OK, how about a thread where we talk about metal? Pulled these out from a pile somewhere:
The Crown - Crowned Unholy
I've only ever heard bits and pieces of The Crown before but essentially this is "Crowned in Terror" with Johan Lindstrand instead of Tomas Lindberg on vox. And it's got a new mix or something. Anyway, pretty cool music and I'm still getting over the Lindberg 'Great Deceiver' thing, so this Lindstrand guy seems rather apt. I know, I know, I'm late to The Crown, and yes, I realize they split because they weren't making enough $$ and this re-release is a cash in. Just talking about the music as someone new to the band....
Lilitu - The Delores Lesion
Dare I say it, 'progressive melodic death metal'? For some strange reason, I'm really digging this new signing from The End Records. Clean vox are good, death vox are ok'ish, but it's the riffs/melodies/tempo changes that become the real standout feature here. Really, really catchy stuff in a 'Dark Tranquility meets Pain of Salvation' manner, and the clean vox sound like a young Mike Patton.
Anyway, as the thread title suggests, I was nicely surprised by both considering I don't really listen to this kinda thing anymore. Maybe the extended break did me some good.
The Crown - Crowned Unholy
I've only ever heard bits and pieces of The Crown before but essentially this is "Crowned in Terror" with Johan Lindstrand instead of Tomas Lindberg on vox. And it's got a new mix or something. Anyway, pretty cool music and I'm still getting over the Lindberg 'Great Deceiver' thing, so this Lindstrand guy seems rather apt. I know, I know, I'm late to The Crown, and yes, I realize they split because they weren't making enough $$ and this re-release is a cash in. Just talking about the music as someone new to the band....
Lilitu - The Delores Lesion
Dare I say it, 'progressive melodic death metal'? For some strange reason, I'm really digging this new signing from The End Records. Clean vox are good, death vox are ok'ish, but it's the riffs/melodies/tempo changes that become the real standout feature here. Really, really catchy stuff in a 'Dark Tranquility meets Pain of Salvation' manner, and the clean vox sound like a young Mike Patton.
Anyway, as the thread title suggests, I was nicely surprised by both considering I don't really listen to this kinda thing anymore. Maybe the extended break did me some good.