As always, this time of year i spend more time than i care to admit going over the releases for the previous year, picking up those few albums that i may have somehow missed, listening and relistening to them all in an effort to present you with what i feel is a comprehensive list of the top 20 and 5 most disappointing metal albums of the passing year. While not everyone lived up to our hopes, as predicted, 2007 was stunning. It made picking a number 1 virtually impossible. Many of the top 10 deserve to be number 1's in their own right, but to employ a cliche, just like Highlander, there can be only one. Although almost every genre of metal had it's share of excellence, doom metal really came to the fore. Doom has been particularly strong these last few years, and 2007 could be the best year this current drive has seen to date. However, 2007 had so much more to offer beyond one genre. It was one of those years that delights fans and gives year end reviewers headaches in all the best ways.
1) Novembers Doom - The Novella Reservoir: BAM! No, it's not Emeril Lagasse, it's the way Novembers Doom's latest album hits you from the very first song. The Novella Reservoir is the finest example of a doom/death hybrid release i can remember. Not only is "Rain" a hard and heavy opener that will blow you away, but the album will dominate your attention through "Drown The Inland Mere", "The Voice of Failure" and the rest, all of which are part of an outstanding mix of death leaning doom that keeps you enthralled until the last note of the album finally releases you. The only exception is the change of pace we are given half way through with "Twilight Innocence". The dose of acoustic melancholy is a perfect example of soothing, somber doom and it keeps the album fresh. Some reviewers have said that this album was a let down after 2005's "The Pale Haunt Departure", citing it as having gone too far over towards death metal, but these people have done themselves, and their readers a disservice. To ignore the fact that "The Novella Reservoir" is a top notch album is to have lost sight of what is really important. It doesn't matter if a band goes one way or another, so long as they put out something truly outstanding, and this is exactly what Novembers Doom has done. Simply put: The Novella Reservoir belongs in the collection of anyone interested in doom bands.
2) Arch Enemy - Rise of the Tyrant: Arch Enemy are one of those rare bands that can really appeal to the visceral, aggressive aspect of our natures, yet maintain plenty of quality musicianship. However, in the last few years, they haven't quite lived up to their potential. 2005's Doomsday Machine was really a let down and it was obvious that Arch Enemy needed Christopher Amott back and in top form. With "Rise of the Tyrant" that is exactly what they, and we got. Their heads are in the right place and it shows. No more safe solo's, no more holding back. The fury has been unleashed and we have been gifted with a truly awesome album. This could easily be the best work in the Angela era, rivaling the classic "Wages of Sin". An argument could also be made that this is their best album, ever. Yes, it's that good.
3) Porcupine Tree - Fear of a Blank Planet: Steven Wilson of Porcupine Tree may not like it when people refer to his band as "progressive rock", preferring simply to be known as a "rock band", but it's an unavoidable tag to apply. They think their music is simple, but they split hairs between the playing of the instruments and the production elements. The final result is often a brilliant work that can be considered nothing other than progressive. Despite Wilsons misgivings, and despite being more in the vein of progressive rock than progressive metal, Porcupine Tree should never be ignored by any metal enthusiast or true lover of music. Their releases are consistently some of the highest level of musicianship you'll find. On this album, they take many of their cues from 70's progressive music and occasionally remind one of Opeth. You cannot help but love the many organic textures that you will discover here ("My Ashes" comes to mind). However, Porcupine Tree doesn't limit themselves to the past. They know how to use modern day elements as well. This is never more obvious than on "Sleep Together" which successfully meshes both old and new keyboard sounds, distorted guitars, and a very up front beat, all of which combines to remind one of the better rock bands of the mid-90's, yet still sounds fresh and new. The highlight of the album however, absolutely has to be "Anesthetize". Clocking in at 17:42, yet never staying in one place long enough to become dull, it is a masterful blend of layered sounds and subtle complexities. For an added bonus, it features a guest appearance by none other than Alex Lifeson of Rush. As if all of this wasn't enough, the lyrics are quite intelligent and really try to start an intelligent discourse on certain topics. Never was this as obvious as on the single "Fear of a Blank Planet". It's a shame that some people took only one thing out of the video (probably never actually listening to the lyrics), completely misunderstood it, and incorrectly connected it to the VA Tech shootings. Typical mainstream ignorance. But the fact that all of this has gone on just goes to prove that Porcupine Tree gave us an album that is not only good art, but one that can really get people talking, at least; if not thinking.
4) Epica - The Divine Conspiracy: How far Epica has come in a few short years. Most of us first got wind of them in 2003 with the release of "The Phantom Agony", and at the time, we all pretty well agreed that they were very good, but somewhat in the shadow of Nightwish. Well times have certainly changed and Epica has most assuredly come into their own. Maybe they have simply developed as musicians. Maybe the drama with and bankruptcy of their old label (Transmission Records.. they are now with Nuclear Blast) and the loss of drummer Jeroen Simons, along with the sense of freedom they surely felt in recording "The Divine Conspiracy" (as they recorded it without having a label) did something inside to bring them to the next level. Maybe it wasn't even freedom, but instead the pressure to create something that would have the labels clamoring to sign them. Maybe it is because both Ad Sluijter and Coen Janssen were such a major part of the song writing. Or maybe it is just a bit of all of these things. Whichever you choose to believe, there can be little doubt that they are now at the top of the symphonic metal pile. A large reason for such a sentiment is because "The Divine Conspiracy" is a fully mature release that showcases their full potential. Everyone performs their role superbly. Simone's voice is as beautiful and emotional as ever, and Mark's growls are more than effective. Although he has an increased vocal presence than on previous releases, it isn't overdone. It is also plain to see that Epica is at the peak of their songwriting ability and unity as a band. The instruments are all given their proper space and arranged with expert craftsmanship. In fact, although overall, this is a heavier, more guitar oriented album than anything they've done before, it maintains a great balance with the symphonic elements. Epica has reached a new level. As long as they don't rest on their laurels, and they keep pushing this level of musicianship and beyond, Nuclear Blast should simply continue to support them and give them the room they need to grow on a worldwide basis and watch the success happen.
