Finally back to reamping for the summer, did a bunch of tests today. Used DI's/backings by Kyle and by myself. Everything was quad tracked, and the 'both' clips have one of each mic on each side.
Kyles (Charvel SoCal, ToneZone):
SM57 Gtrs
SM57 Mix
SM7b Gtrs
SM7b Mix
Both Gtrs
Both Mix
Mine (ESP M-1, 8):
SM57 Gtrs
SM57 Mix
SM7b Gtrs
SM7b Mix
Both Gtrs
Both Mix
Kyle's tone is better to my ears, as I spent more time with it - I did my tests first. The SM7b has a shelf at 8khz since the tone was super dark/smooth even straight-on the dust cap, but otherwise there's just an HPF/LPF at 65/12k, and some light compression on the layered guitars for my clip.
Really loving how smooth and juicy the SM7b is, but I also love the clarity and tightness of the SM57. The blend works pretty well, but I think it'll just be a matter of what kind of material I'm reamping. I can now definitely see how In Flames were using the SM7b on their past couple of albums, though!
In any case, I can now offer reamping in addition to all of my other services, through my 5150 and a JVM!
Kyles (Charvel SoCal, ToneZone):
SM57 Gtrs
SM57 Mix
SM7b Gtrs
SM7b Mix
Both Gtrs
Both Mix
Mine (ESP M-1, 8):
SM57 Gtrs
SM57 Mix
SM7b Gtrs
SM7b Mix
Both Gtrs
Both Mix
Kyle's tone is better to my ears, as I spent more time with it - I did my tests first. The SM7b has a shelf at 8khz since the tone was super dark/smooth even straight-on the dust cap, but otherwise there's just an HPF/LPF at 65/12k, and some light compression on the layered guitars for my clip.
Really loving how smooth and juicy the SM7b is, but I also love the clarity and tightness of the SM57. The blend works pretty well, but I think it'll just be a matter of what kind of material I'm reamping. I can now definitely see how In Flames were using the SM7b on their past couple of albums, though!
In any case, I can now offer reamping in addition to all of my other services, through my 5150 and a JVM!
