Metaltastic
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- Feb 20, 2005
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I'd really vote trying to get a PodXT + FBV Express (or PodXT live) and Onyx Satellite, that seems the cheapest solution that'll take care of everything IMO!
I'd really vote trying to get a PodXT + FBV Express (or PodXT live) and Onyx Satellite, that seems the cheapest solution that'll take care of everything IMO!
Yeah, but the only advantage would be having one unit over two, since I'd imagine the price would be around the same (Onyx Satellites are so cheap nowadays, they used to be like $300!)
Well "slave" is a bit of a confusing term; he basically means plugging an instrument cable from the FX send of the Blackmore (with it on standby) into the line-in on the PodX3, which I suppose would work with some clever routing; you'd have to set the PodX3 to only send the dry signal to the DAW (though in reality it'd be the preamp signal from your Blackmore which you'd later apply an impulse plugin to), and use a cab-sim only on the PodX3 for monitoring so you wouldn't have to listen to just the raw preamp signal OR, if you could get the latency low enough to directly monitor the preamp signal through an impulse plugin in your DAW, that'd work too! (but I'm thinking the chances of that working are slim)
And I assume that 400 Euro price is for them new? Used is the way to go dude! But yeah, you'd be taking a chance on the warranty, but my experience both with the Pods and my Onyx is that they're built incredibly solidly and have been problem-free!
400 is for them used actually....a new pod XT live is 370 euro, and a new Onyx (if I were to find one) 170 euros, for a grand total of 540 euros.
If I were to get a line6 pod X3 live...I can see how I can just plug a guitar into it for DI recordings...and I can see how I can plug my Blackmore preamp out into the POD's effects return...but then I'd still need to connect the POD to my computer. So wouldn't I still need an interface?
Meisterjäger;8136420 said:Seems to me like buying your Pod or whatever is not a sensible long-term situation. If live playing is paramount I would personally be making moves to make transporting your Blackmore easier - by buying a car. However, if you'd buy a car and only use it to get to shows I'd sell the Blackmore and buy something smaller, maybe a Rev Jr as someone else suggested.
Seems like a Head/Cab combo is not ideal for you.
Metaltastic said:Nah, all PodXT's and X3's have a USB port so they can be used as an interface, but that's what I was talking about with my experiences with the sub-par drivers/pops + clicks, etc. Worth a try though, I suppose!
Joshua Wickman said:Well the Engl is pretty useless at home id say. Sell that thing and buy yourself a car, Pod xt and recording interface and if you got any cash left a few mics. You can use the pod xt for live and recording then you have a car to drive (so you don't get raped!) and your now able to record your band or drive to a gig!! Problem solved i think.....
I would need to use the effects unit for my distorion and effects, since they don't have a stupid channel switcher at the venues, which I will really need live.
Slashvanyoung said:Dude, you absolutely CAN use the X3 just like the XT as an recording interface for your Blackmore! They not only kept this feature for the X3, they even made it a better interface, because the X3 supports USB 2.0 instead of just 1.0...
Maybe I'm misunderstanding the problem, but why not just buy your own footswitch so you can use the club's Marshall for both clean and distorted playing?
Meisterjäger;8136695 said:I LOVE it when obvious shit like that comes into play
hey man, as i was reading through the thread i thought of the footswitch idea as well, how come it got shot down?
and i would also like to add a +1 on mackie onyx, built like a tank and work like a charm