5) Nightwish - Dark Passion Play: What can be said about the Nightwish story that hasn't already been beaten to death? The dismissal of one vocalist, the long, unsure, drama-laden process of deciding on another, all finally culminating in an album that was guaranteed to divide the Nightwish community in two long before anyone heard so much as a note. Even after the album became available, many fans were still unsure about what they were hearing until they saw the boys with Anette live on tour for the first time. The tour really drove home just how awesome this new era can be. It reinforced that you don't have to forget the past, but neither do you have to dwell there. So yes, Tuomas and the gang came through. From masterful works such as "The Poet and The Pendulum", to energetic rockers that really work live such as "Bye Bye Beautiful", over to interesting and different songs such as "Sahara" and "The Islander", we really saw that while the years have brought many changes, some things always remain the same. Nightwish is a healthy group of musicians that can still deliver quality music.
6) Devin Townsend Presents Ziltoid The Omniscient: Fetch me your finest cup of coffee! With those words, Devin Townsend ushered in a musical phenomenon, while yet again proving his creative genius. This album is truly inspired. Devin brings the death in many parts, rocks it in others, and gets progressive where it counts. But what really proves the inspiration are the elements of pure comedy gold. Only the most jaded of listener won't cackle with giddy glee upon hearing Ziltoid declare, "I am the greatest guitar player ever to have lived!" But Ziltoid is so much more than simply the story and humor. Songs like Ziltoidia Attaxx and Planet Smasher (which has some heavy sounds that really convey the idea of heavy booming smashes) show just how hard hitting this album can be, while Hyperdrive shows the deliciously smooth, progressive side. Skilled, fun, humorous, and exciting, Ziltoid is metal from stem to stern.
7) Dark Tranquillity - Fiction: Can Dark Tranquillity possibly do any wrong? Their previous album, 2005's Character was a metal chart topper. Every album they've put out since the Stanne vocal era began in '94 is a bonefide classic. Fast forward to the modern day and Fiction is no different. Perhaps it isn't the most innovative album they've ever released, but where others have lost the melodic death faith, Dark Tranquillity keeps going strong, and it is appreciated. Most importantly, it is a true pleasure in which to listen. Fiction also marks the first time since "Projector" that Mikael Stanne has used clean vocals. They can be found both on "Misery's Crown" and "The Mundane and the Magic", giving both songs an almost gothic feel. The latter of those two also includes some extremely rare female guest vocals, handled by Nell Sigland (The Crest, Theatre of Tragedy) which work quite well. Neither does the rest of the album fail to impress. "Terminus (Where Death Is Most Alive)" ranks among some of the best songs they've ever made and is followed by a solid and aggressive melodic rocker ("Blind At Heart"). After that comes the somewhat chunkier, more mid-tempo "Icipher" which shows a side of DT that i do not believe we've ever seen before. As we are approaching the 20th anniversary of a true melodic death metal original, Dark Tranquillity proves that they will continue to remain strong.
8) Rush - Snakes & Arrows: Can any other band in the history of music claim to be relevant for as long as Rush continually proves to be? 2007 has us just about to be upon their 40th anniversary of existence and yet they still manage to put out truly engaging and provocative music. The current proof is "Snakes & Arrows". While this is not the Rush of "2112", being perhaps a bit heavier on ballads and acoustic elements than some would have liked, there is no denying the poignancy of their lyrics and the inherent quality of their music. Never ones to hurry their art, it has been 5 years since we last received a full studio album and you know what? That is just fine by me. A band like Rush puts out something when they have something to actually say. It makes me wish more so-called true artists would take their time, free from commercial pressure, to release a lasting quality work that we can treasure forever.
9) Symphony X - Paradise Lost: It is hard to believe that it has been 5 years since SymX released their progressive masterpiece, "The Odyssey". For some, such a wait has been unbearable, but you know the old cliche about waiting and good things. What we were promised was an album that would be heavier than anything we'd seen from them before, and that is exactly what we were given. Overall, the album is more accessible. It contains less prog and more power, but in this case, that is a good thing. Some fans may surely be irked, expecting "The Odyssey Part 2", but this album has hardly abandoned all progressiveness. Instead, it strives for more of a balance between the solid rocking of heavy/power metal and intelligent progressive thoughtfulness. Most importantly, the album just works. That isn't to say that "Paradise Lost" is quite as good as "The Odyssey". But really, what is? However, i am personally disappointed that Russell didn't use more of his outstanding "clean" voice, and i doubt i am the only one with this opinion. I suppose his clean voice wouldn't really fit in with the heavy and hard theme of this album, but it would have been nice to see a bit more often. Ironically, the favorite here is easily the title track, a mid tempo ballad that of course uses his clean voice (though the very accessible "Eve of Seduction" comes as a close second). Regardless of whether you loved or were at all disappointed by this release, one thing is for certain: with an album like "Paradise Lost", their tour setlist is sure to rock just a little bit harder for some time to come.
