing) --- musically, they sound like the band's recent material. I'm pretty sure that if Bergstrand had produced Clayman, that album, not Reroute, would have been the one that caused that fanbase split that persists to this day.
I also agree. The songs on Clayman don’t compare to the three earlier albums. They sound good because of Nordstrom. Several are catchy. But overall in terms of song writing, composition, raw musical ideas, it’s a step down. They were already running out of ideas at that point.I partially agree with that. However there were also elements of their music that went missing after Clayman, which appealed to those of us on the early In Flames side of the fence. Examples
- Suburban Me solo
- Another day in quicksand ending
- Songs without these singing choruses
The production change was hard to stomach, but it was also hard to say goodbye to truly awesome, non Bjorn, metal solos, songs becoming short and more predictable, and these clean choruses which sounded like crap to me.
There were things that were lost, definitely. They're twenty-some years overdue for a guest solo, too.And yeah, if you don't like the clean choruses, I imagine R2R would be a hard stop for you no matter who's producing. But I always felt the sung choruses were pretty subtle until Come Clarity, when they became a lot more prominent in the mix.
To me they prove that anyone can ruin a decent song. The same that happens with the cover EP.New Speaking of the Clayman re-recordings, I think they prove my longstanding belief that the Studio Fredman production saved that album
As far as I know, with two exceptions, Bjorn did all of the solos till this album. In fact, they hired him with the condition of doing the solos.Just going off the sound (namely the bending), I've always thought Bjorn did the majority of the solos on Colony and Clayman -- they're way wankier than what was on The Jester Race and Whoracle. Clayman might as well be called Bjorn Gets To Play Lead: The Album.
Gave it a spin, the ''metal'' side is definitely an improvement over the last couple albums at least. Really like Anders utilizing his death growls continuously on the album.
However like the last 2 albums, the overprocessed cleans turn me completely off of basically every song they feature. They are to ''catchy'' sounding and poppy. SOAPF is probably my favorite album when it comes to Anders cleans. A prime example being Where the Dead Ships Dwell. One of my alltime favorite choruses from IF/Anders, and it's purely because of the vocals. They are unique sounding.
I get people like the catchy and poppy choruses, especially people who aren't into the more heavy stuff, for them it can probably be a good bridge dynamically with the heavier sounding verses on the album. But for me it's just fucking boring honestly. It's way to much "anthem" sounding. And even in the verses with clean vocals, like Pure Light of Mind, they have this processed effect which ruins it completely. There is plenty of other songs where he can do the calm cleans in a good way imo, like The Chosen Pessimist, Come Clarity, Dawn of A New Day & Metaphor. Those still sound unique and hard to copy (whether you like it or not), recent couple albums the cleans has lost the Anders touch imo.
I'm sure people a lot of people will love the album though, especially people who love more catchier/poppier sounding clean vocals. That's completely fine, it's just not for me. Rhythm guitars are the biggest step-up imo. I thoroughly enjoyed it throughout most of the album. Drums also really nice.
Pros:
Production is much better than Battles & I, The Mask. Much more crispy, crunchy and clear sounding guitars and drums, without sounding overproduced.
Instrumentally it sounds better than in many years
Anders harsh vocals sound great, especially the increased utilization of death growls
Cons:
The overprocessed poppy sounding vocals completely drags the album down. And the cadence/melodies sometimes just sounds so fucking weird and off to me. And every song doesn't need to go for a catchy chorus with the same formula either..
Sadly, like last couple albums, won't probably be spinning this one much. Maybe it can grow on me a bit like other albums have, we'll see. But I just know the overly poppy sounding vocals does not scream high replay value to my ears.
But then again, I don't really listen to that much IF anymore anyways. But I will say, they sounded fucking great live when I saw them in December. So I will probably catch them live more times for sure.