Hi Neil,
I only just discovered you had a forum here when searching online for some info on Pat Obrien's Wretched Spawn guitar tone..
Man, what an amazing guitar sound. For me, I wouldn't normally consider this tone to be a conventionally 'nice' tone but for some reason, I really can't get over it. I know (at least a little) what was used from Pat's end but am extremely curious as to what you did at your end with mic selection and processing further down the track..
I have toured with Corpse as FOH engineer throughout Aus/NZ in 2009 and used your TWS tone as a reference point but have to admit I don't think I quite nailed it. Pat had the same rig and I ended up settling on a 57 and 509 - but wasn't quite there!
Any insight to what you did would be greatly appreciated!!
Johnny
I only just discovered you had a forum here when searching online for some info on Pat Obrien's Wretched Spawn guitar tone..
Man, what an amazing guitar sound. For me, I wouldn't normally consider this tone to be a conventionally 'nice' tone but for some reason, I really can't get over it. I know (at least a little) what was used from Pat's end but am extremely curious as to what you did at your end with mic selection and processing further down the track..
I have toured with Corpse as FOH engineer throughout Aus/NZ in 2009 and used your TWS tone as a reference point but have to admit I don't think I quite nailed it. Pat had the same rig and I ended up settling on a 57 and 509 - but wasn't quite there!
Any insight to what you did would be greatly appreciated!!
Johnny