Hey guys,
I know most of you hate scooped guitars (so save your hate), but I gotta say I love this balsy midless tones when properly mixed and I'm not alone
When talking about this subject most people automatically think about old school bands/tones but it's just not an old school thing...
There are lots of recent albuns with the guitars fairly scooped and they just sound great... one of the greatest examples is Doomsday Machine.
I was listening to this and was just mindblown on how powerful the guitars sound:
Other example (from Ola):
Both are very scooped especially on the 400Hz area but still retain a lot of body and note definition (maybe not on smaller speakers, who cares)...
This is what I'm always trying to get with my guitar sound and mixes but all I get is a thin sound that gets buried and doesnt cut thru the other instruments, masking them instead... if you listen to Doomsday Machine it's brilliant how the guitars sit and leave so much space for drum ambience making the mix tridimensional... same with Heartwork from Carcass..
So questions for this thread:
- What's the best way to approach a mix with somehow scooped guitars (not saying theres like a V curve, just less mids than the usual modern tone), like how to get a good separation and keep the guitars in your face?
- How to treat the high end on this kind of sound, like should I use more treble or presence in the amp (depends of the amp obviously, but just talk about the one(s) you own, in my case a JVM)
- How to gel the bass to this kind of tone? What space should it be placed in? Maybe it needs a lot of content in the 140-300Hz area to compensate the lack of body in the guitars or should I leave that space for the guitar chugs ressonance and get a more sub based approach?
- Is the multi miking approach the best to go with regardin this type of guitar sound? Or the single sm57 will work just fine if the amp tone is dialed correctly?
- What are your favourite modern and old school productions with scooped guitars?
CHEERS
I know most of you hate scooped guitars (so save your hate), but I gotta say I love this balsy midless tones when properly mixed and I'm not alone
When talking about this subject most people automatically think about old school bands/tones but it's just not an old school thing...
There are lots of recent albuns with the guitars fairly scooped and they just sound great... one of the greatest examples is Doomsday Machine.
I was listening to this and was just mindblown on how powerful the guitars sound:
Other example (from Ola):
Both are very scooped especially on the 400Hz area but still retain a lot of body and note definition (maybe not on smaller speakers, who cares)...
This is what I'm always trying to get with my guitar sound and mixes but all I get is a thin sound that gets buried and doesnt cut thru the other instruments, masking them instead... if you listen to Doomsday Machine it's brilliant how the guitars sit and leave so much space for drum ambience making the mix tridimensional... same with Heartwork from Carcass..
So questions for this thread:
- What's the best way to approach a mix with somehow scooped guitars (not saying theres like a V curve, just less mids than the usual modern tone), like how to get a good separation and keep the guitars in your face?
- How to treat the high end on this kind of sound, like should I use more treble or presence in the amp (depends of the amp obviously, but just talk about the one(s) you own, in my case a JVM)
- How to gel the bass to this kind of tone? What space should it be placed in? Maybe it needs a lot of content in the 140-300Hz area to compensate the lack of body in the guitars or should I leave that space for the guitar chugs ressonance and get a more sub based approach?
- Is the multi miking approach the best to go with regardin this type of guitar sound? Or the single sm57 will work just fine if the amp tone is dialed correctly?
- What are your favourite modern and old school productions with scooped guitars?
CHEERS
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