Stereo form,wave forms, what about thought forms?
What the hell does this comment have to do with anything? His post is perfectly good and appropriate evidence for the discussion at hand.
One thing I've learned from working with sound for the past five years is that you do not watch sound, you listen. Watching is good for precise editing and cutting, but come on, in this case just chill and listen. Ghost Reveries was mastered in Cutting Room here in sthlm by Thomas Edeberger with Jens&Opeth, and that goes for the record in any format. The vinyl has the same compressed master, there was no evil-cd-press-company-master that killed frequenses. The difference between those two pictures is related to his ways of recording the sound onto his computer, not different dynamic content in the song. Sorry.
yes of course I would thank-you but first I need to learn how to use IMG tagsThat is what the rest of the forum is about. Care to post some thoughtforms on the wavforms perhaps?
yes it is obvious waht ure sayin here roadtonowhere...!!!.....u haev to agree with loabster....this is not a suepr crappy record...GR soudns realy relaly good actually...!!!!.....u can hear everythign perfectly fine.....i relaly dont see what the problem is here...mayeb we are over analyzing somethign ...that is not even there to begin with...!!!!!.......PEAC EOUT
Try the Telarc released Tchaikovsky - 1812 Overture. THAT is dynamic.
@soundave - I'm not really in to Iron Maiden so I haven't heard "A Matter of Life and Death".
It is very sad the Opeth also makes production like this, but Opeth is not as bad as other bands.
This is why I always try to get a LP version.
To thoese that don't know what this is about look here:
http://www.youtube.com/watch?v=3Gmex_4hreQ
That is what the rest of the forum is about. Care to post some thoughtforms on the wavforms perhaps?
So what do you think Watershed production and mastering?
So what do you think Watershed production and mastering?