10) Novembre - The Blue: In almost any other year, "The Blue" would easily be a top 5 contender. It is only because of the sheer number of amazing albums that it is pushed this far down the list. After giving the use of death vocals a rest on 2006's Materia, The Orlando brothers have hit us with a masterful combination of death growls and clean vocals. Melodies of pure melancholy appropriately make their appearance when the moment calls, only to be crushed by the mournful agony of a harsher passage. Much like Materia, this is quite simply beautiful music. Perhaps part of the strength of this album can be attributed to the addition of bassist Luca Giovagnoli. Whatever the reason, Novembre is an under-appreciated band that deserves recognition for their emotionally stunning brand of doom.
11) After Forever - After Forever: In 2005, After Forever went through a considerable change in direction with the release of "Remagine". It wasn't a change that everyone appreciated, however i absolutely loved it. Joost van den Broek helped them to more fully realize their amazing potential. Now, with this 2007 self-title, they have taken this change in direction and bundled it with many of the best elements from their older albums. The result is further proof that this new direction is right for them. The addition of these older elements, a little refinement if you will, surpasses "Remagine" in virtually every way. While one could perhaps say that their recent efforts aren't the most lyrically deep pieces of music you'll ever find, one cannot deny that Floor Jansen's voice sounds as impressive as ever, and the music, particularly in the first half of the album, is so very energetic and alive. The songs are heavy and rocking in many places, operatic in others, and delicate where they need to be. Even the obvious radio single ("Energize Me") is credible and enjoyable. To counter radio friendly tracks, we are treated to a 15 minute delight by the name of "Dreamflight". It goes to prove that they still know about art. The only real critique i can level against the album is that Sander Gommans growls are scarce, at best. They only first make a real appearance on "Withering Time", which is the 6th song. However, when it comes to the vocals, it should be all about Floor anyway, so this is not something i would exactly harp on. Next up we have one of the heaviest songs on the album, "De-Energized". It features a guest appearance by guitarist Jeff Waters of Annihilator and plays a bit like a showcase for his guitar skills. Although the song is a change of pace from the first half of the album, it does work nicely. We also find an appearance by Doro Pesch on "Who I Am". Now i suppose it depends on how well you already like Doro, but i didn't care for this song because she seems to pale in comparison with Floor. Either way, these minor gripes cannot hold back this excellent album. Since it's release, Sander Gommans has needed to leave the group for health reasons. They've decided to not go on without him, preferring to wait for his recovery. I wish him all the best and hope he is able to pull through. Until that day comes (if it ever comes), at least we'll have a quality effort like this self-title to keep After Forever in our minds.
12) Macbeth - Superangelic Hate Bringers: Although i would have the music of Macbeth recommended to me years ago by the OSA's own "C.", it never quite took hold. I recognized the quality and the potential (and even enjoyed some of it), but something about it just didn't hit that ineffable spot that makes you want to hear more. Ever the open minded music lover, i decided to give them another shot when i noticed the release of 2007's "Superangelic Hate Bringers" and boy am i glad i did. The mournful approach to singing that can be found on Malae Artes seems to have been slightly toned down in favor of less histrionic singing on most songs. The production values here are also clearly better. The sound is fuller, clearer and more up front (which to me, is always a good thing). But the most important factor is the word i am brought back to: "ineffable". This album just has a spark that you will find on all of the best albums that will make you want to listen to it again and again. Personal favorites would include: H.A.T.E. and Break The Circle.
13) Swallow The Sun - Hope: Formed in 2000 but debuting in 2003, these Finnish doom metalers have really made a name for themselves in only a few albums. Now with the release of their third, they have proven that they are a talent here to stay. "Hope" is a somewhat sarcastic title for this release, as their intense style of doom robs the listener of such wishful notions. While you may not find any hope, neither will you care, as you become lost in the depths of beautifully layered sounds. Fans of Swallow The Sun will discover that they have used more clean vocals than in prior releases, including an appearance on "The Justice of Suffering" by none other than Jonas Renkse of Katatonia. The digipak version of this album also contains a cover of the Timo Rautiainen & Trio Niskalaukaus song "Alavilla mailla" (These Low Lands). "Hope" is a great example of the current strength of doom metal.
14) In Slumber - Scars: Incomplete: Formed in 2002, Austria's In Slumber is fairly new to the scene, however with this, their sophomore effort, they prove that they can stand with the best of them. I stumbled upon this album quite by accident very late in the year, and i'm glad i did. The straightforward, heavy, driving style of modern melodic death metal will keep your head banging all the way through.
15) Within Temptation - The Heart of Everything: Somewhere between "Mother Earth" and "The Silent Force" (and the transformation of the group), Robert, Sharon and Jeroen seem to have decided to go a much more commercially viable route, regardless of what they may have to sacrifice in the process. Just look at the single "What Have You Done?" Yet again, they try to ride successful trends, this time by including a male vocalist (in this case, Keith Caputo of 'Life of Agony'). Interestingly enough, there is more in common here with Mother Earth than you might expect, but that still can't push this album up to the top 10 where you would normally expect to find WT. Too much of this album comes across as boring and uninspired. However, that doesn't mean there aren't some gems to be found. This is still WT, and they still show glimmers of their greatness. Right off the bat we are treated to "The Howling", which is easily one of the best tracks on the album. Other highlights include "Hand of Sorrow", "Our Solemn Hour", and the title track. So is "The Heart of Everything" up to the legacy they have built ever since they debuted with "Enter"? I'll leave that question for you to answer, but the fact that such a question can be raised at all is quite telling. Either way you answer, one thing is clear: Once you accept that WT is now more symphonic pop metal than anything else they may once have been, you will more readily be able to enjoy what "The Heart of Everything" has to offer.
