the randy staub drum trick

lanky noob

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Jan 13, 2012
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The shire, UK
So i've read in alit of places that randy pitch shifts drums down in the chorus of songs to make it "bigger"

Could anyone elaborate on this?
meaning how it'd work and how detectable it should be in a mix, i'm curious to try but don't really have much of an idea where to start, if anyone could post examples too it'd be much appreciated :D
 
Maybe he has a really low tuned sample and automates it under the original drums during the chorus?
I couldn't imagine detuning all the drums at once would sound good.
 
This was also discussed in an interview with one engineer that is mentioned here quite often. Of course I can't think of who the fuck it is right now... will pop back in later if i remember.
 
Some times doubling the snare track and pitch shift one channel can sound good. You just have to find how much to pitch shift it to sound good.
 
I thought that 'the RS trick' was using a one shot sample only to trigger reverb (without using that sample in the actual mix)? Not that it matters anyways. Both tricks can be put to good use.
 
I thought that 'the RS trick' was using a one shot sample only to trigger reverb (without using that sample in the actual mix)? Not that it matters anyways. Both tricks can be put to good use.

Think that's Andy Wallace.
 
I thought that 'the RS trick' was using a one shot sample only to trigger reverb (without using that sample in the actual mix)? Not that it matters anyways. Both tricks can be put to good use.


How would that work? some sort of sidechaining? or am I overthinking things
 
Yeah, it was Andy Wallace! Never the less. Well, you make a trigger track based on the original snare track, just as you would do it normally when you're printing trigger samples for replacement or augmenting. The only difference is that it's a single sample, because you need consistency and weight, so most likely you'll use a hard hit sample with a fair amount of thud (low mids) for this.

When you print that trigger track just mute it and send it pre-fader to an aux track, on which you have your reverb of choice, so now you only have wet signal of this one shot. Adjust its volume in the mix to taste. And voila, now you have a wet one shot trigger track which you can use for adding 'fake' ambiance and weight to the original snare track without cymbal bleed and such. You only have to mix'n'match this wet sample and original drums, because they must fit each other, so experiment with different samples.
 
Just found an old thread on tis and it turns out that yeah, that's what he does

Still curious to try it on drums though, could sound cool if used lightly