I’m in the US, so I just got to listen to it. I’ll be honest, it’s alright. Going from Days of the Lost to this really does show the improvement in Stanne’s vocals, and that’s fucking awesome. The bass is nice, and I’m glad it’s audible.
But even though the faster pace is a welcome change, I can’t say I’m in love with the guitarwork the same way I could about many of the songs on Days of the Lost— And Jesper’s my favorite guitarist, so his increased involvement should be a home run, but it just isn’t. It’s nice to listen to it multiple times and notice that it isn’t actually just a safe single and that the structure is surprisingly adventurous. That’s really cool, but something about it just isn’t gripping me the way I was hoping.
(I’m cutting out the drum rant because it’s a lot.)
I don’t know, it’s a huge mixed bag for me, and I’ve gone from being insanely hyped for the album to being somewhat worried.
Did you just censor yourself? lol
Good song. Production is in a similar vein but the first thing I noticed was that the drums sound a bit brighter, especially the snare which is a welcomed change. I guess some might call this “more of the same”, and if that’s the case, I’m totally fine with that. That’s pretty much what I want from this band. I’m not looking for a bunch of experimentation. I can’t wait to hear the next 7 singles.
I will say that I do want some experimentation though— And I don’t mean as in something like Time Out of Place (Though I do love that song), but rather something like Gateways. Even though it’s only a top two or three DOTL song for me, it’s the exact type of melodeath song that has progressivisms without losing the plot that I want to hear more of.
Last I heard it was “active” with Andy from Amaranthe being recruited for vocals. Never seen or heard anything even from within the studio, much less any actual music from it.Is he still saying DZ is coming back? I know every few years at one point he'd say that but it never happened. It would indeed be very cool to get a new DZ album.
Then this might be the longest amount of time that any metal musician has put into doing something.
Last I heard it was “active” with Andy from Amaranthe being recruited for vocals. Never seen or heard anything even from within the studio, much less any actual music from it.