16) Battlelore - Evernight: Back for their 4th album, Battlelore continues to give us their unique brand of fantasty/lotr themed folkish power metal. Although they haven't changed their formula very much over the life of the band, if at all, something just inherently works about their music. There is just something irresistible about the voice of female vocalist Kaisa Jouhki. Combined with a tangible depth of emotion that you cannot help but feel in every song, there is a beauty here that should not be overlooked. If there is one critique to level against the band, it would be that Tomi Mykkänen's harsh vocals could be a bit better. Thankfully they aren't overwhelming or horrible, they just aren't on par with the other elements to be found. So it is easy to just ride through them until the song gets back to the "good stuff". It is a shame that Battlelore is so under-rated. Metal is a genre that prides itself on creativity, yet a band as different as Battlelore does not receive the attention it deserves.
17) Scorpions - Humanity: Hour 1: Yes! The Scorpions have returned! Ok, so it's not Lovedrive, Blackout, Love At First Sting or even the more commercial Savage Amusement, but this is their best album in *years*. It's great to see that a band so far out of it's prime days can have gone through the fire of a few trite commercial releases, then struggled to find itself again, and finally come back to us with such a mature, solid album. I admit that The Scorpions were a personal favorite of mine through the late 70's and 80's, but this album stands on it's own. Don't approach this one expecting to find fast paced rockers, or wall to wall solo's, but every element here is well thought out and well produced. Even the voice of Klaus Meine has held up amazingly well over the last 30+ years. My one critique is about "The Cross". It features an appearance by Billy Corgan of Smashing Pumpkins fame. I don't really feel that he fits on a Scorpions song, and he never feels a part of the song. He sings his one verse and is never heard from again. If you have never listened to The Scorpions before, first i'd suggest you come out of your hole, then i'd say you would be better off trying some of their older albums like the ones i've mentioned above (or if you can find it, simply pick up "The Best of Rockers 'n' Ballads"). But if you are already familiar with their classic works and lost the faith around the time of "Wind of Change", you might want to give "Humanity: Hour 1" a shot. You might just be pleasantly surprised.
18) Deadlock - Wolves: When i first popped on this album, my reaction was "holy crap!" I had not been exposed to their 2005 album "Earth.Revolt" prior to hearing this one, so i was completely unprepared for brutal death metal that also included clean female vocals in the mix. What was this madness?! At time i had completely forgotten about Mors Principium Est, who have already taken a few chances down this road, but Deadlock has gone well beyond whatever MPE has done, and i completely loved it. So i did some research, after "Earth.Revolt", many people were not too keen on the idea of Sabine Wenger getting a full spot in the band, but it's nice when a band takes some chances, especially when they pay off. This is really experimental as far as metal goes. It weaves electronic elements, female vocals usually saved for less harsh metal sub-genres, and all within the context of some classic brutal elements (though admittedly not as brutal as most other death metal outfits). I know there will be many death heads that won't be able to get into this album. To them i say open up your mind a bit more. It is surely not the most extreme album you'll ever own (now falling more into a strange sub-strata of brutal-melodic death that some want to toss in the word "atmospheric" to describe as well because of the electronic elements), but you will be blown away right off the bat with "We All Shall Bleed", and Wolves continues to be one interesting slab of music straight to the end. That isn't to say that there aren't a few eyebrow raising moments. The first is during "End Begins" when there is a small bridge with some of the cheesiest electronic dance music known to man, but then it busts out into a crazy solo and all is good once again. As i said before, there are electronic elements weaved throughout many songs: "We Shall All Bleed", "Code of Honor", and "Bloodpact" all come to mind. Though in those songs, it's mixed in better and with more subtlety. The final thing to raise an eyebrow is the entire song "To Where The Skies Are Blue". It is nothing more than a boring throw away that seems like it would be right at home on a top 40 radio, and THAT is scary. However, i am definitely going to be paying more attention to this group, as for the most part, i am loving what i am hearing.
19) Behemoth - The Apostasy: It always amuses me how some fans have never forgiven Behemoth for changing from black metal to a blackened form of death metal. These fans clearly don't understand that the band moved beyond the belief structure of Satanism and on to Thelema (as often happens when Satanists reach a certain point in their development). You can't be a sellout when you are true to yourself. Those who loved 2004's "Demigod" will find "The Apostasy" to be just as amazing. The riffs and drum work are tight, and you will occasionally find the addition of chants, piano's and other elements that you might not expect, all wrapped up in a suitably brutal package. Also making an appearance on this album is Warrel Dane of Nevermore, who lends his voice to "Inner Sanctum". Behemoth is known for quality, and The Apostasy rises to exceed all expectations.
20) Dream Theater - Systematic Chaos: The first time i heard Systematic Chaos, it was the instrumental demo and i was impressed. Although not complete, this album seemed better than Octavarium. Then i got my hands on the final version and i have to say that the album is better off without vocals. This is never more obvious than on "Constant Motion". James Labrie makes the verses sound like a Metallica song, and coming from Dream Theater, that is not a good thing. Then we have Mike Portnoy singing (if that is what you want to call what he is doing). The less said about this, the better. It sounds more like it belongs on a Limp Bizkit song. Many of the vocal elements on "The Dark Eternal Night" will also leave you wondering. All i can do is ask the band to please stop. On the plus side, the Petrucci's guitar work is never dull, and Portnoy's drumming is as interesting and competent as ever. In the end there is much more to like here than dislike. Most of the songs avoid these vocal.. experiments. While older Dream Theater fans are likely to have a problem with the fact that this is not as progressive an album as past works; with the songs that go for a harder, more accessible feeling (as DT fans are known to pick apart every detail), they can be overlooked for gems like "The Presence of Enemies (Part 1)" and "The Ministry of Lost Souls".
