Man... I can't stand either of these records. They just... suck.
Well, I should be fair, it's not all suck. There is Almost, The Gulls, Train, and Too Soon. Those 4 tracks are pretty decent... Not great, but decent.
But then there's shit like Butchertown, which goes on about 8 minutes more than it should have. Easily the worst HoM track. And then there's the fields trilogy. It starts off just fine, but after the build up it drops you at some monotonous and boring vocals and some just plain boring song writing, then just continues on this till I'm ready to fall asleep. The rest of the tracks I can give or take. Really not much of that Hammer's patented charm where you really can't tell where the music is going to go. That feeling of excitement on The August Engine where you would think "Jesus Christ, where the hell can this go? HOLY SHIT THEY WENT THERE?! THAT'S FUCKING AWESOME!". With this it feels like you can predict every riff as it comes, every solo and what it's going to do...
I had trouble even getting through the albums without turning them off.
In my opinion, both vocalist's need to be replaced, and Cobett needs to take a break for a few years and rework the song writing process for HoM, because if the future of HoM is this... *snooooooooore*