I find those choruses... Ridiculous.One difference between LtM and Halos is that LtM had no songs with choruses like I Am The One or Hit Me. That's very much an "innovation" of this album.
I find those choruses... Ridiculous.One difference between LtM and Halos is that LtM had no songs with choruses like I Am The One or Hit Me. That's very much an "innovation" of this album.
I find those choruses... Ridiculous.
Karma is too much of an obvious appeal to IF fans for me to enjoy. To me it’s the same as them writing “the next thing in metal”. It’s tricky marketing bullshit designed to make everyone check them out. Without Karma this thread might not exist.I rank LtM and ITM more or less than same, but yes ITM is streets ahead of Halos.
Also not sure how you couldn't want to go back and listen to Karma or Closure again tbh, those songs are incredible. The rest of the album I can understand being take it or leave it, depending on if you're digging it, but Karma/Closure are both just awesome metal songs.
Hit Me would have been the perfect way to open the album.I can't comment on the production too much, because I only listened with normal earphones and on the train, but how the fuck did they choose that song as their opener? How did they go from Karma to that? The very first song of every record should peak your interest. It doesn't have to be Karma, but for the love of god, don't put your dullest song there.
Jesper should become a producer. There were some nice guitar riffs, but they got drown out by the sugary shit. And no, I am not talking about the medleys. Those were so out of place that they were almost more embarassing than the lyrics or the electronics. There is nothing wrong with wanting to make a pop metal album, I think L2M was pretty decent, but don't try to be something you are clearly not. Anyway, IF had some really fucking good electronics back in the day, so I personally trust Jesper with the keyboards. Alias, OFTW or the entirety of Soundtrack, really. Find an up and coming band and help them. Maybe it would have some therapeutic merit to it, like fathering children. Cyhra right now is so embarassingly under his capabilities, that even if he could perform live, it would be an insult. You don't need a guitarist for this, let alone Jesper.
Karma is too much of an obvious appeal to IF fans for me to enjoy. To me it’s the same as them writing “the next thing in metal”. It’s tricky marketing bullshit designed to make everyone check them out. Without Karma this thread might not exist.
OFTW?Anyway, IF had some really fucking good electronics back in the day, so I personally trust Jesper with the keyboards. Alias, OFTW
yeah I think I'm done with these guys.
A lot of truth here. Sounds like this album frustrates you as much as it does me. Every intro is like an evil trick to get metalheads to listen to something they don’t like.The rest of the songs are rather half-baked with some nice riffs followed by bait-and-switch verses. It's like the songs want to be some kind of power metal/melodeath hybrid while also taking into account that Jake has no capacity to deliver harsh vocals of any kind. Therefore we get these castrated, meandering verses that kill any momentum the intros and riffs build up. Hit Me is the worst offender in this regard.
I feel you brother.If that’s the future of metal I feel sad for the kids. A future where “full strength metal” no longer exists.
"It's wonderful to hear that; it means a lot to me," says Jake. "I did most of the basic songwriting for the album myself for this album, and the other guys came in after to add stuff after most of the songs were done. There are two or three songs where we did things the opposite, where Euge (Valovirta / guitars) had some ideas and I broke them down. When I was writing, I sat down and thought hard about what worked and what did not work on the first album, and I realized pretty quickly that the songs on Letters To Myself work really well when you're driving in the car, but not all of them work when you're playing them live. What I was focusing on most for No Halos In Hell was to make the songs more live oriented, and I think that live-friendliness makes the songs more catchy. It brings them to another level."