1) Novembers Doom - The Novella Reservoir: BAM! No, it's not Emeril Lagasse, it's the way Novembers Doom's latest album hits you from the very first song. The Novella Reservoir is the finest example of a doom/death hybrid release i can remember. Not only is "Rain" a hard and heavy opener that will blow you away, but the album will dominate your attention through "Drown The Inland Mere", "The Voice of Failure" and the rest, all of which are part of an outstanding mix of death leaning doom that keeps you enthralled until the last note of the album finally releases you. The only exception is the change of pace we are given half way through with "Twilight Innocence". The dose of acoustic melancholy is a perfect example of soothing, somber doom and it keeps the album fresh. Some reviewers have said that this album was a let down after 2005's "The Pale Haunt Departure", citing it as having gone too far over towards death metal, but these people have done themselves, and their readers a disservice. To ignore the fact that "The Novella Reservoir" is a top notch album is to have lost sight of what is really important. It doesn't matter if a band goes one way or another, so long as they put out something truly outstanding, and this is exactly what Novembers Doom has done. Simply put: The Novella Reservoir belongs in the collection of anyone interested in doom bands.
2) Arch Enemy - Rise of the Tyrant: Arch Enemy are one of those rare bands that can really appeal to the visceral, aggressive aspect of our natures, yet maintain plenty of quality musicianship. However, in the last few years, they haven't quite lived up to their potential. 2005's Doomsday Machine was really a let down and it was obvious that Arch Enemy needed Christopher Amott back and in top form. With "Rise of the Tyrant" that is exactly what they, and we got. Their heads are in the right place and it shows. No more safe solo's, no more holding back. The fury has been unleashed and we have been gifted with a truly awesome album. This could easily be the best work in the Angela era, rivaling the classic "Wages of Sin". An argument could also be made that this is their best album, ever. Yes, it's that good.
3) Porcupine Tree - Fear of a Blank Planet: Steven Wilson of Porcupine Tree may not like it when people refer to his band as "progressive rock", preferring simply to be known as a "rock band", but it's an unavoidable tag to apply. They think their music is simple, but they split hairs between the playing of the instruments and the production elements. The final result is often a brilliant work that can be considered nothing other than progressive. Despite Wilsons misgivings, and despite being more in the vein of progressive rock than progressive metal, Porcupine Tree should never be ignored by any metal enthusiast or true lover of music. Their releases are consistently some of the highest level of musicianship you'll find. On this album, they take many of their cues from 70's progressive music and occasionally remind one of Opeth. You cannot help but love the many organic textures that you will discover here ("My Ashes" comes to mind). However, Porcupine Tree doesn't limit themselves to the past. They know how to use modern day elements as well. This is never more obvious than on "Sleep Together" which successfully meshes both old and new keyboard sounds, distorted guitars, and a very up front beat, all of which combines to remind one of the better rock bands of the mid-90's, yet still sounds fresh and new. The highlight of the album however, absolutely has to be "Anesthetize". Clocking in at 17:42, yet never staying in one place long enough to become dull, it is a masterful blend of layered sounds and subtle complexities. For an added bonus, it features a guest appearance by none other than Alex Lifeson of Rush. As if all of this wasn't enough, the lyrics are quite intelligent and really try to start an intelligent discourse on certain topics. Never was this as obvious as on the single "Fear of a Blank Planet". It's a shame that some people took only one thing out of the video (probably never actually listening to the lyrics), completely misunderstood it, and incorrectly connected it to the VA Tech shootings. Typical mainstream ignorance. But the fact that all of this has gone on just goes to prove that Porcupine Tree gave us an album that is not only good art, but one that can really get people talking, at least; if not thinking.
4) Epica - The Divine Conspiracy: How far Epica has come in a few short years. Most of us first got wind of them in 2003 with the release of "The Phantom Agony", and at the time, we all pretty well agreed that they were very good, but somewhat in the shadow of Nightwish. Well times have certainly changed and Epica has most assuredly come into their own. Maybe they have simply developed as musicians. Maybe the drama with and bankruptcy of their old label (Transmission Records.. they are now with Nuclear Blast) and the loss of drummer Jeroen Simons, along with the sense of freedom they surely felt in recording "The Divine Conspiracy" (as they recorded it without having a label) did something inside to bring them to the next level. Maybe it wasn't even freedom, but instead the pressure to create something that would have the labels clamoring to sign them. Maybe it is because both Ad Sluijter and Coen Janssen were such a major part of the song writing. Or maybe it is just a bit of all of these things. Whichever you choose to believe, there can be little doubt that they are now at the top of the symphonic metal pile. A large reason for such a sentiment is because "The Divine Conspiracy" is a fully mature release that showcases their full potential. Everyone performs their role superbly. Simone's voice is as beautiful and emotional as ever, and Mark's growls are more than effective. Although he has an increased vocal presence than on previous releases, it isn't overdone. It is also plain to see that Epica is at the peak of their songwriting ability and unity as a band. The instruments are all given their proper space and arranged with expert craftsmanship. In fact, although overall, this is a heavier, more guitar oriented album than anything they've done before, it maintains a great balance with the symphonic elements. Epica has reached a new level. As long as they don't rest on their laurels, and they keep pushing this level of musicianship and beyond, Nuclear Blast should simply continue to support them and give them the room they need to grow on a worldwide basis and watch the success happen.
