watched pensado's place the other day with tchad blake. he's always been a guy who has a ton of tricks up his sleeve but churns out incredible and varied work.
in the interview he really hit home home how important distortion is. he's working ITB a lot these days too, basically never uses a reverb.
since using devil loc on a parallel track for snare, its become a total revelation. It brings out the room characteristics, more ring, and more low end, basically what I'd usually rely on blending in samples for. as soon as I mute the distortion track the snare goes back to sounding way smaller.
It's a really great tip, and works especially well when combined with trigger 2's gate. for sections with ghost notes its brilliant for emphasising those too.
and if you think you loved sansamps, check this out: http://www.gearslutz.com/board/q-tchad-blake/114845-sansamp-questions.html
in the interview he really hit home home how important distortion is. he's working ITB a lot these days too, basically never uses a reverb.
since using devil loc on a parallel track for snare, its become a total revelation. It brings out the room characteristics, more ring, and more low end, basically what I'd usually rely on blending in samples for. as soon as I mute the distortion track the snare goes back to sounding way smaller.
It's a really great tip, and works especially well when combined with trigger 2's gate. for sections with ghost notes its brilliant for emphasising those too.
and if you think you loved sansamps, check this out: http://www.gearslutz.com/board/q-tchad-blake/114845-sansamp-questions.html