Trevoire520
Member
Thanks for posting that, looks like D'addario or Cleartone are the way to go from a corrosion standpoint.
I'm a big fan of both D'addarios and Elixirs. Here's my preference list.
E-guitars in drop-B:
1)D'addario XL Nickel 11-56, oh I'm loving, LOVING it!). Sometimes with additional coated 0.20 for a G-string and 0.60 for the lowest string.
2)Elixir Nanoweb, 11-49 + 56 or 12-52 +56. A big drawback with Elixirs is that they have a gap between 56 and 68 calibres. I'd love to use something like 59 or 60.
E-guitars in drop-C#:
1)D'addario XL Nickel 10-52 on 24.75 scales, 9-46 + additional 0.49 on 25.5 scales.
2)Elixir Nanoweb, same scales.
Basses (I'm using too many different tunings to name them all):
1)Dean Markley Blue Steel. Amazing strings, oh I love them. I even love them when they go dark, they still roar in a vintage way.
2)DR Hi-Beam. Very nice strings, and they're nice on fingertips.
3)D'addario XL Nickel for brighter basses or for non-metal styles of playing and D'addario ProSteels for metal.
4)Elixirs at Summer when I just want to rehearse a lot without becoming paranoid. Also for recording bass players who have chemically active sweat.
Acoustic guitars:
Elixir Nanoweb 80/20 bronze. I actually love them more then any other uncoated strings. Plus, they're not that creaky on chord changes.
I've noticed that Elixirs sound best when not too tight. I mean, if you're a guy who doesn't like super-thick gauges and tight tensions (like me), you'll probably enjoy them. Plus, I've noticed that Elixirs tend to intonate a little better then any other brands. Especially on bass (meaning, the thicker the string, the more you'll notice it).
Speaking of coating as of something preventing strings from vibrating freely and fully, I'd bring up a counterargument: after an hour, sometimes less with some really sweaty-handed musicians, the strings are coated with their sweat and epithelium, and that coating is a much, much bigger problem. So, when I know that there may be a problem with sweat, especially for bass players, I set their instruments up with Elixirs for recording. Otherwise it's D'addario for e-gtrs, D'addario, DR or Dean Markley Blue Steel for basses and Elixirs for acoustic guitars.
Tried Cleartones several times and to me the heavier gauges sounded a bit dull and rough. Thin gauges (9-42, 9-46) were cool. But that's a question of taste, I believe.
TUNINGS ====== in 25.5
@ E standard = 10-46
(E) EXL110
@ Drop D (DADGBE) = 10-46
(E)+52/54 EXL110
@ D standard = 11-52
DA - 11-52 EXL116 "Med Top Heavy Bottom »
@ Drop C (CGCFAD) = 11-52
DA - 11-52+60/62 EXL116 «Med Top Heavy Bot »
@ C standard
DA - 12-60 EXL148 « Extra Heavy »
CT - 12-60 DropC#
@ B standard = 13-70
CT - 13-70 DropC
Elixir - Baritone 12-68
@ CGCGCE (open C)
DA - EXL140 10-52 « Light Top Heavy Bottom »
CT - 10-52 nickel "Light Top Heavy Bottom"
with an extra 60 it would be better because the lower string is actually at 13lb
@ Open B = 10-52 or 11-56 with extra 70
DA - EXL117 medium top heavy bottom
Elixir - Baritone 12-68
13-70 (Cleartone)
====
13-17-22-42-56-70
24.5 reduces all by about 1 or 2 lb max