5) Nightwish - Dark Passion Play: What can be said about the Nightwish story that hasn't already been beaten to death? The dismissal of one vocalist, the long, unsure, drama-laden process of deciding on another, all finally culminating in an album that was guaranteed to divide the Nightwish community in two long before anyone heard so much as a note. Even after the album became available, many fans were still unsure about what they were hearing until they saw the boys with Anette live on tour for the first time. The tour really drove home just how awesome this new era can be. It reinforced that you don't have to forget the past, but neither do you have to dwell there. So yes, Tuomas and the gang came through. From masterful works such as "The Poet and The Pendulum", to energetic rockers that really work live such as "Bye Bye Beautiful", over to interesting and different songs such as "Sahara" and "The Islander", we really saw that while the years have brought many changes, some things always remain the same. Nightwish is a healthy group of musicians that can still deliver quality music.
6) Devin Townsend Presents Ziltoid The Omniscient: Fetch me your finest cup of coffee! With those words, Devin Townsend ushered in a musical phenomenon, while yet again proving his creative genius. This album is truly inspired. Devin brings the death in many parts, rocks it in others, and gets progressive where it counts. But what really proves the inspiration are the elements of pure comedy gold. Only the most jaded of listener won't cackle with giddy glee upon hearing Ziltoid declare, "I am the greatest guitar player ever to have lived!" But Ziltoid is so much more than simply the story and humor. Songs like Ziltoidia Attaxx and Planet Smasher (which has some heavy sounds that really convey the idea of heavy booming smashes) show just how hard hitting this album can be, while Hyperdrive shows the deliciously smooth, progressive side. Skilled, fun, humorous, and exciting, Ziltoid is metal from stem to stern.
7) Dark Tranquillity - Fiction: Can Dark Tranquillity possibly do any wrong? Their previous album, 2005's Character was a metal chart topper. Every album they've put out since the Stanne vocal era began in '94 is a bonefide classic. Fast forward to the modern day and Fiction is no different. Perhaps it isn't the most innovative album they've ever released, but where others have lost the melodic death faith, Dark Tranquillity keeps going strong, and it is appreciated. Most importantly, it is a true pleasure in which to listen. Fiction also marks the first time since "Projector" that Mikael Stanne has used clean vocals. They can be found both on "Misery's Crown" and "The Mundane and the Magic", giving both songs an almost gothic feel. The latter of those two also includes some extremely rare female guest vocals, handled by Nell Sigland (The Crest, Theatre of Tragedy) which work quite well. Neither does the rest of the album fail to impress. "Terminus (Where Death Is Most Alive)" ranks among some of the best songs they've ever made and is followed by a solid and aggressive melodic rocker ("Blind At Heart"). After that comes the somewhat chunkier, more mid-tempo "Icipher" which shows a side of DT that i do not believe we've ever seen before. As we are approaching the 20th anniversary of a true melodic death metal original, Dark Tranquillity proves that they will continue to remain strong.
8) Rush - Snakes & Arrows: Can any other band in the history of music claim to be relevant for as long as Rush continually proves to be? 2007 has us just about to be upon their 40th anniversary of existence and yet they still manage to put out truly engaging and provocative music. The current proof is "Snakes & Arrows". While this is not the Rush of "2112", being perhaps a bit heavier on ballads and acoustic elements than some would have liked, there is no denying the poignancy of their lyrics and the inherent quality of their music. Never ones to hurry their art, it has been 5 years since we last received a full studio album and you know what? That is just fine by me. A band like Rush puts out something when they have something to actually say. It makes me wish more so-called true artists would take their time, free from commercial pressure, to release a lasting quality work that we can treasure forever.
9) Symphony X - Paradise Lost: It is hard to believe that it has been 5 years since SymX released their progressive masterpiece, "The Odyssey". For some, such a wait has been unbearable, but you know the old cliche about waiting and good things. What we were promised was an album that would be heavier than anything we'd seen from them before, and that is exactly what we were given. Overall, the album is more accessible. It contains less prog and more power, but in this case, that is a good thing. Some fans may surely be irked, expecting "The Odyssey Part 2", but this album has hardly abandoned all progressiveness. Instead, it strives for more of a balance between the solid rocking of heavy/power metal and intelligent progressive thoughtfulness. Most importantly, the album just works. That isn't to say that "Paradise Lost" is quite as good as "The Odyssey". But really, what is? However, i am personally disappointed that Russell didn't use more of his outstanding "clean" voice, and i doubt i am the only one with this opinion. I suppose his clean voice wouldn't really fit in with the heavy and hard theme of this album, but it would have been nice to see a bit more often. Ironically, the favorite here is easily the title track, a mid tempo ballad that of course uses his clean voice (though the very accessible "Eve of Seduction" comes as a close second). Regardless of whether you loved or were at all disappointed by this release, one thing is for certain: with an album like "Paradise Lost", their tour setlist is sure to rock just a little bit harder for some time to come.
10) Novembre - The Blue: In almost any other year, "The Blue" would easily be a top 5 contender. It is only because of the sheer number of amazing albums that it is pushed this far down the list. After giving the use of death vocals a rest on 2006's Materia, The Orlando brothers have hit us with a masterful combination of death growls and clean vocals. Melodies of pure melancholy appropriately make their appearance when the moment calls, only to be crushed by the mournful agony of a harsher passage. Much like Materia, this is quite simply beautiful music. Perhaps part of the strength of this album can be attributed to the addition of bassist Luca Giovagnoli. Whatever the reason, Novembre is an under-appreciated band that deserves recognition for their emotionally stunning brand of doom.
