- Mar 20, 2013
- 174
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Okay, quick question. I've been programming drums since I first got my interface, and I'm doing a band with live drums tomorrow. Because my micing techniques and my room don't sound too fantastic, I'm sampling the shells. What I need to know is, what are your techniques for overhead micing/cymbal micing so that I get the most cymbal, and the least of the natural shells? I've searched around a bit without a lot of answers besides maybe close micing, but I'd like to know what you guys do.