axeman720
Member
I am most definitely worried more about the sound of each cymbal than i am with the snare in the overheads. I mic at different distances depending on the style of music as well. If there is a serious phase issue, which there rarely, if ever is, I'll catch while we are getting tones or i can just slide the track itself in pro tools. Never really have to do that though...
Also, i filter pretty differently on overheads from mix to mix. And i do sometimes get a good amount of drum tone from the overheads. Sometimes not. If your drums sounds good in the room they are gonna sound good in the overheads. Then its just your decision how much you wanna take from the overheads.
A good drum in a good room should never produce problematic overheads. Unless you really fuck up.
Also, i filter pretty differently on overheads from mix to mix. And i do sometimes get a good amount of drum tone from the overheads. Sometimes not. If your drums sounds good in the room they are gonna sound good in the overheads. Then its just your decision how much you wanna take from the overheads.
A good drum in a good room should never produce problematic overheads. Unless you really fuck up.