11) After Forever - After Forever: In 2005, After Forever went through a considerable change in direction with the release of "Remagine". It wasn't a change that everyone appreciated, however i absolutely loved it. Joost van den Broek helped them to more fully realize their amazing potential. Now, with this 2007 self-title, they have taken this change in direction and bundled it with many of the best elements from their older albums. The result is further proof that this new direction is right for them. The addition of these older elements, a little refinement if you will, surpasses "Remagine" in virtually every way. While one could perhaps say that their recent efforts aren't the most lyrically deep pieces of music you'll ever find, one cannot deny that Floor Jansen's voice sounds as impressive as ever, and the music, particularly in the first half of the album, is so very energetic and alive. The songs are heavy and rocking in many places, operatic in others, and delicate where they need to be. Even the obvious radio single ("Energize Me") is credible and enjoyable. To counter radio friendly tracks, we are treated to a 15 minute delight by the name of "Dreamflight". It goes to prove that they still know about art. The only real critique i can level against the album is that Sander Gommans growls are scarce, at best. They only first make a real appearance on "Withering Time", which is the 6th song. However, when it comes to the vocals, it should be all about Floor anyway, so this is not something i would exactly harp on. Next up we have one of the heaviest songs on the album, "De-Energized". It features a guest appearance by guitarist Jeff Waters of Annihilator and plays a bit like a showcase for his guitar skills. Although the song is a change of pace from the first half of the album, it does work nicely. We also find an appearance by Doro Pesch on "Who I Am". Now i suppose it depends on how well you already like Doro, but i didn't care for this song because she seems to pale in comparison with Floor. Either way, these minor gripes cannot hold back this excellent album. Since it's release, Sander Gommans has needed to leave the group for health reasons. They've decided to not go on without him, preferring to wait for his recovery. I wish him all the best and hope he is able to pull through. Until that day comes (if it ever comes), at least we'll have a quality effort like this self-title to keep After Forever in our minds.
12) Macbeth - Superangelic Hate Bringers: Although i would have the music of Macbeth recommended to me years ago by the OSA's own "C.", it never quite took hold. I recognized the quality and the potential (and even enjoyed some of it), but something about it just didn't hit that ineffable spot that makes you want to hear more. Ever the open minded music lover, i decided to give them another shot when i noticed the release of 2007's "Superangelic Hate Bringers" and boy am i glad i did. The mournful approach to singing that can be found on Malae Artes seems to have been slightly toned down in favor of less histrionic singing on most songs. The production values here are also clearly better. The sound is fuller, clearer and more up front (which to me, is always a good thing). But the most important factor is the word i am brought back to: "ineffable". This album just has a spark that you will find on all of the best albums that will make you want to listen to it again and again. Personal favorites would include: H.A.T.E. and Break The Circle.
13) Swallow The Sun - Hope: Formed in 2000 but debuting in 2003, these Finnish doom metalers have really made a name for themselves in only a few albums. Now with the release of their third, they have proven that they are a talent here to stay. "Hope" is a somewhat sarcastic title for this release, as their intense style of doom robs the listener of such wishful notions. While you may not find any hope, neither will you care, as you become lost in the depths of beautifully layered sounds. Fans of Swallow The Sun will discover that they have used more clean vocals than in prior releases, including an appearance on "The Justice of Suffering" by none other than Jonas Renkse of Katatonia. The digipak version of this album also contains a cover of the Timo Rautiainen & Trio Niskalaukaus song "Alavilla mailla" (These Low Lands). "Hope" is a great example of the current strength of doom metal.
14) In Slumber - Scars: Incomplete: Formed in 2002, Austria's In Slumber is fairly new to the scene, however with this, their sophomore effort, they prove that they can stand with the best of them. I stumbled upon this album quite by accident very late in the year, and i'm glad i did. The straightforward, heavy, driving style of modern melodic death metal will keep your head banging all the way through.
15) Within Temptation - The Heart of Everything: Somewhere between "Mother Earth" and "The Silent Force" (and the transformation of the group), Robert, Sharon and Jeroen seem to have decided to go a much more commercially viable route, regardless of what they may have to sacrifice in the process. Just look at the single "What Have You Done?" Yet again, they try to ride successful trends, this time by including a male vocalist (in this case, Keith Caputo of 'Life of Agony'). Interestingly enough, there is more in common here with Mother Earth than you might expect, but that still can't push this album up to the top 10 where you would normally expect to find WT. Too much of this album comes across as boring and uninspired. However, that doesn't mean there aren't some gems to be found. This is still WT, and they still show glimmers of their greatness. Right off the bat we are treated to "The Howling", which is easily one of the best tracks on the album. Other highlights include "Hand of Sorrow", "Our Solemn Hour", and the title track. So is "The Heart of Everything" up to the legacy they have built ever since they debuted with "Enter"? I'll leave that question for you to answer, but the fact that such a question can be raised at all is quite telling. Either way you answer, one thing is clear: Once you accept that WT is now more symphonic pop metal than anything else they may once have been, you will more readily be able to enjoy what "The Heart of Everything" has to offer.
