Like every COB album HCDR has a downside too: it lacks a feeling of depth (in all songs except Angels.) Too much lack of depth to be my favourite. It's like rock rock but it's not deep / mysterious like much of Hatebreeder, most of Follow the Reaper, or even some of Blooddrunk...
Dude, are you serious? If you are check some Emperor stuff to know about feeling in the music. I just think BD is so boring album and emotionless. It just didn't bring any feeling to me. But anyway I agree on HB and FTR, those have great atmosphere.
^1+
I agree with most of that post.
Wow it's really refreshing to come back to this forum and hear people speaking honestly. When I used to come here everyone was defending COB's actions saying that their new material was just as good as their old material although i could tell they were very forced statements.
I don't know if Ale's leaving the band had anything to do with the change in musical direction because HCDR was way different than the first three. I mean Bodom using drop tuning, where the fuck did that come from? I'm almost curious as to whether Alexander leaving the band had anything to do with the direction they were going in. Alexi wearing skater clothes and coming onstage with "They're coming to take me away" instead of the great intro to Tokyo Warhearts. I mean things were changing for sure.
I've definitely lost my interest in COB which used to be consuming because of the brilliance displayed on the first three albums. I would love to hear a "Return to the Wild" album because Something Wild is my favorite album of all time. I mean you can only hope, but it is definitely disappointing because i used to feel about Alexi "Wow, here is someone who finally can capture every emotion i've ever had into his guitar playing." and it no longer seems to be the case. I really don't know where Alexi's head is at because to me I would much rather have true fans listening to great music than a bunch of 14 year old kids trying to be hardcore, like the last 3 COB shows i've been to. On the bright side though, I have gotten to see Alexi play guitar live and that is definitely an honor all to itself.
Not the Ale bullshit again please, he didn't write anything besides a couple of licks for Bed Of Razors. Oh, and the "They're coming to take me away" thing was already used when he was on the band.
So you decide what we discuss here?
And that Ale thing, it never was about whether Ale composed or not, asshole.
And if you don't want this discussion, DON'T READ!
ITT: People get trolled by Joe and don't know it.
I think it cause there's a certain spontaneity on the 1st 3 albums which makes the latter 3 albums sound quite sterile. Heck I like Kissing The Shadows because of the spontaneity and frenetic energy in it. And too heavy sounding makes their shred sound fuckin mudded live. Good eg watch Alexi play In your Face with his Signature PU set, gosh he sounded sterile and his playing is like a shadow of the shredder he is.Atm for COB sounding heavy tops the feeling of depth in their list of most important priorities in songmaking. Not much, but a little bit. Switch them around and it could be aweeesome.
As it stands, Children Of Decadence (FTR song) in its own charm is still a bigger punch in the face than most of Blooddrunk songs despite the lower experience and maturity level Alexi had when writing that.
But yeah as for new album, hopefully Anssi Kippo will produce the album with em and whip em back in shape and also tour with em as their FOH, so Chitty's and K-man's days are numbered on the console. Nothing Personal but we need the old Bodom sound back
Well this was new twist, I don't remember anyone wanting to change sound guys before