Yeah, I thought I'd try a few new things with the drums.
The Overheads are using the Glyn Johns Technique..... but with an Andy-type rolloff at around 600hz, so the body of the drums still comes from the close mics. I'm impressed with just how smooth the cymbals turned out.
The snare is a Pork Pie Big Black Brass with Tama zinc hoops. I've never cranked the heads up that high before, but I was listening to a lot of "System of a Down" lately & thought it might work here. 57 up top, Studio Projects C4 on bottom.... NO sample replacement on the snare & toms. They're 100% human. The kick is a Slate sample.
Snare & OH were using API 512c, toms were Great River MP2NV and Vintech dual 72.
The rest of the kit was my DW collector's maple. 421's on the rack toms, ATM 25 on floor. SM7 for the room, although I don't have much of it in the mix.
BTW, for those of you who contributed, could you please PM me your real names, as I need a proper credits list for an idea I have.... stay tuned...
jesus harry... Glenn did this for nothing on his free time... and he did it with some rough vocal and guitar recordings... so, just enjoy it and leave the criticisms man.
Opening solo mine? I think there is some kind of mistake, mine starts at 3:19 not opening. Ffffuuuuuuuuuuuuuuuuuuuu!
I'm telling you man, I really think the lack of intelligibility can be blamed on my recording more than it can Glenns mix.
I said I listened to it about 50 times man
I fucking love the song man, but that doesn't mean there isn't room for improvement, at least IMHO anyway. I think my post was more than reasonable, but at any rate I'm not looking to get into another argument either, so I'll leave it at that