16) Battlelore - Evernight: Back for their 4th album, Battlelore continues to give us their unique brand of fantasty/lotr themed folkish power metal. Although they haven't changed their formula very much over the life of the band, if at all, something just inherently works about their music. There is just something irresistible about the voice of female vocalist Kaisa Jouhki. Combined with a tangible depth of emotion that you cannot help but feel in every song, there is a beauty here that should not be overlooked. If there is one critique to level against the band, it would be that Tomi Mykkänen's harsh vocals could be a bit better. Thankfully they aren't overwhelming or horrible, they just aren't on par with the other elements to be found. So it is easy to just ride through them until the song gets back to the "good stuff". It is a shame that Battlelore is so under-rated. Metal is a genre that prides itself on creativity, yet a band as different as Battlelore does not receive the attention it deserves.
17) Scorpions - Humanity: Hour 1: Yes! The Scorpions have returned! Ok, so it's not Lovedrive, Blackout, Love At First Sting or even the more commercial Savage Amusement, but this is their best album in *years*. It's great to see that a band so far out of it's prime days can have gone through the fire of a few trite commercial releases, then struggled to find itself again, and finally come back to us with such a mature, solid album. I admit that The Scorpions were a personal favorite of mine through the late 70's and 80's, but this album stands on it's own. Don't approach this one expecting to find fast paced rockers, or wall to wall solo's, but every element here is well thought out and well produced. Even the voice of Klaus Meine has held up amazingly well over the last 30+ years. My one critique is about "The Cross". It features an appearance by Billy Corgan of Smashing Pumpkins fame. I don't really feel that he fits on a Scorpions song, and he never feels a part of the song. He sings his one verse and is never heard from again. If you have never listened to The Scorpions before, first i'd suggest you come out of your hole, then i'd say you would be better off trying some of their older albums like the ones i've mentioned above (or if you can find it, simply pick up "The Best of Rockers 'n' Ballads"). But if you are already familiar with their classic works and lost the faith around the time of "Wind of Change", you might want to give "Humanity: Hour 1" a shot. You might just be pleasantly surprised.
18) Deadlock - Wolves: When i first popped on this album, my reaction was "holy crap!" I had not been exposed to their 2005 album "Earth.Revolt" prior to hearing this one, so i was completely unprepared for brutal death metal that also included clean female vocals in the mix. What was this madness?! At time i had completely forgotten about Mors Principium Est, who have already taken a few chances down this road, but Deadlock has gone well beyond whatever MPE has done, and i completely loved it. So i did some research, after "Earth.Revolt", many people were not too keen on the idea of Sabine Wenger getting a full spot in the band, but it's nice when a band takes some chances, especially when they pay off. This is really experimental as far as metal goes. It weaves electronic elements, female vocals usually saved for less harsh metal sub-genres, and all within the context of some classic brutal elements (though admittedly not as brutal as most other death metal outfits). I know there will be many death heads that won't be able to get into this album. To them i say open up your mind a bit more. It is surely not the most extreme album you'll ever own (now falling more into a strange sub-strata of brutal-melodic death that some want to toss in the word "atmospheric" to describe as well because of the electronic elements), but you will be blown away right off the bat with "We All Shall Bleed", and Wolves continues to be one interesting slab of music straight to the end. That isn't to say that there aren't a few eyebrow raising moments. The first is during "End Begins" when there is a small bridge with some of the cheesiest electronic dance music known to man, but then it busts out into a crazy solo and all is good once again. As i said before, there are electronic elements weaved throughout many songs: "We Shall All Bleed", "Code of Honor", and "Bloodpact" all come to mind. Though in those songs, it's mixed in better and with more subtlety. The final thing to raise an eyebrow is the entire song "To Where The Skies Are Blue". It is nothing more than a boring throw away that seems like it would be right at home on a top 40 radio, and THAT is scary. However, i am definitely going to be paying more attention to this group, as for the most part, i am loving what i am hearing.
19) Behemoth - The Apostasy: It always amuses me how some fans have never forgiven Behemoth for changing from black metal to a blackened form of death metal. These fans clearly don't understand that the band moved beyond the belief structure of Satanism and on to Thelema (as often happens when Satanists reach a certain point in their development). You can't be a sellout when you are true to yourself. Those who loved 2004's "Demigod" will find "The Apostasy" to be just as amazing. The riffs and drum work are tight, and you will occasionally find the addition of chants, piano's and other elements that you might not expect, all wrapped up in a suitably brutal package. Also making an appearance on this album is Warrel Dane of Nevermore, who lends his voice to "Inner Sanctum". Behemoth is known for quality, and The Apostasy rises to exceed all expectations.
20) Dream Theater - Systematic Chaos: The first time i heard Systematic Chaos, it was the instrumental demo and i was impressed. Although not complete, this album seemed better than Octavarium. Then i got my hands on the final version and i have to say that the album is better off without vocals. This is never more obvious than on "Constant Motion". James Labrie makes the verses sound like a Metallica song, and coming from Dream Theater, that is not a good thing. Then we have Mike Portnoy singing (if that is what you want to call what he is doing). The less said about this, the better. It sounds more like it belongs on a Limp Bizkit song. Many of the vocal elements on "The Dark Eternal Night" will also leave you wondering. All i can do is ask the band to please stop. On the plus side, the Petrucci's guitar work is never dull, and Portnoy's drumming is as interesting and competent as ever. In the end there is much more to like here than dislike. Most of the songs avoid these vocal.. experiments. While older Dream Theater fans are likely to have a problem with the fact that this is not as progressive an album as past works; with the songs that go for a harder, more accessible feeling (as DT fans are known to pick apart every detail), they can be overlooked for gems like "The Presence of Enemies (Part 1)" and "The Ministry of Lost Souls".
